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Something quick and simple with Feanor and Fingolfin
The arrow is kind of random because I didn't want to give swords to both of them. Don't judge me!
I wanted to share this little gem with the world.
The least 6 portraits.
Lúthien, Fingolfin, Maglor, Fëanor, Aredhel and Ecthelion.
So in my Spanish class, the teacher has assignments on the board that say something like, "Tiana es Alta y trabajadora."
But recently, she ran out of Disney princesses and random names, so she had us write names on index cards and turn them in.
She handed me a couple of index cards, and I immediately the knowledge of the House of Finwë spark in my brain like,
Fëanor and Nerdanel.
Fëanor sails for Middle Earth.
Nerdanel stays.
Fëanor is bonked by balrogs.
Nerdanel mourns.
No one mourns the wicked.
Quick question.
You know the Dad Shirts™️, right? Or even better, the Apocalypse Dad Shirts™️? Or, if you look really closely, the shirt that Sam wore when he was first seen gardening in the Fellowship of the Ring, when Bilbo was narrating the wonders of the Shire? Yeah, the Dad Shirt™️.
These bad boys.
ANYWAY
Do you think that, given the opportunity, Fëanor would wear the Dad Shirt™️?
RANDOM SILM CHARACTERS FAVE SOUPS (because it's finally getting cold where I live)
Fëanor: tomato soup. No grilled cheese. Nerdanel (and the rest of his family) thinks this is terrifying. Solid color (and red), he likes the consistency.
Nerdanel: beefy stew. A very hearty soup for someone who is probably very strong. Gotta get that protein for chiseling out some marble 💪💪
Maedhros: Zuppa Toscana. Flavorful, a lil spicy, and has some potatoes in it. Perfect.
Maglor: chicken noodle with tri color rotini. My dad likes the tri color rotini, and Maglor gives dad vibes
Celegorm: no salt added bone broth. Do NOT EVER eat any soup he offers.
Curufin: French onion. Bougie guy. Likes to take the bread off the top and eat it separate. Celebrimbor thinks he's crazy.
Caranthir: miso soup. Add spicy soup dumplings. Was begrudgingly taught how to make soup dumplings in his youth by Finwe, forgot, and was then re-taught by Haleth.
Amrod: chili. Warm and filling, likes it with tortilla chips, cheese, sour cream, the whole shebang. He does not usually like beans, but will tolerate them for chili.
Amras: corn chowder; nice and creamy, preferably with some thick toast to dip it in. He likes it thin, not thickened with a flour/corn starch slurry, so it's kinda weird.
Celebrimbor: potato soup. All the way. He does not skimp on the garnishes of bacon and cheese: to him, they are not garnishes, but added, necessary ingredients (me too, bro).
I had potato soup for dinner because by brother did not want the zuppa toscana that I wanted to make.
Fëanor was SCORCHING when he heard Nerdanel say that but she’s like
(Bonus: Nerdanel wearing one of Anaire’s dress. She just knows the right buttons to push)
A game!
@hipster-merchant-of-death @katsontherun @babayaga67 @danielsleftwhitevan @dekusleftshoe @thots4daze @michiieewrites @aizawascumslut @ravenfeet222 @strawbirb @yanderart @league-of-villians-headcanons @sailor-manga
Aaaaaand that's a wrap! I'm done with drawing the Fëanorians; at least in the same style and as companion pieces.
Here's Fëanor, on his way to commit the crime he's so infamous for. And I am so incredibly happy with my progress. Because, um, when you look at my art of Maedhros and the others, they all look incredibly... thin. So either advanced stick figures or disturbingly underfed elves... I will leave it to your imaginations.
Edit: Also, I just realised "Trouble" by Adam Jensen goes with this perfectly
P.S. Guys, thank y'all for all these nice tags you reblog with; if they were comments, I would've responded😭 but as it is, I can only say I am reading all your commentary with a face-splitting grin and clapping my hands from giddiness-overload. Your responses always make my day, even if it already is great!
Something something about Curufin really resembling Fëanor. Sometimes Curufin catches his brothers looking at him weirdly. Like, really weird. Maglor standing in the doorway with tears in his eyes while Curufin plays with Tyelpe, softly singing the same songs Fëanor used to hum to them as kids. Or Maedhros going completely silent—teary-eyed silent—after Curufin delivers a fiery political rant they absolutely don’t agree on. Tyelko weirdly saying a soft “thank you” (with a smile, no less) when Curufin quietly replaces his worn-out arrows with new ones. Even Caranthir showing up at the forge, saying nothing at all, just standing there until Curufin asks what’s up and all he says is, “I like watching you work.”
