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Diane Duane - Blog Posts
Oooooooooo
Status report: In the "Adventures In Staying Housed" department...
Greetings to the Bluesky folks who've dropped by! Just to confirm what's going on:
We're hoping to sign the lease on our rented house early next week, but we have some rental arrears that we're very much hoping to be able to deal with in the short term. Some extra cash flow in the short term would be a really big help.
With that in mind, may I possibly point you at the following SF and fantasy ebook bundles at our ebook store? All are DRM-free and come with our lifetime replacement guarantee if you lose the files or your reading device, change platforms, or whatever. (With this caveat only: due to Brexit, we can no longer sell into the UK. Our profound apologies.) And once you buy a book from us, you own it. Period.
Our store's full inventory of the revised/edited Young Wizards young adult SF/fantasy novels, and the interstitial works that go with them, is here:
All the current works in the LGBTQ-centered Middle Kingdoms adult fantasy universe are here:
And if you're feeling expansive, our entire store inventory—36 ebooks at present—is here:
Finally: if you're all ebooked up at the moment, but you'd still like to be of assistance... after some public-demand style noodging we've finally installed a Ko-Fi. If you choose to go this route, please consider yourself thanked in advance for your thoughtfulness! We very much appreciate it.
Thanks, everybody! ❤ ...And we very much look forward to enlarging your TBR pile. :)
Winter Reading Reviews '16
Winter '16 Reading Reviews #bookreviews #amreading
A couple weeks late, but it gave me a chance to finally finish Tigana, which has been haunting me since the fall. This review has minor spoilers for Tigana by Guy Gavriel Kay, The Steel Remains by Richard Morgan, Before the Awakening by Greg Rucka, The Force Awakens by Alan Dean Foster, Games Wizards Play (Young Wizards series) by Diane Duane. (more…)
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Hello! I just wanted to write to thank you.
One of my favorite lines I've ever read is “Jim was already familiar with the incessant activity of that cool, curious mind as it tirelessly hunted answers. But now he saw where the activity came from - Spock’s utter certainty that there was no higher purpose for his life than to burn it away in search of truth, and to give that truth away when he found it. More, Jim saw what fueled and underlay that certainty: a profound vulnerability paired with a great, unreasonable joy”. That, combined with the YW series (which I recently reread), is very good for my soul.
You and your work are truly an inspiration to me! That Wounded Sky quote resonated with me for the theme that joy and curiosity really can underpin an entire, happy, successful life. Young Wizards has so much of the same - books and libraries are magic, but so is nature, and space, and manmade machines, and whales and sharks. Your stories strike a balance I can't always put into words - that curiosity and joy can be self-sustaining. They are not dependent on a single field, a single datum, a single discovery. They can be a lens and a philosophy and they can fit in your pocket for everyday. Curiosity as a mindset, and an exercise in loving and engaging with the world; joy as a result of realizing how many exciting things there are to love and be curious about.
On a parallel note, I am fascinated by how you seem to blend fantasy and sci fi - your Star Trek feels loving and magical, and your fantasy feels grounded and tangible. I am in awe of how many things you've been a part of creating, because it gives me hope that I, too, might avoid having to pick a narrow niche. But in the meantime, I am so grateful to be able to escape into your books, because I fall in love with them again every time, and then I come back and fall back in love with life.
I’m glad to hear it! Thanks for letting me know. ☺️
Also: generally, I think niches are best left to statues. Create what works for you and makes you happy. Life’s too short to waste doing otherwise.
