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Black Phillip - Blog Posts
I love Thomasin’s journey to freedom in The VVitch. From the start she was blamed for things that weren’t her fault and you can see how ingrained the hypocrisy of christianity is into their lives. When her brother noticed things about her it was her fault, when her father sold their silver cup it was her fault, when the twins never did their chores it was her fault. Her father succumbed to pride, her mother to envy, her brother to lust and the twins to sloth. She was the purest member of her family, yet they blamed her for their own sins. Thomasin had likely been dealing with this long before the witches preyed on her family, yet when they did she was blamed for that as well and accused of being a witch. Some people believe Thomasin didn’t have a choice to sign Black Philip’s book because she was manipulated by outside forces for so long. That she traded one master for another, but I don’t see it that way. Her family, who had already succumbed to cardinal sins, were exiled from their village and moved out into the middle of no where. The witches likely would have preyed on her family anyway but they saw Thomasin as an opportunity so they gave her an in. Thomasin signed Black Philip’s book and for the first time she tasted freedom from the hypocrisy of christianity. When a master offers freedom, freedom from subservience, freedom from hypocrisy, freedom from from blame, is he really then a master? No. When a master offers freedom, he is not a master, he is a liberator.
I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.
--Anne Sexton, “Her Kind”
THE VVITCH: A New-England Folktale (2015), dir. Robert Eggers. Witches Sabbath (1789) / Witches Flight (1798) by Francisco de Goya.
‘Black Phillip, Black Phillip, king of all.’
The VVitch: A New-England Folktale (2015) dir. Robert Eggers