It used to weird him out. Now he kinda gets it. They weren't looking at him at these times... they were seeing echoes. He accepts it. His brothers' pain is the same as his.
tag yourself I'm Mitskibidi
tag yourself I'm notice me sin pi
tag yourself im life is dragging me along by the thong
(Disclaimer: I’ve only watched Beren a Lúthien, Fëanor a jeho synové, Děti Húrinovy, and Pád Doriathu)
Rohirové (Rohirrim) (2015)
The story of Rohan, from Eorl the Young to Théoden and Éowyn. [No captions or translation available.]
Hobit (The Hobbit) (2014) and (2020)
An Unexpected Journey; or: There and Back Again. [No captions or translation available.]
Beren a Lúthien (Beren and Lúthien) (2016)
The tale of Beren and Lúthien, and their quest for the Silmaril. [No captions; translation in progress.]
Aredhel (2017)
Aredhel, from the founding of Gondolin to her death; Maeglin, and his betrayal. [No captions or translation available.]
Fëanor a jeho synové (Fëanor and his sons) (2018)
Fëanor and his family, from the childhood of his sons to his death. [Captioned in English; I am also working on a translation.]
Děti Húrinovy (Children of Húrin) (2019)
The tragedy of Húrin’s family, from his visit to Gondolin to his death. [No captions; currently being translated by @nereb-and-dungalef.]
Pád Doriathu (Fall of Doriath) (2022)
The slow fall of Doriath, from the claiming of the Nauglamír to the deaths of Dior and Nimloth. [Captions in Czech; auto-translate works. No available script, so no translation is in progress.]
not a musical:
Nienor Níniel fan movie - English and Czech
A short fan video about Nienor Níniel.
upcoming Falešné společenstvo projects:
Pád Gondolinu (Fall of Gondolin)
Númenor
list subject to change, updates
Tak pravil Maedhros v přísaze, || So spoke Maedhros in the oath, stejně Maglor, jehož každý zná, || As did Maglor, who is known by all, Celegorm, Curufin taktéž, || Celegorm and Curufin as well, dvojčata, Caranthir. || The twins and Caranthir. Kdo přísahu slyšel, zachvěl se, || Whoever heard the oath trembled, zazní slova nezrušitelná, || The irrevocable words rang, lhostejno, co pravda, co lež, || Whether they were right or wrong je nedobytný cíl. || Their goal cannot be reached.
[x]
for @feanorianweek day 7: Fëanor, Creation
I also made an alternative version based on this weird idea of mine, because, unfortunately, I do need someone to keep an eye on my pipettes at work :D
IDEA: The Silmarils were, in fact, crystal containers with either:
- fluorescent proteins, or (even more likely)
- luciferases (proteins that catalyze chemical reactions producing light, e.g. in fireflies or jellyfish)
because that's probably how the Trees could shine in the first place.
*Gasp* and Feanor thought it was Morgoth who stole his silmarils this whole time- but it was actually his own youngest sons?!?! I present to you the twins, Ambarussa
Literally, I have proof
Fëanor and Nerdanel.
Fëanor sails for Middle Earth.
Nerdanel stays.
Fëanor is bonked by balrogs.
Nerdanel mourns.
No one mourns the wicked.
maglor made it look more dramatic in his songs so the future generations don't laugh at them
elrond knows what it really looked like only bc maedhros talks in his sleep, is silent about it out of mercy
galadriel had no mercy
It's so funny, cause... it's literally what Tolkien actually wrote in his opus magnum Silmarillion! It happened when Valar, despite having almost angelic powers, practically abandoned Middlearth and Beleriand and allowed Morgoth and his cronies to kill and enslave Elves and Dwarves and lead part of Humans away from them(enslaving others too). They allowed everything built and created by Elves to be destroyed, for a huge part of Noldor elves to die in horrible ways, for Eru's children to suffer. No matter how narrative attempts to frame this, Valar are accompliced by their inaction. Even before the First Kinslaying, they had practically forgotten about Sindar and Nandor Elves living under Morgoth's feet, about Dwarves and yet-to-be-awakened-Humans.
