Character, Book, And Author Names Under The Cut

OOOO excited

Just Say Yes: chapter fourteen

Is anyone interested in a honeymoon? Eiji didn't want to go (too awkward) but Ash insisted. Now they're at a hot spring resort and things are getting...steamy. (don't quote me on that--I might've just been going for the pun!).

Content warning: this chapter contains sexual assault (over the clothes!), homophobia, and the f-slur. (I'm sorry!)

Was thinking about this line because Harrow what the actual fuck are you talking about, and I realised something.

Not only does Harrow really for real not know that Gideon loves her—in the bullshit context of their lives, this is a reasonable misunderstanding for her to have.

What has Harrow known Gideon's life goals to be since they were children? Hint: There are at least two Harrow is fully aware of.

The first is to be wanted. As much as Gideon hates and wants to escape the Ninth, she also paradoxically craves their acceptance. They're the only community she's ever known. Harrow plays on that desire from the very beginning, mostly by kind of .... well, okay, by negging her about it. Ironically appealing to her sense of loyalty and duty to her house when they both know Gideon never even had that bridge to burn. That kind of thing.

Whether or not she's right, Harrow sincerely believes that acceptance to still be important to Gideon. First flower of my house, the greatest cavalier we have ever produced. You are our triumph. The best of all of us. When Harrow has only seconds left to make amends, she not only banks hard into praising Gideon, she frames it to unambiguously offer Gideon the acceptance she's always been conspicuously denied. Assuring her of her value not just as a person or as a cavalier, but as one of their house, one of their people.

The second thing Harrow knows is that Gideon wants to join the Cohort. Easy, everybody knows that. She's only been telling everyone with ears (and then some) since she was eight years old. It's the bait Harrow dangled to entice her into this mess. She wants to be a hero, to do great deeds like in the comic books. She wants to be a soldier.

Against the backdrop of all that context, Gideon's dying declaration "for the Ninth" starts to sound a hell of a lot more like "for Queen and country." Especially when you remember that Harrow is still the sovereign ruler of the Ninth. From Harrow's vantage point, Gideon could easily be playing the heroic underdog in a war movie. The soldier no one believed in until she threw herself on a grenade to save her squad. The knight errant who proved her chivalry by giving her life in service to her king.

From that perspective, Harrow's line to Ortus makes sense. She's following through on her promise of acceptance, defending Gideon's loyalty to the first Ninth face she sees. She's playing out Gideon's war hero fantasy, where Gideon's act of heroism proved them all wrong about her. In which case Ortus's response, "You are the most worthy heroes the Ninth House could muster. I truly believe that," flows very naturally as a reply. He understands what Harrow is trying to say, and affirms it.

It's not a hero's burial in the Anastasian, but it's the closest thing Harrow has the power to give her. And it's a fucking reasonable interpretation of Gideon's actions that doesn't touch on her feelings for Harrow at all. Fuck me.

Gideeeonn (I’ve been reading the first book!!)

Hi! I'm your local tinsmith. Sadly, I won't actually be focusing on Tinsmithing much for this blog, but will do art instead. For now, enjoy my brainrot.

Also!!! Hi, while you're here, do your daily click!

For my art, #my art

For Banana fish, #banana fish

For Genshin Impact, #genshin impact

Sketches of him

SPOILER WARNING OP. DONT READ TAGS IF YOU DONT WANT TO BE SPOILED.

No way the saint of duty's name is "ortus" lmaoo. I'm calling it now that beef boy's name is GIDEON and Harrow's mind is just blocking it out for some reason. And I bet it was him that paper in the first book was talking about.

whats the point of friends if you dont put them through psychological warfare

I cannot stand the parodies of modern major general, they're overdone and simply not as good as the original. They've done them about everything, whatever topic, big or small.

And when i notice one of them my eyes will always start to roll.

The diction's always slurry when they rush the complicated words, and adding many fricatives will turn it so cacophonous. The slanted rhymes are silly and they keep just making more and more, please someone stop the parodies of modern major general.

The scanning of the lyrics in the meter is unbearable, they emphazise the syllables in ways that are untenable, in short in matters musical, prosodic and ephemeral, i cannot stand the parodies of modern major general!

YOOO

(although I still haven't gotten kujou Sara so-)