This week on: Do I Want to Be Diane Duane or Read Every Word She's Ever Written
Diane Duane really is the where's waldo of authors. Like oh, I just finished, Star Trek (TOS), those Star Trek books look pretty cool. Huh that cover with Spock on it looks neat. Proceed to read one of my favorite novels in the entire world. Ok ok it's by Diane Duane. Gotta remember that. Starting TNG like yo it's Diane Duane again! She wrote this episode :). Oh well, I guess no more Diane Duane Star Trek as I have found all of them for my collection. Damn, well my friend really likes Spiderman/Venom. Her birthday's soon. Guess I should get her comic books? And with steel chair it's Diane Duane again! And oh wait, what other comics did she write? She wrote a comic book for Star Trek! Better read that! An X-men novel!! Hmmm, y'know I've been reading a lot of sci fi and comic books recently. I would really like to get back to my roots and read some fantasy, preferably with some wizards. Diane Duane once again snipes me from the google recommend books page. Doing some research on Barbie to get ready for the Barbie Movie. Barbie: FairyTopia is cowritten by Diane Duane and Elise Allen. A bomb is dropped on my house. Watching a video essay on Batman because it's 2AM and youtube thinks I might like that. I've never watched Batman the animated series, but I guess I'll give it a try. Diane Duane strikes once again. Talking with my friends about their favorite authors and where they live during a vacation in Ireland. Huh I actually don't know where Diane Duane lives. Look it up and get punched into next week. Get tumblr. Ha that was a funny! Waldo once again has been sighted.
TL;DR: Diane Duane has got range and I haven't looked up all the things she's done and keep getting pleasantly surprised.
Can't believe Diane Duane invented the nerd we all want to be
Can't believe Diane Duane invented love with this passage that's so crazy
You don’t own fanfics. They’re inherently public domain because they aren’t your IP. Agree or disagree with AI, there are no grounds for “protection” from AI because it isn’t your IP to begin with. That’s what you chose when you chose this medium
Oh dear.
Okay, you get an answer, because at least you took the effort to write your ask out properly, even if you are hiding behind the grey, sunglassed circle.
Do I, or any fanfic author for that matter, have any legal claims to our work? No, not really, no. (Although if someone took a fic, filed off the serial number--deleted the fandom specific elements--, and then had it published for financial gain, yeah, that would be a case.)
BUT
Fandoms are built on a social contract that says we respect each others work, the effort people put into their art. We don't steal or disrespect the work of our peers. By feeding people's fanworks to AI you both steal and disprect it, and we need to make people realize that before it's too late--before fandom falls apart, because there will be no more real, actual fanworks.
Disrepectfully,
Orlissa
(i can't believe I have to say this)
As someone currently spite-writing the second draft of a project...this fills me with such a sense of purpose and inspiration. XD
What inspired you to write Young Wizards? A relative, a dream you had? Did the story come to you as you were writing it, or was it hammered from bits and pieces of thoughts made plain on text? Were there parts you struggled with, parts that came easier than others? (Have you already answered these questions in an interview you can link to?)
What inspired me to write So You Want To Be A Wizard?
Partly humor. Partly rage. (More about both under the cut...)
The subject's come up in interviews every now and then, but let's tl:dr; it here.
The humor: Often enough while I was nursing, and seeing the bizarre things people would do to their own bodies, I wished out loud to other fellow professionals that human beings came with some kind of instruction manual. Now, I'd known the "So You Want To Be A…" series of (US-published) career books from my childhood. One day when I was thinking about them—and for no reason I can understand at this end of time—the word "…Wizard" plugged itself onto the end of the title template.
Instead of a simple instruction manual for people, I found myself considering what a wizard's manual would look like. Where would it come from? Who would it have come from? Might it, itself, be an entirely bigger manual than the one I'd been joking about—but the full instructions and background material you'd need for (maybe) understanding life, but (definitely) doing magic? A book as big or as small as you needed for the work in hand, and full of the answers to questions you never thought you'd get answers to? ...
From that basic concept, the wider concept of wizardly culture built itself up over the next couple of years. ...Naturally I'd read Le Guin's "Earthsea" books years before, and I'd noted (but decided to pass on) the concept of a school-for-wizards. While it was interesting enough, it'd already been done by a writer far more skilled. What interested me more was a DIY-ish approach, where you learn by yourself, do things that interest you, and join up with other like-minded practitioners when the mood moves you or circumstances require.
Anyway, now comes the rage. While all this was percolating in the background, I was finishing up a YA series by another writer. When I hit the end of it, I was profoundly upset by the events of the series’s closure. They seemed to me to have treated strong and resilient young characters as helpless creatures without agency, subjecting them “for their own good” to an amnesic end-state they absolutely didn’t deserve. I got mad about this. I dove into the writing of the first Young Wizards book with the intention of treating my young characters a whole lot better—since if there was anything I knew about kids from my nursing, it was that a lot of them were tougher than many of the adults around them.