Their inaction was not deemed as something inherently good in any piece of Tolkien's works except the Myths Transformed. In The Book of Lost Tales(which i consider really good for analysis and explaining some plotholes of published Silmarillion and presenting Valar in more or less sympathetic light) the majority of both Maiar and Ainur are so afraid of Morgoth that they practically force Manwe(who is their king) to hide Valinor from the world! It happens despite both Manwe and Ulmo pleas for Noldor's sake and Manwe telling all secrets about Elves and Humans Eru entrusted him! Myths Transformed, on the contrary, present Valar as ultimately morally right no matter what happened - and it is the reason why they seem so unlikable and problematic for many(and may be the reason Christopher never used this concept). Even in the published Silmarillion Valar are presented as misguided and not totally right in the end.
Also, let's adress Tolkien himself. He never considred Lord of the Rings the major book he had written in his life and the book what tells about his views most is actually Silmarillion! And this book actually has more complex take on "good and evil", explaining, why Tolkien viewed his charactres as they are.
What in Tolkien's mind separates morally grey character(like Feanor, his sons, Turin) from the villain(like Morgoth, Sauron, Eol, Saruman)? As it can be seen through the text, it is an ability to love and care about someone while seeing them as persons and loyalty to another person or their people or devotion to a large-scale goal character has. The reasons that his characters are "good" are not because of their service to some institutions or fighting evil, but because they are productive, creative and their major goal is making the world a better place. They are something except the fighters and destroyers and it what made them good. It's evil who reacts on "good characters" doing something, like it was with Sauron's deeds during the Second Age(founding Mordor in response to Numenor's victorious wars against him, falsely giving up to Ar-Pharazon in response to latter nearly destroying his kingdom, attacking Gondor and causing War of the Last Alliance of fear it will take root) and Morgoth's before the First Age(creating Dissonance in responce to the Eru calling him out, manipulating Noldor princes out of envy for their artificial gems, especially the Simarils).
Meanwhile, Jedi are purely the reactive force at the time of Prequels. They do nothing, they create nothing, they only serve a corrupt goverment doing whatever it asks and ignoring it sliding more and more into the autoritarism. They ignore literal and corporal slavery in Canon, and crime syndicats(like Findian syndicat), long-time civil wars, dark cults(like Bando Gora), planets getting attacked and suffering from epidemics and starvation in Legends. They do even less than IRL Templars and Hospitallers did(guarding the piligrims and giving them shelter, which was the primary goal of such institutions except fighting Muslims). We have never seen the Jedi travelling from one planet to another to build or create something(or heal somebody), they does not harbor any global project involving something potentially useful for all of Republic citizens.
In comparison, many Tolkien's favourite characters and nations are something except the warriors and fighters. If we will take hobbits, they are wonderful farmers. Teleri Elves are the shipbuilders and saliors. Noldor Elves and Dwarves are blacksmiths, inventors, artificial gem and jewelry makers. Sindar Elves are singers. Numenorians and Gondor people are scholars, explorers of the world, alchemists and inventors too. Even Rohan people are not only the fighters, they are wonderful horse breeders. I won't even start with master inventor Feanor with his belief that Eru's children's mind can overcome Ainur and Celebrimbor with desire to heal Middlearth from wasting away. Do Jedi present something of themselves except the enforcing and partly dimplomatic organisation?
None. And there is the reason Jedi could not and should not be compared to Tolkien characters. They grew complacent and distant from the people. They only react - while Tolkien heroes act. We never see Jedi "bravely going where no people had gone before" or moving to some planet in order to create a medicine for some illiness, even if they are stated have their own special Service Corps divisions for this. Ironically, that is actually makes them having a lot in commin with Ainur, whom Jedi Stans tend to compare their faves with. Complacency, which in the end lead to the tragedy.
They compare Ainur to the angels, ignoring the textual evidence that their complacency lead to the practical genocide of Elves. And ironically, an actual Tolkien fandom - and the Professor himself - tends to see these "Angels" in more or less critical light.
Something quick and simple with Feanor and Fingolfin
The arrow is kind of random because I didn't want to give swords to both of them. Don't judge me!
Full-sized image here.
Breaking news of the day! Most characters who die in the Quenta Silmarillion die violently! I expect zero people who have read The Silmarillion to be surprised by that.
In other news, if you’re a Silmarillion character, simply knowing Túrin Turambar at some point in his relatively brief existence is just about as deadly as getting involved in the centuries-long pursuit of the Silmarils.
This is all in good fun, folks, because I can’t be the only person who likes crunching Silmarillion death stats on a Friday. But if you want the dull details on how I determined what went where, it’s below the jump.
Keep reading
@helimir brought up such a great point in her tags on this post
The topic of the glory of failure in Tolkien's work is a very interesting one.
In fact, most endeavors end up in failure.
