Will’s attraction to Hannibal is a crazy thing.
Imagine being manipulated and framed for crimes you’ve never committed, and then being manipulated again by someone and still feeling a soulmate in them.
Imagine fantasising about killing someone you don’t know how to live without.
Imagine running away as far as you can but knowing that you’re gonna crawl back.
Like… If I was him I’d rather had my encephalitis back.
Does anybody else get that irrational fear of "I can't tell people I relate to that character, that's the main/most popular character, they're gonna think I'm really vain" except it applies to all of the characters that you relate to, cause it'll either make them think you're even more vain or they'll get really concerned and that's the last thing you want to make them feel.
Or maybe I am hella vain, whatever.
SUMMARY: The thing about Klaus Hargeeves and the titles he had was that, for all the bad and bloodied ones he’d accumulated over his weirdly-long-but-should-have-been-shorter lifetime– nothing hurt more than becoming a stranger. PAIRINGS: Klaus x Reader (Platonic), Sparrow!Reader x Sparrow!Ben (Romance), Past!Reader x Umbrella!Ben (Romance), Klaus x Reader x Ben TAGS/WARNINGS: angst ; romance
Klaus Hargeeves had accumulated more than his fair share of titles over the course of his weirdly-long-but-should-have-been-shorter lifetime.
Before the first Apocalypse, he’d been Klaus: Number Four. The Séance. Family fuck-up and resident weirdo.
When he’d ended up smack-dab in the middle of the Vietnam war, the list only grew from there: Private Hargreeves. Soldier. Murderer.
The titles were no less bloody than his first few, and maybe if he’d saved Dave the additions might’ve been an easier pill to swallow.
But Klaus lost Dave anyway and though he wasn’t into the swallowing business nowadays (of pills, that is), the dog tags he wore beneath his torn shirt were a bitter reminder that death and misery would follow him always.
Even after leaving The Umbrella Academy.
When he and his family failed to save the world the first time (which, according to a very snappish Five, was not technically the first time; very tensed up man-child, mind you)–Klaus, as always, did what he did best.
He accepted the cards he’d been dealt with, and he settled.
And for the most part, things were okay. Delightful, even.
Amongst his Cult, he’d been a Messiah. God.
As if God wasn’t already fucked up for putting him through all the shit he’d been through, Klaus accepted the monicker with a grain of salt and revelled in the false sense of security it gave him.
So long as he was God, nothing would touch him or his people.
Because, for all that Klaus was unlucky, for all that he was unfortunate when it came to too-bloody-titles and titles that were false in every way, somehow he’d ended up in 1960 with not only Ben, but with you, too.
From 1960 to 1962, the years you shared together–you, consoling him first after an argument with Ben before astral projecting yourself between worlds to coax your boyfriend back; Ben, always disagreeing with anything to do with Destiny’s Children until you’d concede sweetly in turn; and him, teasing Ben mercilessly for making him a third-wheel but purposely making him more tangible so his love-struck brother could rest his head above your heart–reminded Klaus of the only good titles he had alongside his name.
To the world (old and new), Klaus Hargreeves was known as many things. Weird things. Bloody things. But to Ben, his Benirrino, Klaus was his brother.
He could be overwhelming to a fault, he knew, but Ben–angry, bitter and emo Benny boy– loved him all the same. And Klaus would’ve died a happy bastard knowing he had at least one sibling with him 60 years in the past.
With you, [N/N], Klaus didn’t quite know why you’d stuck with him after Ben had died in the original timeline. Until the epiphany came to him between nights you sought each other to grieve and days you went looking for a new high that he’d never had a best-friend before.
He might’ve been responsible for half the stress you were constantly under, but you had accepted him anyways and always in the ways that mattered and for that, Klaus would make do with a sappy Ben if it meant having you there with him, too.
After two glorious years of just being Ben’s playful brother and [Y/N]’s chaotic best-friend, Klaus thought he could well and truly live if he only ever had to answer to these two titles.
And then, Five re-appeared.
The rest of his family, too.
And suddenly, the world was back on a timer.
Klaus had to be Number Four again. Had to be The Séance, the Soldier.
If they wanted an edge over the Temps Time Commission, he had to bring out the whole shabam and play into everything Daddy-dearest ever wanted of him in order to do anything and return to a timeline where he was all these shitty titles (some shameful, some not) and then some.
And while he could’ve done it, could’ve accepted the bitter reality-check like the good little Solider that he was–it became a little harder for Klaus to just settle with the cards he’d been dealt with when Ben dies saving Viktor.
