They Made It A Family Affair

they made it a family affair

A Bathroom Crash Out Is Mandatory At This Job

a bathroom crash out is mandatory at this job

The Shape of Youniverse

Here, have a fancy new series masterlist, with a header courtesy of angel divine @my-secret-shame.

Also, the fics are now in chronological order of when they take place in the AU, rather than when I wrote them!

Summary: It all started with the idea that Steven loves your boobs. A now full blown AU of forging a life and family with a post-Khonshu Moon Boys that’s as heartfelt as it is filth.

Pairing: Steven x afab!Reader, Marc x afab!Reader and Jake x afab!Reader. Reader is married to the system and all three alters are no longer working for Khonshu

FIRST (Rated M, primarily Marc x Reader)

GET A LITTLE ACTION IN (Rated E, primarily Marc x Reader)

UN PEQUEÑO ENAMORAMIENTO (A LITTLE CRUSH) (Rated M, primarily Jake x Reader)

GROUP EFFORT (Rated E, primarily Marc x Reader)

SWEET AS HONEY(MOON) (Rated E, it’s a free for all with everyone)

THE MORE THE MERRIER - PART ONE (Rated M, it’s a free for all with everyone)

THE MORE THE MERRIER - PART TWO (Rated E, it’s a free for all with everyone)

THE SHAPE OF YOU (Rated E, primarily Steven x Reader)

CLOSE ENCOUNTERS OF THE MATERNAL KIND (Rated E, primarily Steven x Reader)

THE MAGIC TOUCH (Rated E, primarily Jake x Reader)

DROPPING IN (Rated E, primarily Steven x Reader)

COMPETITIVE STREAK (Rated E, primarily Jake x Reader)

FAMILY AFFAIR (Rated E, primarily Jake x Reader)

CUFF(ED) IT (Rated E, primarily Steven x Reader)

PLAYGROUND APPROPRIATE (Rated E, primarily Marc x Reader)

TRYING FOR TWO (Rated E, primarily Steven x Reader)

SEEING DOUBLE (Rated G, primarily Steven x Reader)

SIDELINE WARRIOR (aka Jake as a Soccer Dad) (Rated G/T, primarily Jake x Reader)

CREME FRAICHE (Rated E, primarily Steven x Reader)

MIXING IT UP (Rated E, primarily Steven x Reader)

Moon Boys with a Beard Drabble (Rated M, bit of everyone)

Tags

tbr pile

1K notes View Post

akotafi

4 months ago

SEMPER TECUM

Marcus Acacius x F!Reader | AU | Mini Series 🤍

🤍 Semper Tecum = Always With You

When you stumble upon an old necklace hidden among your late grandmother’s belongings, you assume it’s nothing more than a beautiful relic of the past. But your world shifts when you meet Marcus, an enigmatic and handsome Roman antiques dealer who seems to know far more about the necklace—and about you—than he should.

As strange coincidences and vivid dreams begin to blur the line between past and present, you're thrust into a mystery that will rewrite everything you think you know about history, destiny, and a love spanned across the ages.

Pairing: Marcus Acacius x F!Reader/OFC (No physical description, confirmed age, or ethnicity of reader. Reader is described as female, occasionally wears feminine clothing/make-up, she has hair long enough to tuck behind her ear, but is otherwise a blank slate. However I've marked it OFC as well due to these traits, and these are mentioned minimally.)

Word Count: Approx 80k - Novella length

Scoville Smut Rating: 🌶🌶🌶 "You tell me I'm doing well, and then, you try to kill me."

Warnings/Triggers: Angst/unrequited love/soulmates/love across the ages trope/mentions of violence/death/injury/illness/blood/mild gore/a very brief, tiny mention of sexual assault/infidelity/modern and historic timeline shifts/playing fast and loose with Roman artefacts and some made up lore for them/some references to the film Gladiator 2, and actual historical figures, although a little skewed/Marcus is known as General Acacius or Justus Acacius in Ancient Rome and Marcus by Reader in my story, because this is how I'm choosing to ball/this isn't a history lesson, it's a fictional story/this is primarily a story about love, romance and all that goes with it, including smut. Lots of smut, including unprotected PIV (wrap up, folks!), oral M & F, fingering, mild dirty talk etc... See individual parts for full smut warnings, marked with an asterisk *

🤍 PART I. INVENTIO

🤍 PART II. MEMORIAE *

🤍 PART III. VINCULUM

🤍 PART IV. VERITAS *

🤍 PART V. REDITUS*

🤍 PART VI. AETERNUM

-> MARCUS ACACIUS MASTERLIST

-> MAIN MASTERLIST

-> TAG LIST: I no longer have a tag list. Please ensure you're following me and turn on notifications to get updates for when I post the parts so you don't miss them. 🖤

Tags

tbr pile

613 notes View Post

akotafi

1 month ago

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

170K notes View Post

akotafi

6 months ago

Music and How It Makes Me Feel

I've been feeling out of sorts today and found myself gravitating to an album I haven't listened to since I was in secondary school. I have absolutely overplayed it though, so could only really stand 1 listen through ( and even then,I skipped the most popular of the promotional singles).

It did get me thinking about my relationship to music and to this album, however, and I've come to realise that; I have regressed in my emotional fluency, my ability to parse my emotions and to verbalise them - which is tragic because its kinda my thing; and that I relied heavily on music to communicate and my feelings in secondary school and I have lost some of that due to my listening choices of late.

I will definitely be exploring both these threads on here and in private but it's definitely jarring to realise that no matter how much I think I've improved in my emotional regulation, processing and communication, I've somehow regressed in a major contributor to my understanding of self and area of self expression.