Once I was started, the writing went straightforwardly from book’s beginning to book’s end (because as I was already a screenwriter, and screenwriters outline, the novel was naturally outlined too). The writing took about six months, as right then I was also writing for Scooby and Scrappy-Doo to pay the rent. I turned in the book and didn’t think much more about what might happen next (though I knew there was quite a lot more story to tell) until I ran into Madeleine L’Engle at some event of my publisher’s. She took me aside and said, “I read your last one. I liked it a lot! When’s the next?”
That was when I realized I had a problem... so I got busy. :) ...And I’ve been busy with the Young Wizards universe ever since. I’m busy with that universe right now, though it may not look like it. And I expect to be busy with it for years to come.
HTH!
At the Young Wizards end of things: a progress report
Those of you who saw the November post about the general updating of all the Young Wizards sites (secondary to this call for opinions/advice) will already know in a general way what’s been on the agenda. That agenda has been moving forward in fits and starts, and finally there’s enough action to be worth reporting on.
Keep reading
“Even without the high angle of a few moments ago to give the Sun something to reflect from, there was no mistaking the small, angular shape hunkered down against the rising ground in the near distance, its little camera pole sticking up…
…there was no use kicking up more dust on the hardworking little machine- it had more than enough trouble with what the winter dust storms left layered on its solar panels. The scientists at NASA had for the past couple of years been surprised and pleased that the Spirit and Opportunity rovers had managed to keep working for so long: mostly, they theorized, because of passing dust devils that blew the accumulated storm dust off them. The wizards who came up here every now and then with cans of compressed air and puffer brushes while the probes were asleep were delighted to let the scientists think that- and careful not to remove enough dust at any one time as to make them suspicious.”
-Diane Duane @dduane, A Wizard of Mars
rebloging from my main blog.
This is the first place I ever found Young Wizards fandom
And I don’t want to lose you, cousins, so I’ve made us a Lifeboat, if you will.
https://discord.gg/83Fz8KM
I’ve never heard of us having a discord server, but if an established one already exists, please someone link me.
Young Wizards will always be the best YA series because you’ll fall in love with and cry about sentient tears in spacetime, sharks, amalgamations of spheres, computers, gods, macaws, and most importantly you’ll begin to believe fiercely in the beauty and heartbreak of the universe.
With the new book being out and my never having read "A Wizard of Mars" I decided to pick up the New Millennium ebook editions. I'm getting close to the end of "So You Want to be a Wizard" and while I haven't gotten to the part where Nita reads from the bright book I know it's coming and I can already feel my heart breaking. It made me wonder: are Nita's and Kit's experiences with the Lone Power singularly unique? Do other wizards have opportunities like when Nita writes in the bright book?
Yes. And no. Except sometimes. In fact, always.(See also, “go not to the writer for advice, for she will say both ‘yes’ and ‘no’ and ‘wait two seconds while I come up with some proto-canonical material that I’ve never had reason or opportunity to mention to anybody before.’”)
Ordeals serve a number of purposes. Primarily they help the Powers that Be determine, in the simplest and most straightforward way, whether or not the wizard to whom they are potentially entrusting a lifetime of energy will actually commit to use that energy in moments of crisis. Equally primarily (if that phrase makes any sense at the human level, while remembering that from the Powers’ point of view, “all is done for each”) they routinely serve to solve or at least illuminate interior issues that the new wizard needs to get handled. This is besides actually solving a problem or concluding an intervention that some part of the local space-time continuum needs enacted / sorted out.
So you understand that no two Ordeals are ever alike, but every single time their effect is identical to that of saving the world — because when you save a part of it, even a very small part of it, “saving the world entire” is nonetheless exactly what you’re doing. Existence is, in this particular mode of analysis or expression, holographic: intimately interconnected at the quantum level, in such a way that — in what may be the best possible use of this phrase — “size doesn’t matter.” When (for example) instead of squashing a bug in the house, you get a glass and a piece of paper and catch it and put it outside, it may seem like nothing in particular… but on levels we are not even remotely sensorially equipped to perceive, when one chooses to spare life instead of taking it, existence quakes to its roots as living experience is kicked just a wee bit further into the Life direction. Choice always matters. And Ordeals are a particularly acute form of choice; both an expression of personality and a shaping of it – the iron in in the fire, submitting to the hammer, willingly. (And possibly, ideally, dragging the Lone Power into the fire with it, in just one more tiny little change.)