Whether it's Frodo failing to complete his mission, Smeagol failing to free himself of the ring & Gollum, Boromir failing to save the hobbits (or Gondor), the Noldor failing to defeat Melkor, Fëanor & the Fëanorians failing to take their revenge and (for most of them) their Silmarils, Maedhros failing to escape his doom, Fingolfin failing to defeat Melkor, the whole Nirnaeth, etc...
They all fail. But the failure is so epic. So spectacular, there is such a grandeur, such valor & prowess, such tragic beauty, such tales, dare I say, such grace to their failure that could never be found in victory.
They're all still hailed as heroes. (Or at worst, tragic fallen heroes or anti-heroes.)
Whether it's Frodo managing to keep his soul if not his peace & happiness & old life for the mercy & pity & kindness he once showed, whether it's Smeagol unintentionally destroying what destroyed him & saving Frodo's soul, Boromir regaining his honor, Fingolfin leaving a lasting scar on Melkor, Maedhros' true nature finally showing itself after so long in his last moment & expressing such deep shame & regret by killing himself when the Silmarils judged him evil, Maglor's good nature shining through even in his worst moments when he decided to raise the half-elven twins & passed down the best of himself still remained to him to them & them growing up to become such great people, & eventually his good nature showing shame & regret by condemning himself to be forever separated from people & singing songs of regret...as @helimir beautifully expressed, if it's not outright a redemption arc, it at least feels like it. Their struggles mattered, but even more than that, their struggles were what mattered.
Even in things like Nirnaeth that were nothing but catastrophes, they're such beautiful, epic, spectacular catastrophes.
Really, how many endeavors truly result in success?
They made an effort, & therefore, they left an impact. & for that, they went down in history. If not as heroes then at least as tragic figures.
They dreamed, they hoped, they willed, they fought, they tried, they were here.
& that mattered.
At a certain point, it’s just Feanor and Eol remaining unrepentant in Mandos.
Feanor nods along as Eol goes off about: the Valar; people usurping what is his; a disloyal wife who betrayed him by trying to separate him from his son; how, if he did any wrong, it was because his hand was forced by people stealing from him, and that is what caused his family’s deaths!
Immediately after this, Feanor goes to Namo and is like. “Okay. I see it now. I was a prick, my bad.”
Namo is so shocked that his watch on the doors of night falters and that’s why Feanor’s return heralds the end of the world. Not with a bang, but with Feanor apologizing.
Metaphysical question - what do you suppose Tolkien meant to indicate by making the 'Flame Imperishable' so important in the early Valaquenta? It's supposed to technically be the thing that really drew Melkor off-course, is the stuff of souls, yet it winds up as this very mysterious, undefined force. Do you think it's the same light that filled the trees (and thus the Silmarils)? Tolkien loves his light, but I wonder how much these forces are connected in canon.
Oh my friend, you just ask the best questions. *evil cackle*
So, as for what the Flame Imperishable does, literally, that's pretty straightforward. (It's also sometimes called the Secret Fire, in case you wanted to search for that in an electronic version.) Eru uses it to kindle life in all beings from the Ainur to the Children, and without this force, that's impossible. Melkor goes searching for it and can't find it, and Aulë makes little dwarf puppets until Eru sparks them to life personally. Ye Olde classic subcreation examples, so on and so forth. Probably sounds familiar from our first thread ever!
I think that this theme of subcreation is really what Tolkien meant to hammer home with the Flame Imperishable, especially in the Ainulindalë. It's a force to give to living beings, not for them to control—and we never see it outside of this "life force" application. So, I don't really think that the Trees or the Silmarilli literally contained the Secret Fire, though I admit that would make a neat explanation for why Melkor was so obsessed with destroying the first and keeping the second.
But neither are we supposed to put the Flame Imperishable out of our minds when we think of these things. Remember how I mentioned searching for "secret fire" in an electronic copy? Well, I did! And the only time it's mentioned outside of the capitalized, proper force of Eru is in reference to... Fëanor.
...Fëanor grew swiftly, as if a secret fire were kindled within him. He was tall, and fair of face, and masterful, his eyes piercingly bright and his hair raven-dark; in the pursuit of all his purposes eager and steadfast... He became of all the Noldor, then or after, the most subtle in mind and the most skilled of hand.
And there's just too many connections here to dismiss, because when the man named Spirit of Fire grows to become a creator like there's a secret fire, the force of creation, inside of him? And he when makes three jewels with literal bits of his spirit, like a secret fire, inside? Isn't a coincidence. And notably, Tolkien says "as if," not "with," so this is still a simile—but it's a deliberate and telling one all the same.