I am going through a transitionary period in life and these thoughts are definitely common to me in times like this, and more albums from my last major transition period - graduating from secondary school, moving to a different country, beginning tertiary education - will definitely pop up in my spotify que. Hopefully I come out of this period in my life with renewed interest in musci as a medium of self exploration and that I don't accidentally trigger myself by listening to anything with strong ties to people I dont talk to anymore.

Tags

rant twenty one pilots trench the weeknd beauty behind the madness music rant

0 notes View Post

akotafi

3 weeks ago

can’t pretend

pairing: Jack Abbot x resident!reader summary: He is puzzled with you first, then vexed, and he can’t understand his feelings. In an attempt to get to know you better (or maybe to get you out of his head), Abbot accidentally crosses the line. (or, alternatively: what if Jack met someone similar to him in many ways. traumatic past included)

warnings: <rivals> to friends to lovers, slow burn, mentions of blood and injuries / I’m hinting at the age gap but you can ignore it / some complicated feelings and a LOT of Jack’s thoughts (his poor therapist will need a raise); assault. ANGST. / words: 7K author’s note: this is my first fic for “The Pitt”. I binge-watched the show in 2 days and didn’t plan on writing anything but my inspiration decided otherwise. I’ve never had a beta reader in my life, please be kind. ♡

Early at dawn, the sky is just the right color — the darkness slowly dissipates, deep purple at the edges, black fading into blue. If he squints and looks above the roofs, he can pretend he’s looking at the ocean. He’s been toying with the idea for some time but it’s more of a dream, a comforting mirage: him getting a small house by the beach, waves crashing softly in the distance, clean blue water blending into the bright blue sky. He’d wake up to the sunrise, take lugs full of cooling salty air, walk in the sand that glistens under the foaming swash. He’d probably adopt a dog — someone to pass his days with, just so the silence doesn’t get too heavy, doesn’t weigh on him when he can’t sleep at night.

A passing car honks down the street, loud and sudden, and Jack flinches, opening his eyes. That’s when the perfect image always falls apart. He is afraid he will get lonely with just a dog and with nothing to do, he will be going up the walls, bored out of his mind. But he doesn’t know how not to be alone. And some days he wishes that he did.

The air in Pittsburgh doesn’t carry any scents at this morning hour, and Jack’s gaze wanders down to the tree leaves writhing in the wind. He absentmindedly rubs his wrists when he hears the door creaking behind him.

“You know, security is getting worried about you,” Robby chuckles, his steps slow. “I heard the guys making bets on how many times a week you’ll come here.”

“Says the man who likes to brood in my spot,” Jack huffs without looking at him.

“Me, brooding? No idea what you are talking about.”

Robby gets to the roof edge but stays behind the railing, leans on it and slowly stretches his arms. His tone lets empathy in when he speaks up:

“Tough night?”

The sky is overcast, a mush of white and grey clouds the blue barely peeks through, and Jack sighs as he turns away. “Remember you told me about the kid who OD’d on Xanax laced with fentanyl? The parents sat by his bed hoping he’d wake up by some miracle,” Robby only nods when Jack throws him a glance. “I’m dealing with one of those.”

They both lost patients before, and both know that it doesn’t get easier with time. You have to tuck your grief away to walk into the room with their loved ones, offer apologies that carry little meaning, take even more grief in because this isn’t about you and this loss is not for you to carry. But they do carry it — Robby memorizes lifeless faces, Jack never forgets the names of everyone he couldn’t save.

“Brain dead?”

“Yep,” Jack drawls, hands gripping the metal rails. “He’s got three sisters, and all three were begging me. And I stood there feeling absolutely useless.”

Robby watches as his friend’s knuckles turn white. “If you couldn’t do anything then there was nothing that could’ve been done. And I’m really sorry.”

If only words could bring people back from the dead, Jack thinks bitterly but doesn’t say it out loud. He doesn’t want to sour Robby’s mood. And he can’t help but notice — it used to bother him way more, it sometimes would eat him alive; now Jack is mostly numb.

“I’ll sleep it off,” he mumbles.

“Not staying for the welcoming party?”

It takes a few seconds for the reminder to pop up in Jack’s head: a new senior resident, today is her first day. After Collins took maternity leave, Robby spent hours on the phone, glasses pressed to the bridge of his nose as he flipped through the applications, always unsure, never satisfied. And then he got a call and drove across the city to another hospital to meet her in person — he came back beaming. Jack must’ve zoned out so he didn’t catch the details.

“Don’t think I have a very welcoming face.”

“Should’ve seen the guys she worked with. I thought her chief of surgery would literally fist-fight me after I offered her the job,” Robby cackles.

It stirs Jack’s curiosity a bit. “She’s that good?”

“I believe she is. Skilled, confident, haven’t heard a single bad thing about her,” and even though his voice is certain, Robby dithers, bringing a hand to the back of his neck.

“But... ? I sense a but coming.”

“No-no, she’s great, really, and I made up my mind. It’s just that… She comes off as quite stubborn, and I feel like she is used to flying solo,” his eyes dart to Jack. “Reminds me of someone I know,” a smile grazes his lips, an unvoiced comparison he can’t help but draw.

Jack doesn’t see it, his gaze set somewhere on the horizon. “We all have to be team players here, that’s how it works,” he says dismissively. “I’m sure she’ll learn.”

The streets are getting busy, filling with people talking, rushing, making endless calls — and with more honking and more sounds that all merge into one unpleasant noise. And Jack is getting really tired.