So the immediate answer is that all wizards have such opportunities. They may not look so earthshaking — but appearances deceive. One Ordeal or another may not seem dangerous, they may seem to involve very small changes in the local environment… But without fail, when passed, they are enough to convince the Powers that Be that the wizard in question is one who, for their definition of wizardry, is going to get the job done. And that’s what counts.
Hope that answer makes sense. :)
There was a point where, whenever I ran into my stalker...
…I wanted to greet her with “Fairest and fallen, greeting and defiance, now and always.”
Not because I thought she was literally the Lone Power. But because she was clearly one of those people the Lone Power was acting through and loving it. And because dealing with her seemed to be part of my Ordeal.
And honestly because remembering that there are malevolent forces in the universe that use people like her to hurt people (and that she would willingly hand herself over to such forces if she believed in them, she was that kind of person), and that those malevolent forces of the universe can be named, greeted, and resisted, even resisted politely, was very important.
If you ever hear me say anything starting with “Fairest and fallen…” you know I’m serious. I may be wry, I may be half-joking, but some part of me is deadly serious if you hear those words come out of my mouth. It means “I know you. I know what I’m looking at. I know where your evil comes from, even if you don’t. And I won’t put up with it, and I won’t stand by and let this happen.”
The Young Wizards books are among a type of books I’ve read that hide deep and meaningful truths about the universe in the guise of ordinary children’s books. That’s my favorite type of book, ever.
I once read someone on dduane’s tumblr saying that when she was a kid, she would repeat the Wizard’s Oath over and over again, hoping it would make her a wizard.
I wrote to dduane telling her that I hadn’t read them as a kid. But when I grew up, I found that the Wizard’s Oath had already somehow become etched onto my heart, and it only took reading the words to remember how it happened. She said she gets that response from adults now and again.
There are many versions of the Wizard’s Oath, and some fans (including me) have made our own recensions. Each person gets the version they need. But here’s the one from the first book:
In Life’s name and for Life’s sake, I say that I will use the Art for nothing but the service of that Life. I will guard growth and ease pain. I will fight to preserve what grows and lives well in its own way; and I will change no object or creature unless its growth and life, or that of the system of which it is part, are threatened. To these ends, in the practice of my Art, I will put aside fear for courage, and death for life, when it is right to do so — till Universe’s end.
Here’s a version written for a dinosaur who had been living underground in a dystopian city:
“The Fire is at the heart, and the Fire is the heart; for its sake, all fires whatever are sacred to me. I shall kindle them small and safe where there are none, for the wayfinding of those who come after: I will breathe on those fires about to die in dark places, and in passing, feed those that burn without harm to any; the fire that burns and warms those who gather about it, in no wise shall I meddle with it save that it seems about to consume its cofocals, or to die. To these ends, as the Kindling requireth, I shall ever thrust my claw into the flames to shift the darkening ember or feed the failing coal, looking always toward that inmost Hearth from which all flames rise together, and all fires burn undevouring, in and of That Which first set light to the world, and burns in it ever more…”
And my personal recension:
In the soil, we are all growing, together. I will moisten the roots of those who need water. I will never allow the soil to dry out. I will make room for seeds to grow into plants. I will allow the soil to consume the parts of me that are no longer needed, and I will reach towards the sun. I will not touch leaves that may die at my touch, unless it is necessary to prevent some greater harm. I will love sorrel and tree, fungus and slug, alike. I will live inside of love, and let love guide me, to the best of my ability. I will look always to the place where all of our roots reach down as one.
Since it came up in the chat, the “official”, from Diane Duane herself, pronunciation of ‘dai stiho’.
So You Want To Be A Wizard by Diane Duane
I’m a little nervous about doing a review of this book, actually. For one thing, it’s one of the foundations of my ethical code today. Who I am is, in a large part, based on this novel and the ones that come after. That makes it a little hard to be objective and give a nice unbiased review, but I’ll do my best. Another thing I’m nervous about is that the author, who I (obviously) respect, is a regular Tumblr user, and is probably going to see this at some point. Finally,this series has a devoted fandom comprised of intelligent, wonderful people who know a lot about the series.
