Keira Knightley: [Matthew MacFadyen] is just such a nice man. I think that helps [when someone is your love interest]. I think that helps when you meet somebody [who will potentially be your cast mate] and you think, "Well, you're just lovely." And is also such an amazing actor. So, what fun. Rosamund Pike: And when he can completely mask the niceness and put it under the arrogance and standoffish-ness that Darcy appears to have. And then [you] melt. Oh, so good. Pride & Prejudice (2005) Dir. Joe Wright Matthew Macfadyen for CBS Mornings (2024) Keira Knightley and Rosamund Pike for Vanity Fair (2025)
MY FAVORITE SUNGLASSES IN FILM (30s – 60s)
BREAKFAST AT TIFFANY'S (1961) dir. Blake Edwards — costume design by Hubert de Givenchy, worn by Audrey Hepburn
PERSONA (1966) dir. Ingmar Bergman — costume design by Mago, worn by Bibi Andersson
LEAVE HER TO HEAVEN (1945) dir. John M. Stahl — costume design by Kay Nelson, worn by Gene Tierney
BREATHLESS (1960) dir. Jean-Luc Godard — costume design by Jean Seberg, worn by Jean Seberg
BELLE DE JOUR (1967) dir. Luis Buñuel — costume design by Yves Saint Laurent, worn by Catherine Deneuve
DOUBLE INDEMNITY (1944) dir. Billy Wilder — costume design by Edith Head, worn by Barbara Stanwyck
NORTH BY NORTHWEST (1959) dir. Alfred Hitchcock — costume design by Harry Kress, worn by Cary Grant
LIBELED LADY (1936) dir. Jack Conway — costume design by Dolly Tree, worn by Myrna Loy
CHARADE (1963) dir. Stanley Donen — costume design by Hubert de Givenchy, worn by Audrey Hepburn
ANATOMY OF A MURDER (1959) dir. Otto Preminger — costume design by Michael Harte & Vou Lee Giokaris, worn by Lee Remick
LA PISCINE (1969) dir. Jacques Deray — costume design by André Courrèges, worn by Jane Birkin
I wanna be feminine but only in this way:
"I really like you because I’m really scared of you." Chappell Roan as a extra special guest judge on RuPaul's Drag Race All Stars
“Urban Recline” by Annie Powers - A minimalist portrait capturing serene repose against stark concrete.
in the beginning we were ordinary street rats, stealing our daily bread and living off the efforts of man's work. we were captured, put in cages, and sent to a place called NIMH.
The Secret of NIMH (1982) dir. Don Bluth