“I should go back. Don’t want anyone to scare her off,” Robby puts a hand on Jack’s shoulder, a friendly but firm grip. “I’d also rather not waste my time on scraping your frail body off the pavement. Let me walk you out.”

“Frail body? You are three years older, you bag of bones,” Jack quips, and they share a laugh, and it warms up his heart a little.

But the warmth fades as they get inside, into the weave of corridors, into the crowd of nurses and other doctors pacing, the lighting bright and harsh, the smell of antiseptics clinging to the walls like mold. And it is not as overwhelming as it’s tiresome; once he is out on the street, Jack takes a few deep breaths. It’s hardly a relief.

As he passes by the park, exhaustion already on his heels, he suddenly picks up a sound, something between a whine and a small woof. Jack looks around to find the source peeping out from behind the bushes — brown eyes, wet nose, grey fluffy ears, one marked with a white spot. When Jack takes a step closer, the stray puppy immediately runs off.

On his way home he gets some dog treats and throws them in his bag. He tries thinking of pet names but nothing comes to mind. And when he falls into his cold bed, thick curtains not letting any light reach him, he dreams of standing on a long road framed with grass, a murmuring of waves heard through the mist. But he can’t see the ocean.

It keeps raining, and they have to close the roof — “Merely a precaution, sir, we don’t want anyone to slip. I heard the weather is supposed to clear up in a few days,” one of the guards assures Jack. His mood these days is just as gloomy as the sky. But he’s a man of habit, so every time Jack wants to get out to the roof, he instead gets more cases, drinks more coffee, barely a few words squeezed in between that aren’t work-related.

At first, he only catches glimpses of you.

On the days when your shifts overlap, he sees you tearing along the hallways, your hair up and your face focused, removing gowns to quickly put on fresh ones, your hands either in gloves or carrying the charts. You don’t speak much, and very few times Jack gets to walk past you, he is slightly puzzled by this combination of quiet and fast-paced.

Your first week is nearing its end when Dana prompts Jack to make a proper introduction. She calls him uncooperative and calls for you herself when she sees you leaving trauma#1. You swiftly come by the nurses' station and glance up at the board — and then you finally face Jack, your gaze so piercing, it catches him off guard. He clears his throat and manages a greeting, a bit coolly.

“Nice to meet you, Dr. Abbot,” you tell him calmly, offering a hand. And you don’t look away, and your handshake is firmer than he would expect. The next thing you are holding is another chart, eyes following the lines of words and numbers as you step away, Whitaker barely keeping up.

“She is so fast, she’s almost flying. Beautiful,” Princess notes approvingly, and Perlah hums in agreement.

Their voices snap him back into reality, and Jack inhales sharply, only now realizing his gaze is still on you. He looks down, pretending he needs to fix his watch. “What is this, a fan club?”

“Aw, no need to be so jealous. You will always be our favorite old white doctor,” Princess teases.

Perlah gives her a side-eye. “I thought Dr. Robby was our favorite.”

“Well, yes. But I have a soft spot for men in existential crisis,” Princess winks at him.

Perlah rolls her eyes. “They are all in existential crisis.”

“And I wonder why,” Jack deadpans, then picks a case just so he’s got an excuse to leave. And maybe an excuse to pass by the room you’re in, your gloved hands already stained with crimson.

He starts watching you more often, an impulse he can’t necessarily explain.

He’s careful, he’s not staring, but his hazel eyes always pick you out from the crowd. He’s taking mental notes: you lean on doors with your right shoulder when you rush in, you scan the injured head to toe in every case, hands moving quickly in tandem with your gaze. You never raise your voice but you keep eye contact — with the interns when you give instructions and with the patients to make sure they understand what’s going on. You are efficient with your work-ups, you’re the first one to come in and you stay late to turn your patients over to the night shift. You are meticulous and disciplined in a way he finds relatable; in three weeks' time there’s a foundation laid for him to grow respectful. But sometimes Jack can’t stop the thought: he is yet to see your smile. He is also yet to see you slip up, and that is bound to happen because no doctor is without fault.

A month in, he thinks you finally come close to failure.

A patient is wheeled in on a gurney, gesticulating, red in the face from how displeased or pained he is (probably both); still, as you talk to him, he makes pauses to listen. There’s blood on his chest and his speech is slurring, and Jack’s gaze follows you. From where he’s standing, he can see you clearly, so he can’t help but glance up a few times from his computer screen. It’s all the same routine and it seems to be working smoothly — but when he takes another peek, he sees you frozen.

Jack instantly draws near, alert and observing through the glass: the man is intubated, his shirt cut and chest bared — and with a nail sticking right out of where his heart should be. The monitors go off as the blood pressure drops. When Whitaker makes eye contact with him, Jack takes that as an invitation to come in.

“What do we got here?”

Whitaker looks half worried, half relieved. “Um-m, 41 years old male, nail to the chest, intracardiac. Prepped for the thoracotomy. Cardio is tied up with another surgery, and it’s at least 15 more minutes until we can get an O.R.”

Jack knows the patient doesn’t have that long. His gaze flickers to you but you do not meet it, and he can’t tell what you are looking at. There is no time to guess — if you’ve never cracked into someone’s chest, he’ll gladly guide you. And his guidance is assertive, if a little cocky.

“It’s not every day that you get to do a thoracotomy. And it can be daunting — also, pretty risky if you ask me—”

“Then it’s a good thing I’m not asking,” you retort abruptly without even sparing him a glance.

And then you pick the scalpel and make the first incision, your hands steady and never hesitating, the confidence of a tsunami sweeping rocks away.