Still, all those reasons to be nervous should make it clear that this is a series you really shouldn’t miss!
So You Want To Be A Wizard is the first book in what is, at the moment, a nine book series. The tenth book, Games Wizards Play, is due out… sometime… Well, we know it’s coming! Recently, the series got a revamp. The first book is copyright 1992, so the timeline needed a bit of help after twenty-two years. If you’re looking to get into the series, starting with the NMEs is a good choice.
But let’s talk about the book itself.
It opens with Nita Callahan, reader extraordinaire and space devotee, running away from bullies from her middle school. She manages to duck into the library, and as she’s hiding, her finger is snagged by a book - when she pulls it out, it’s a book called So You Want To Be A Wizard. Naturally, she thinks it’s a joke, but. Well. It doesn’t read like a joke. And if she was a wizard, if she had magic, maybe she could stop getting hurt. So she takes the Wizard’s Oath, and though momentarily lulled into a sense of complacency by finding another teen wizard and learning about exciting magic things and meeting a white hole, presently finds herself engaged in a struggle against the forces of entropy, embodied in the form of the Lone Power, where the stakes are the Earth itself.
But that’s the plot. What makes this series so exceptional is the motivations of the characters, wizardly and otherwise, and the level of responsibility with which they interact with their world. In retrospect, that first scene with the bullies is pretty telling for the series as a whole. It’s seriously treated - Nita is a victim, and she is not responsible for their actions or what happens to her. She is, however, responsible for her own actions; she chooses to antagonize the bullies to claim some power from the situation. What her Ordeal (the quest when you accept the Oath) lets her realize is that she already has power - she controls her own choices, her anger and what she does with it - and it shows her how to claim it. As a wizard, she has the power to terrify those who want to hurt her; as a human, she has the power to break the cycle of violence. The very nature of wizardry in this universe demands that she choose to “guard growth and ease pain”, but it doesn’t require her to forgive the bullies. That she does choose to use her power for forgiveness shows how strong she is as a person.
Choice is in many ways the center of the book, and of the series. A species makes a Choice that defines their relationship to wizardry and entropy. Each wizard chooses to take the Oath. In the course of wizardry - and life in general - choices come up all the time. There are consequences to all of the choices you make, but what you do with your free will is in the end up to you. Figuring out what to do with your free will isn’t easy, though, and it becomes increasingly difficult as the series progresses and the characters age - the choices we make as children are always more straightforward than those we make as adults, when our ability to see the complexities of a situation grows, which is another thing I appreciate about the series. The characters are in no way static, and the books do become more difficult as the characters gain the age-appropriate abilities to handle the problems that come up.
Those problems aren’t always wizardly, either! There’s at least one very long-running romance subplot between Nita and her best friend Kit, not to mention a plethora of truly excellent sibling and parental contretemps. The familial relationships are absolutely phenomenal, by the way, and are pretty varied. Both Nita and Kit have complex, realistic, and person-specific sibling relationships. And the parents! One problem I often have with YA literature is that parents are very sketchily characterized, mostly a name and a figure to rebel against. Which makes sense - one’s perspective as a young teenager is limited, and one’s ability to see other people as people is also limited. Part of adolescence is learning to recognize that other people are distinct individuals, and in their lives, you’re on the periphery if you register at all. In this series, the parents are well-characterized from our perspective, and as the kids age, how they perceive their parents also changes. I’d like to see more of Kit’s parents - we get some of them, but not nearly so much as we get of the Callahans. There’s a good reason for that, but it’s a spoiler.
Their parents aren’t the only adult figures in these kids’ lives, either. Tom and Carl are Senior wizards who live just up the road, and provide an excellent sort of hands-off mentorship. They’re very clear from the beginning that they don’t have all the answers. The kids can ask for aid and answers, but they might not get them. I’m making a note of their care in establishing themselves as fallible early on, because the kids do forget this, and I feel like they should get some recognition for the effort. Good try, guys!
