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guys guys guys I wanted to see if anyone had made an edit with this song and this is AMAZING and it has barely any views pls watch it it’s so good I promise
The Knocks featuring Mandy Lee covering M83's ubiquitous "Midnight City."
M83's anticipated double-album Hurry Up, We're Dreaming finally and officially dropped on Tuesday. I must admit, I've been apprehensive. How could the self-proclaimed youth and nostalgia-obsessed Frenchman and mastermind Anthony Gonzales live up to the hype(machine)? I mean, everyone loves that sax solo in lead single "Midnight City"! And Urban fuckin' Outfitters had rights to the first complete stream of the album!
Still, I believe true mainstream success will elude M83. Unless within the year he sells out the Fox Theater(I call it) and every track is licensed to movies, tv, and commercials ala Moby's Play.
Regardless, I will continue to listen to standout track "Steve McQueen" with my fist in the air.
So last week I grumbled about pretty much everything - sucky weather, utter broke-ness, and the lack of good new jams. I was your prototypical anonymous cynic of the internets!
This week is different. It's currently 75 degrees in Oakland with fair skies, and I'm stoked on a new track. I am however, still broke, but I'm always broke.
French swirly dream pop band M83 dropped new single "Midnight City" off the forthcoming Hurry Up, We're Dreaming. This succeeds John Hughes-movie- soundtrack-inspired LP Saturdays=Youth, which was a damn near perfect record for ME. I mean, c'mon, an atmospheric synth-pop record inspired by moments like Ferris and Sloane bidding goodbye after a long, radical day to Dream Academy's "The Edge of Forever"?
Saturdays=Youth was a record tailor-made for this kid who thought Shermer, Illinois was real way before Jay and Silent Bob.
New single "Midnight City" doesn't sound far off, era-wise. There's a huge sax solo at the end. I've heard this so many times before (Psychedelic Furs' "Heartbreak Beat") but with that, it hits every note of nostalgia without sounding old.
The double(!) record comes out October 18 on Mute, followed by a gig at SF's Independent on November 10.