Jack has to take a step back because it would be childish to argue when someone’s life is hanging by a thread. And all his doubts are crushed before his very eyes the way ribs are under the pressure of a steel retractor you are holding, the metal sinking into flesh and blood to give you access to the heart. After the nail is out — long but intact, you deal with excess fluid and with the bleeding — and you are more nimble than he is, than he’s ever seen the other doctors be.

“Well, call me impressed,” Jack says earnestly.

The silence is a little awkward — a couple of seconds before you give reply: “Thank you, Dr. Abbot.”

He wonders if maybe his compliment might’ve come as patronizing. What he knows for sure is that you do not need his help. But when he backs away, he sees a glint out of the corner of his eye — dog tags left in the pile of the man’s belongings on the floor. Jack has the same tags hanging on a chain around his neck. He almost doesn’t feel the weight of them but the memories they bring are heavy — sometimes an image flashing through his mind, sometimes a nightmare stirring him awake. And mostly it’s the latter.

But today, as his shift goes on, he isn’t thinking of torn limbs and collapsing buildings and bombings that looked like firecrackers in the night. Those weren’t the reasons he kept going back — he never once craved violence, never really cared about the money. For him, it was the roar of the adrenaline and the belief that even amidst the death and ruins, he could make a change. He hasn’t felt that for a while: the rush, the determination, the power held in your hands when you are cutting into someone’s body, fixing the organs and sewing the skin together, bringing the life back in. He lacks that spark, he misses it, he wants to get it back. To prove to himself that he still can do that — or maybe not only to himself.

So now he isn’t watching you but studying, with a diligence of a man who once had to learn how to walk again.

He starts work earlier just so he can get more patients — but also to listen in on your case reports and trail your steps, peek into trauma rooms you run in and out of. He often finds himself holding back the questions: damn, how did you do that? How come you easily catch things others take so long to figure out? You take on complicated cases: a feeble woman who can’t hold her food down, her arms marked with a red rash; a young jogger who keeps fainting, short of breath; a man whose neck hurts, the pain radiating to his chest. And you examine them and pick the clues to solve the tangle of the symptoms — it’s Celiac disease, it’s kidney failure, it’s spondylodiscitis and you know exactly how to treat it. But Jack knows all these answers too. And even if they don’t click in his mind as quickly as they do in yours, it’s still a victory: he’s not as rusty as he thought he was, he is enjoying this. He can’t believe he almost let himself forget.

When he decides to try a day shift for a change, he’s met with Dana’s worried face, her wondering out loud if he feels okay. She then proceeds to ask the same question two more times, just to make sure.

“You on day shifts may be the thing that saves Robby from a heart attack, you know,” her face softens.

“Are you saying you guys get way more action than us night owls?”

Dana grins. “What, you are already reconsidering your choices?”

“Like hell I am,” one corner of his mouth hints at a smirk.

The day is busy, and he can barely catch a break, but it isn’t a chore: he’s equally enthusiastic about a road accident that left a guy with a skull fracture, an appendectomy, a stoned teenage with a knife stuck in his thigh, a street worker with a leg broken in two places. An hour before his shift ends, they get a lacrosse team of middle schoolers, and the staff shares an exasperated sigh; but not Jack. He fixes broken noses and split eyebrows and some nasty shoulder dislocations, then goes to talk to their coach — a woman in her fifties, robust and perhaps too loud with her scolding. But her blaring voice cracks as soon as the kids are out of her sight. At some point, Jack finds himself holding her hand in reassurance, and she jokes that she’d gladly marry him if only she didn’t have a wife. She also promises that all the kids' parents will give the hospital the highest ranking. And they do.

Jack clocks out when the sky is colored orange, the shadows bleeding on the pavement, and his limbs hum but this weariness is pleasant. He is content, he’s almost joyous — the almost comes from you having a day off. He got to work with so many people, why would your presence make a difference? Jack persuades himself it’s not the reason he takes a few more mornings.

But when he comes back the next time, and you’re already there, there is this weird feeling in his ribcage — a spill of heat, a flutter of his heart. He blames it on the caffeine. You stand with your eyes glued to the chart while Princess lets out a big yawn.

“If another lacrosse team comes in today, I might actually quit,” she laments.

“Send them my way,” you say with ease, without missing a beat.

“That’s ten people,” she punctuates, incredulous. “We got lucky they were just kids. Grown-up men who slam into each other while voluntarily chasing a ball scare me.”

“I’m not easily scared,” you carefully tap on the screen, scrolling through some case report, someone’s illnesses broken into signs and terms; but you do pay attention to what she’s saying. You glance up at the nurse, your voice kind: “If you ever need help, please don’t hesitate to ask.”

And then you look over your shoulder as if you can feel him watching — and it’s the same as the first time: your gaze startles him, like would a fire eruption or a ball lightning. But Jack’s greeting stays rooted in his mouth because Mateo sprints in:

“Hey, there’s something wrong with my patient’s veins, can someone take a look?”

And you are by his side and following him out of the hall in what feels like barely a second.

“I’m so grateful for you!” Princess calls after you. Then she spots Jack too, her face expression turning smug. “Oh, hello there, boss,” and she grins like she knows a secret Jack wasn’t let in on.

Turns out, Robby showed his gratitude by taking a sick leave, the first in three years (Jack would’ve sent him home himself if he heard Robby’s muffled coughing one more time). And it left Jack with way more shifts to cover. He readily gulps coffee from his to-go mug as he skims through the list of patients. The others join him soon: Mel smiles at everyone, the ever-optimistic one, Whitaker looks like hasn’t slept in months, and Santos teases him about something Jack doesn’t care to listen to. McKay is running late. Langton walks briskly to the nurses' station, taps on the tabletop right next to Jack.