It becomes even worse when, just as the two of you are almost out, almost back-in-your-original timeline, you decide to shield Allison during a barrage of gunfire.
Klaus had seen you first amidst the chaos–eyes wide, hands trembling–and had cheered in a moment of drunken stupor before Five called your name. Had called for you as though he couldn’t see you even though you were standing right there…
He barely manages to process what’s happened and the fact he’s lost his brother and best-friend all in one sweep (He sees Dave in the distance, and blood roars in his ears) before Viktor’s at his side, gently holding onto his hand with the echo of grief in his eyes as Five opens the briefcase.
The last image he sees of 1962 is the small, sad, smile of your apparition as he falls forward in time and into a world that spits at everything he ever was.
Because there, in 2019, is Ben.
Alive. Breathing. Whole.
“Dad, who are these assholes?” his brother’s voice echoes through the long room, Klaus’ stomach lurching as Ben considers them without a hint of recognition.
His heart swells and the breaks again because with that question, his brother dies again.
“Come on Ben, play nice…” To the collective surprise and horror mounting amongst his family, your gentle voice cuts through the air as you step out from behind his brother to place a hand on his shoulder.
Flushed and lively despite being dead only a few moments prior–he’s not the only one disoriented seeing you in front of them.
“But he does have a point,” you continue onward, uncaring of the sharp breath Allison takes (your blood is still splattered on her face) or the way Diego’s eyes dart between you and Ben; side by side, even in another life.
“Who are you and why are you here?”
One of the things that tickles me about SJ and SY fics is that well, sometimes they're brothers, sometimes they're parent and kid, etc, but the overall vibe is usually consistent like:
Older Bro Shen Jiu: this is my idiot didi, if any of you fuckers corrupt him I will bite out your throats.
Younger Bro Shen Jiu: this my idiot gege, if any of you fuckers corrupt him I will bite out your throats.
Father Shen Jiu: this is my idiot son, if any of you fuckers corrupt him I will bite out your throats.
Son Shen Jiu: this is my idiot father, if any of you fuckers corrupt him I will bite out your throats.
Shizun Shen Jiu: this is my idiot head disciple, if any of you fuckers corrupt him I will bite out your throats.
Boyfriend Shen Jiu: this is some idiot I've never met before in my life, if any of you fuckers corrupt him I will bite out your throats.
Every Shen Yuan Regardless: please stop threatening to bite out peoples throats, oh my god this is the shit that will get you killed, DO NOT KICK THAT CHILD WTF IS WRONG WITH YOU I am trying to save your life here! (」°ロ°)」
in film class last year they taught us that when shooting dialogue you show connections by putting the back of someone in the shot or smth i don’t really remember BUT
in the “I’m trapped” scene when Neil is telling Mr Keating about how his dad won’t let him act it shows Mr K, therefore showing that Neil feels like Mr Keating really understands
but right after Me Keating says that Neil should tell his father it no longer shows them together in the shot because Neil feels alone again, because he realizes that Mr K doesn’t fully understand his plight
so now I’m crying
thank you for coming to my Ted talk
genre: angst, ends on semi-fluff warnings: canon typical death violence mentions summary: when you and the hargreeves arrive at the sparrow academy, you reunite with the last person you expected to see. notes: i think i am incapable of writing fluff, also part two is here!
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"Dick was a terror of a child" "Dick was Bruce's least favorite child to raise" my love there are much easier ways to say that you do not like loud children than projecting it onto Bruce Wayne, who loved raising Dick Grayson's rambunctious ass so much that he gave 3 children a lifelong inferiority complex about it
charlie 'i thought we could tell each other everything.' dalton
neil 'what would you have changed?' perry
how do i move on when we were inseparable for so many years?
out of all the shit hannibal has done to will so far, letting him waltz around with crippling encephalitis is somehow the worst
you guys ever think about the fact that charlie and neil probably barely talked in the summer. that they were best friends but neil, or both of them, were just so busy over the summer that they barely talked. that charlie, or both of them, were so worried on the first day of school every year that they weren’t going to be close anymore because they hadn’t talked. and then they get to welton and it’s like no time has passed because they’re not best friends. they’re brothers.
Arina - 20s - She/Her - Pan - Honestly just random reposts - Fandoms - Hannibal, The Umbrella Academy, DC, X-Men, Doctor Who, Kpop, Random Manhwas
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