It’s an eminently quotable book, funny and heartbreaking by turns. It’s a great book to give kids - magic and mystery! Travel the universe, meet the gods! Be scared witless and thrilled breathless! Develop a strong ethical code based around the Hippocratic Oath, individual responsibility, empathy, and the strength of forgiveness, belief, and second chances! Save the world, with or without magic!
That last is actually the last thing I really want to talk about. Although it doesn’t come up much in the first series, one of the things that makes this series so very influential is the idea that you don’t actually need magic to change things. The wizards get to play in the grand scheme of things, but regular folks are no less important or influential. Sure, we can’t stop a sun from exploding, but we can slow entropy in a thousand other ways. We can conserve energy, spread order and kindness and cooperation, help the hurt, counsel the despairing, and if all that fails, we can stare evil down and refuse to go along with it because that, too, is a choice we have the capacity to make.
tl;dr - amazing book, with surprisingly nuanced discussion of ethics and excellent characterization. Purchase it for one and all! The only content warning I have for this one is bullies, though feel free to contact me if you want content warnings for the remaining books. This book is available as a multi-format package from Diane Duane’s ebookstore for $6.99. Hard copies can be purchased from Amazon for $7.19, but it’s not the NME, so be warned! You can also get the hard copy from your favorite local bookstore! If you want an ebook, I recommend getting it straight from the source. They’re excellent quality ebooks, reasonably priced, and frequently on sale as well.
How much of YW was planned from the beginning? E.g. did you know about Bobo when you were still writing SYWTBAW?
Nope. Bobo happened along the way.
I did know from the very beginning that this was going to be a series (contrary to some people’s beliefs, especially the ones who consider the closure at the end of High Wizardry very complete). But initially I wasn’t sure where I was going with it except in very general terms. By the end of Deep Wizardry, though, I was starting to get some ideas of some things that were going to have to happen, and of how much further this could go if I got lucky and the sales were good enough to keep me at the same publisher. …But then the publisher (Dell) changed hands (managerially) and “changed directions”, as they like to say, and just after I turned in High Wizardry they started the process of offloading all their midlist authors and concentrating their attention and promotion on their bestselling writers. (In the process, for example, throwing Jane Yolen overboard. How stupid can you get?)
There has never been any overarching blueprint or master outline. But as I was working on HW I started to see the path ahead much more clearly. (Which got kind of frustrating when Dell dumped me; A Wizard Abroad wound up being published first in the UK, by Transworld / Corgi, and then by the SF Book Club, before Jane went on to wrangle the new YA imprint at Harcourt and bring me aboard). While I was working on Abroad I already knew that the events of The Wizard’s Dilemma would have to happen, and could see the difficulties that would come of them; and while I was working on Dilemma, the arc that kicks off in Holiday solidified a lot further. And so forth. This is the way it always seems to go in this series: things build and develop in three- or four-book stages, pulling in data from earlier books and making more sense of them in the overall picture.
Yet it would also be true to say that one specific issue-arc that launched in SYWTBAW has not yet paid off, has been more or less constantly on my mind since 1983, and will finally start its resolution in book 11. And whatever you’re thinking it is, I guarantee you that’s not what I have in mind. Seriously: this particular thing, no one will have seen coming. Promise.
There… that should make everybody crazy enough for one day.
It gave Kit an annoyed look. “All right, so I’m ambivalent,” the Lone One said. “But isn’t ambivalence preferable to pure evil?” Kit considered that one for a moment. “See? You’re buying it already,” the Lone One said. “I was getting bored with absolute evil, anyway. I find that you can do lots more damage with ambivalence. … "People are eager to excuse it, though. Ambivalence is seen as a sign of maturity, wheras actually taking a stance on one side or another is easy to describe as simplistic. Or unsophisticated. Or juvenile."
-Wizard’s Holiday by Diane Duane
[yells to the heavens] THIS IS WHY I LOVE YA LIIIIIT
(via trailofdesire)
Rebloggable-d by request: Names in the Speech
So this may be an odd question, and not one you’ve thought about much — but how would the Speech interact with someone who uses/identifies as a different name than their birth/legal name? I don’t mean like Kit — presumably his name in the Speech would include a phrase along the lines of ‘Christopher, called Kit’ — but a case where the birth name has been ‘rejected’, and isn’t part of the wizard’s identity at all.
intheafterlight