“Ready to get back in the game?”

“I’ve been in the game for more years than you can count on your fingers,” Jack gives him a cold stare.

Frank sighs, his fingers drumming on the wooden surface, although he sounds barely concerned. “Love the positive attitude. Dr Robby surely won’t be missed.”

“As if you are such a pleasure to work with,” Dana cuts in, hands on her hips. “You guys should redirect that buzzing testosterone into your work. No one is getting paid for whining.”

“Preach,” Jack huffs as he steps away.

He stops himself from immediately going to check up on you. And twenty minutes later, he is glad that he did — you walk back, unruffled as you always are, Matteo tagging after you. His patient is an old lady with thrombocytopenia she probably ignored until it got too bad: there are bruises sprinkled on her arms and legs, a splotch of dried blood under her nose from how often it’s been bleeding. You gave her a platelet transfusion but you suspect it’s cancer; you order more blood tests and bring her a blanket before she even asks for it. Her eyes well up, voice shaking with heartfelt gratitude. And Jack has to remind himself that he can’t pick any favorites, he isn’t in it for the long run; but if he was to pick, it would’ve been an easy choice. And no one lags behind today — he’s got a well-coordinated team, like gears interlocking in a clock, the harmony built out of weeks of practice. They make jokes, share work stories and snacks; but every time Jack’s eyes get back to you, he can’t catch even a ghost of a smile.

He finds that you are very hard to read. And it unnerves him, maybe just a little.

He tries for his attempts to look brief and nonchalant — a kind word here and there, a quick approving look, a dry joke — and you offer nothing in return. As thorough as you are with diagnosing, you take no part in other conversations, you rarely take breaks or stand around. By the time the noon rolls in, Jack is fighting the urge to grab you by the shoulders: hey, take a seat and have something to eat. And tell me how can I cadge a laugh out of you, just one will be enough.

Dana waves a hand before his face, the phone up to her ear. “There’s been some gang fight at the North Side. Four victims coming in, two critical — one shot in the stomach, the other has his head smashed in. Don’t think they both will make it.”

Jack’s bet is on the first guy but it’s the head injury that’s fatal — the victim is pronounced dead, face so disfigured they’ll need a DNA test. Mel looks away in shock, and Santos frowns. Your stare is blank and unimpressed. You volunteer to take the third guy with a pelvic wound — he’s rambling incoherently, the tight bandage over his hip already soaked; you press your hand to it on the way to trauma. Jack leaves the worst case to himself.

“Who’s down for an ex-lap?”

“Can I run the bowel? I’ve never done it,” Santos asks, hopeful.

“Sure. Once we open the abdomen and remove the bullet, you can have your fun,” he offers, and she runs along with joy.

Although Jack can’t imagine a procedure less joyful. Yet, he is fueled by his new-found appreciation for his job so he walks her through the steps: identify the entry wound and cut in, look for the bleeding and what the bullet might’ve hit. It missed the liver by an inch; but to confirm the damage they need to evaluate the area by hand.

Perlah peeks into the room. “Is he stable?”

“Well, unless Dr. Santos gets too excited and makes a bow out of his intestines,” her hands stop, and Jack breathes out a chuckle. “I’m just joking, keep going. I’d say, his vitals do look promising.”

“Then you can keep him down here for a bit. We have a guy with a balloon in his aorta, he’s gotta go up first.”

Jack blinks at her once, twice, the meaning of her words settling in. “Did someone do a REBOA?”

“You bet she did. And it was awesome,” the nurse then scrunches her nose. “Apart from the amount of blood. And by the way, the fourth one only has a broken rib, so no miraculous procedures needed.”

He doesn’t find it funny and he can’t find the word for it: it’s something in between confusion and offence. As soon as Santos’s done with stitches, he strides out to find you.

His turmoil momentarily recedes when he sees one of the cubicle curtains stained, the deep red lurking through. Jack pulls at the material and barges in — and then he’s silenced at the sight. The area looks horrifying: bright streaks of blood left on the floor, the anesthesia trolley, the table with the instruments that you are now collecting, a few droplets smudged over your cheek. Before he’s even angry, there is another feeling — a thought, a pull: if only he could brush that splatter off your face, a few brief seconds for one briefest touch. Of course, he doesn’t.

Jack keeps his hands behind his back. “You didn’t think you should consult with anyone first before doing a damn REBOA?”

“Why would I?” your eyes are on the tools.

“Because it’s dangerous as hell and since I am the attending—”

“I do know protocol. But I also know how fast a human can bleed out. It was a truncal hemorrhage, and you were hands deep in someone’s abdomen. Was I supposed to wait?”

He wishes you were meaner, rougher, anything that would give him an excuse to snap. But you aren’t doing this to show off — your tone is measured and your reasoning is simple: a man was dying and you knew how to save him. Jack realizes it is the same logic he often uses. And he can’t tell what is it that bothers him so much. If Whitaker pulled off something like that, Jack would’ve chosen to commend him. The same goes for Santos, Javadi or King, for any other intern or resident that he can think of... Except, they would’ve asked for his opinion or his help. You didn’t even think to.

Well, Robby warned him you’d be stubborn.

“I want to be informed about any life-altering decisions. At least give me a heads-up so I am not blindsided when a nurse gushes over it in passing,” Jack insists, head tilted slightly so he can catch your gaze.

What he really wants is for you to look at him. You grant him that one wish.

“Will do,” you tell him simply.

But your eyes are still unreadable, a book written in a foreign language, a manuscript he doesn’t know how to decrypt.

And either out of incomprehension or rejection, his brain makes an assumption: maybe you believe that you are better, maybe you think the rules weren’t made for you. You never really gave him cause for rivalry — you are in your final year of residency, and Jack is put in charge. But you are so bluntly independent and reserved, his every try to understand you feels like leaping in the dark. Later that day he can’t help but glimpse into your file — there’s hardly anything of interest: you previously trained in a small clinic, in a nice neighborhood, your letters of recommendation all consist of praises.

What adds to his moroseness is that you fit really well with literally everybody else. Langdon tones down his sarcasm, listens to you like he only does to Robby. Santos discreetly brings you cases she needs advice on, McKay and Mel enjoy your company when you get a free minute. Whitaker seems to be your favorite although Jack isn’t sure why — he deems him soft and insecure; but Dennis does a better job under your guidance. On rare occasions when he’s got a day off, Javadi always takes his place.

Jack figures out everyone’s relationships by his fourth morning shift; he hasn’t gotten any closer to figuring you out. He’s fighting the grimace at how bitter his coffee is when Javadi pops out in the hall and you follow suit. He catches scraps of your conversation: something about a teen with a gashed forehead. Javadi rambles — until you ask her nonchalantly, unprompted. “You don’t like the sight of blood?”

“What? Oh no, it’s fine! I’m totally fine,” Victoria stumbles over the words, but her denial is too meek.

From how nervous she is, Jack guesses that she’s lying. He almost wants to laugh — before a thought comes to his mind: how come he never noticed her fear of blood?

“It’s just a little disturbing sometimes... But I only passed out, like, once or twice.”

“I used to be like that. Fainted many times during blood tests,” you tell her quietly while entering some data.

Jack is so caught in disbelief, he can’t help a glance in your direction. But your sincerity doesn’t seem feigned. Javadi gapes at you.

“And how did you... what did you do to overcome it?”

“I found myself in a situation where someone needed help and there was no one else around to help him,” you shrug. And Jack discerns the subtle reticence behind your tone.

It only spurs Javadi’s interest. “Was there a lot of blood? Like, a heavy bleeding, a deep wound?”

Your fingers freeze over the tablet screen, your facial profile not betraying your true feelings. But Jack swears he can see the tension crawling down your body. You don’t give the answer right away, you weigh the words carefully before you say them.

“A drug overdose, he still had a needle in his arm and I must’ve missed it. Took barely a minute of chest compressions for the needle to fly out across the room. It was a lot of blood to me.”

Javadi’s hopefulness grows dim. “Yeah, I don’t like needles too. I tried drawing blood a few times but the process kinda makes me nauseous, and I can’t force myself to —”

“It’s different when it’s someone you care about.”

Your comment slips out involuntarily — and immediately you look like you want to take it back. But you get it together and meet her eyes, your voice carrying just the right amount of firmness.

“Listen, I’m not suggesting you should torture your family members. But you may not always have attendings by your side or someone else to take your place in case you feel like fainting. If you fall, you can hurt your head, you can hurt a patient, you can disrupt a surgery when every minute counts. I think you have a good head on your shoulders, and I don’t want to downplay your efforts. But please, figure it out. Otherwise, you won’t make for a good surgeon.”

You reassure her you won’t tell anyone her secret. Javadi manages a small smile, a hushed “thank you”. It is a sweet moment, a heart-to-heart chat you bond over; it’s also three times more words than you’ve spoken to Jack in weeks.

But he accepts your silence — as a challenge.

Jack keeps an eye on you, now critical, resisting the gravitation that’s been attracting him to you. Although it’s hard to find the reasons to be hard on you. Whenever he has questions — or more so when he can come up with some, you give detailed replies, and he’s left with nothing to complain about. Your patient satisfaction score is high, you are never facile or reckless with your judgment; with how smart you are, you can give odds to many doctors, him included. And Jack knows he is older, with years of experience under his belt — but he can’t in good faith wish for anyone to go through the same things he did to gain the same knowledge.

On his second week of day shifts he is still clueless about what to make of you. And Jack tells himself that he is simply looking for a connection — except, all his attempts look like he is trying to pick a fight.

“This is a teaching hospital. You are supposed to teach them things,” he grumbles as he meets you outside the trauma room. You got a guy who came in spitting blood — post-tonsillectomy hemorrhage, and things went south pretty quickly. He started choking, crashed, his airways flooded with liquid; you had to intubate him blindly. Whitaker spent an hour by your side, his questions endless — to which you did give answers, barely ever breaking focus, but you only allowed him to use suction.

“He’ll learn plenty if he is attentive enough,” you say, throwing away the gown, trying to put some distance in between you.

Jack doesn’t like it, he keeps pace with you. “Whitaker needs more practice, as much as he can get. He’s not supposed to stand there like some deer who wandered into the yard.”

You whirl around, so fast that Jack comes to a stop when you are separated by merely an inch. And your gaze burns, like lava seeping through the mountain’s restrain.

“And I needed the patient not to die on the table,” you bite back, then breathe in — and then add more coolly. “Dennis will get his chance to shine.”

“And when exactly is that gonna happen?”

“That’s for me to decide,” you state, like you would do a fact that can’t be questioned. “Thank you for your input, Dr. Abbot, but I have to get back to work.”

You turn your back to him and leave him standing there, and Jack almost feels helpless. And that’s the feeling he can’t stand. It simmers in him, it must be the reason his cheeks suddenly feel hot.

Dana tsks as she comes near, her brows furrowed and face visibly concerned.

“You know how I’ve been calling Robby a sad boy? I’m gonna start calling you a pissy boy.”

“Not the worst thing I’ve been called,” he dismisses, a humorless escape attempt. But her fingers grab at his elbow, and he pauses with an annoyed exhale.

“I’ve been watching you hammering away at her for days,” Dana makes sure to lower her voice. “If she was a student, I’d maybe let it slide, but she is a resident, a senior one. And nothing I am seeing suggests she isn’t doing well.”

His eyes dart to her hand; then he glares stubbornly at her. She looks unfazed.

“Jack, you will take it too far one day — and you will regret it,” Dana tries to reason. “She is a good kid and she’s really good at her job. Just let her be.”

“Thank you for your input, Evans. I’d prefer to get back to work,” he frees his arm, and she allows it. But Jack can feel her worried gaze as he walks away.

He doesn’t come home until the twilight hugs the sky, until he feels like he’ll pass out on the next step. Jack wastes hours on attempts to wear himself out: he walks the entire park three times, peeping about in case the puppy comes again. It doesn’t. He stops by the bar he hasn’t been to in a few weeks, orders a beer and sips on it, his musings soon drowned out by the blasting music. The alcohol tastes weird, and the bass guitar gives him a pounding headache. He takes a walk instead of taking a bus home, two miles on foot in hopes he falls asleep as soon as his head hits the pillow.

But the thought of you cuts into his mind as easily as a nail does into a human body, and it stays there, vexing and robbing him of whatever little peace he’s had.

He barely gets any sleep.

And his nights are dreamless.

It’s just another Friday, and these bring in a lot of drunks — from parties and family gatherings, from business meetings that ran late and tense until someone reached for whiskey. Jack stays behind for paperwork, a tedious pastime that keeps him pinned to an uncomfortable chair. He briefly takes eyes off the screen, stretching his neck — and then a noise catches his attention. It’s someone talking in a raised voice, someone who sounds too wasted to be reasoned with. Which sounds like a problem.

Jack finds the source with ease — the nurses all glance in the direction of the trauma room, and in support of their agitation Mateo all but flies out, his face hardened at the edges. Jack gets up and gets closer, his ears open and eyes watchful.

“Should we call security?” Dana asks warily.

Mateo brushes the suggestion off. “No, it’s fine,” — but it sounds like it’s not. “I just need a short break.”

“What’s wrong?” Jack interrupts.

And it isn’t a question but a demand for explanation Mateo can’t reject. He lets out a tired sigh.

“The guy got drunk and couldn’t hold his liquor, some passersby saw him sprawled out in an alley and called the ambulance. Came in with a nasty arm fracture. He’ll live though,” Mateo looks back at the room with obvious disdain. “Unfortunately.”

Jack promptly moves forward. “I will deal with it.”

“Hold on, Rambo,” Dana interjects. And she keeps her eyes on him while she talks to Mateo. “Did he get physical?”

“Nah, he’s too inebriated. Keeps trying to get up from the gurney but mostly he’s all talk.”

More can be heard from where they are standing — it’s some drunken yelling, a disarticulated chain of curse words. And then they hear something break, a dull sound of an object hitting a wall.

In a few seconds comes another one.

“I can’t just let him trash all of our equipment,” Jack gives Dana a pointed look.

She clucks her tongue at his persistence. “It’s not the equipment that I fear for.”

“Rest assured, Evans, I won’t give him another arm fracture.”

“I didn’t think you would, but now that you suggested it so easily—”

“Finally someone decided to take action instead of all this talking,” Perlah remarks, her gaze isn’t on either one of them. And Jack turns to follow it just in time to catch you running right into the room.

His heart falls. Why the hell are you even still here?

And it’s barely three heartbeats before a realization strikes: you can’t go there alone. He can’t let you.

Jack bolts to you without waiting for anyone’s permission. He comes in just in time to see you dodge the trolley the patient pushed at you — it slams into the wall and rolls over, the instruments scattering loudly across the floor. You don’t seem scared, but you are all tensed up, gaze fixed on the guy who’s screaming his lungs out.

“You won’t trick me! I won’t let you experiment on me!”

And you don’t look away once but you must’ve noticed Jack; your voice comes out low. “I think he’s having an episode. He needs benzodiazepines but I can’t get close to administer them.”

“And you should not,” Jack retorts, eyeing the guy with discontent. “You absolutely shouldn’t deal with him on your own. Not when he’s flapping around and yelling like a fucking psycho.”

“Silently watching him wreck the room didn’t seem like a good tactic either.”

In an instant Jack’s gaze is drawn to you, pulse racing as he is struggling to bite down his emotions: why would you put yourself in danger, why can’t you ever back down, why can’t he stay away? And unexpectedly you look at him, and your gaze isn’t a puzzle or a dare but an explanation: you can’t be mad at me for the thing you would’ve done yourself. I know you would have.

The room goes quiet but only for a moment — before another cry comes, and the patient lunges straight at you. Jack’s eye catches the movement, and at the very last second, he moves to stand in the guy’s way.

The drunkard crashes into him, hands swatting at the air, too uncoordinated to land a proper punch. And then all of a sudden he headbutts Jack. The pain is sharp, shooting toward his nose, but Jack manages to stay upright. He can’t see you stopping cold or the security approaching in a hurry and in worry.

Because Jack is only seeing red.

He breathes in through the mouth and grabs the man with both hands, rough and unflinching. Jack pushes him back to the gurney, then throws him on it, face flat against the pillow; his angry cries tone down to weak whimpers.

“Shut the fuck up. Stop moving,” Jack hisses into his ear.

He can taste the blood that oozed down to his lips and he can hear the sound of footsteps in the room. But he doesn’t let go.

Jack feels a hand on his shoulder — he turns to see one of the guards, Ahmad. “Man, let us handle this. C’mon, step away.”

Begrudgingly, Jack does. Ahmad quickly takes his place, he and two other guards strapping the patient down; Mateo wriggles in the middle to sedate the guy. He dozes off, a dark purple bruise already blooming on his forehead, drool at the corner of his mouth.

You are still standing at the exact same spot, but then your eyes land on Jack’s blooded nose, and you immediately fall out of the stupor. You rummage through the nearest drawer and get a few clean cloths, then call for Dana to bring an ice pack. The guards leave but Mateo hangs back; he pulls up a chair for Jack to sit on.

“Are you okay? Any headache or dizziness or—”

“I’m fine, no need to coddle me,” Jack waves off his concerns crankily. Mateo looks at you for some support.

“He needs a head CT,” you say, gaze glued to Jack. “Ask the radiology if they can squeeze him in.”

Mateo nods and takes off with no other questions asked. The silence is now laced with tension, and while Jack’s pain gradually subsides, his anger doesn’t. He’s not the one for chit-chats, and it’s not a 'thank you' that he wants — but an admission: he was right, and you were careless, and maybe this is the one time you can agree with him.

You lean over wordlessly and wipe the dried-up blood, pushing his head back to examine his nose. Your touch is light, fleeting, but his skin heats up under your hands. You take a penlight to check for septal hematoma; then your thumbs move from his cheekbones to his nostrils. Jack doesn’t wince or look away, eyes dark and boring into you, unblinking. You put a finger to his nose and move it slowly from side to side, watching closely as his gaze follows it.

And then you pull away, and something cracks in him, a line formed on the ocean floor after it’s shaken by an earthquake, a force that pushes waves to crash onto the shore. And all his feelings surge up, unstoppable like a tsunami.

You look for more cloths, and only with your back to him, you finally decide to speak:

“Doesn’t look like a fracture but—”

“Are you out of your mind?!” Jack bursts out, the stridency of his voice barely contained.

Your hands flinch at the sound. Jack misses it or maybe chooses to ignore it, too adamant in his displeasure, too wrapped up in it.

“Do you realize how dangerous it was for you to go here alone? What could’ve happened to you if security came late? Or do you just assume it’s not a big deal if you get hurt? Can you for at least a second consider the consequences of your relentlessness, can you imagine how dire they might be? And what it’s like for someone else to throw themselves between danger and you?”

But then you turn to him, and his tirade breaks off, the anger ebbing instantly as he sees your face expression.

It would be easy to assume he must’ve hit a nerve. Except, it looks way worse than that.

Your gaze is swept with pain, eyes wide and bright with tears you are holding back. An inhale quivers at your lips, chest heaving like you are scarcely managing to curb your feelings. Like there’s been a wall you’ve built meticulously over the years, and he didn’t just put a crack in it — no, he tore it down completely, drove through it with a bulldozer, only a mess of rubble left behind. And he knows that’s not something an apology will fix.

Jack feels the guilt already swirling in his chest as he sits straighter, eyes not leaving yours.

“Listen, I didn’t—”

“I heard you loud and clear, Dr. Abbot,” your voice is lacerating, a blade you’ve armed yourself with, steel that cuts him deep. “If my company displeases you so much, I will make sure to limit our interactions. Apologies for any inconvenience.”

You turn away, and when he sees you wipe your cheeks with one quick motion, Jack knows he is the only one to blame. But you don’t let him see your tears nor do you wait for him to talk again. You rush out of the doors, and the words he catches aren’t meant for him:

“Dana, please help Dr. Abbot with the ice pack.”

He hears her coming in and he’s almost ashamed to look — Dana meets his gaze with arms crossed over her chest, shaking her head in disapproval. She doesn’t say a thing and puts ice on his nose with a face that looks like she would rather punch him. Jack doesn’t even try to come up with excuses — he knows that he has none.

He fails to find you after the shift ends: you must’ve sneaked out to avoid him, and he can’t say that he’s surprised. Jack walks home in the rain, not bothering to open the umbrella, the street lights drowning in the puddles underfoot, the wind biting his wet face. He can barely feel it. And in the privacy of his apartment — a cold, half-empty space, walls void of any color — a thought that has been lurking in his mind finally takes shape:

Jack loathes being alone.

And he messed up so badly.

🎵 the title is a quote from Tom Odell’s “Can’t pretend” (the song is just so Jack-coded to me! highly recommend you give it a listen. the small part from 1:29 to 1:49 gives me heart palpitations and is very fitting for this chapter lol).

by “rivals” I meant it’s all in Jack’s head, he’s silly like that 😩 you’ll learn about the reader’s past in the next chapter!

I didn’t specify how big the age gap is exactly. google search told me you get into residency when you are in your 30s, and Abbot is def over 40. but some like to imagine the reader younger, so I didn’t want to ruin that for you.

there are definitely some medical inaccuracies (pretty sure ex-lap isn’t performed in the ER) but I am begging you to ignore that.

dividers by me & plum98.

» I plan on writing 3 parts in total (a prayer circle for my inspiration to stay with me, PLEASE). of course, there will be smut... they just have to learn how to talk to each other first. » read on AO3 » English is not my first language, so feel free to message me if you spot any major mistakes. reblogs and comments are very appreciated! tell me if you want to be tagged ♡

Tags

tbr pile

1K notes View Post

akotafi

6 months ago

I still cant believe people were trying to say this was a vampire concept