battyfrogs
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Latest Posts by battyfrogs
After reading Sunrise on the Reaping Katniss really is the perspective that would cause other characters to lose it if they could read her thoughts. Haymitch has to witness the Spark Notes version of their lives with Peeta footnotes every 2 pages while he has an encyclopedia of everything in his head. Gale has to deal with a girl “choosing” him while pining for some other guy’s arms and hoping to never kiss him again. Peeta has to deal with pages of a girl saying he’s all that’s good in the world, that she lusts after his eyelashes and arms, and in a different world a teenage pregnancy may have happened between them— all while refusing to give what they have a name.
Katniss Everdeen, narrator of all time.
Comparing Haymitch and Katniss' narrative styles is so funny to me because he's a yapper and she's a gatekeeper. He drops more lore on D12 in the first two chapters of SOTR than she does in the entire trilogy.
Haymitch is like "Yeah, so this person is related to this person who's related to this person and things are this way because of this and this thing actually came from here and this person is actually my best friend and also here's this extra tidbit of random info cause all my lore dropping comes with it's own additional bonus content and all my unnecessary commentary."
And Katniss is over here like "Tf do I care for if y'all know all the lore of District 12? I'm talking about my beautiful husband's beautiful eyelashes."
Haymitch and his ducklings
What I think is most different and most striking about Sunrise on the Reaping is how CYNICAL it is. To some extent we knew it was going to be. This is a midquel. That the reapings go on and the Hunger Games only ends 25 years later is a forgeon conclusion. We know nothing that happens here is going to work.
The book is about implicit submission, and why, with numbers on their side, the many submit to the few, even when the few are unjust. And it's because, the book seems to say, numbers aren't ENOUGH. the Newcomers alliance is much bigger than the Careers. They should be able to team up and defeat them easily. But they don't. Eighteen of them are killed outright, because the Careers have the strength, the skill and the training. And that's just that.
Plutarch asks why the tributes don't overwhelm the Peacekeepers during training, and Haymitch is rightfully outraged at the privilege of this question. Why don't they? Because they probably couldn't kill them all, and even if they could, what good would it do? It wouldn't stop the Hunger Games. It wouldn't change a thing. No one would even know about it outside that room, because the Capitol would change the narrative. Just like Katniss and the Star Squad can't REALLY take on the Capitol single handed and assassinate the president, the scrappy alliance of kids can't really do any real damage to the system the Capitol has in place. All they can do is choose if they want to die now or later. So why don't they, if there's no difference to them, as Plutarch asks. Because, as Snow puts it. Hope. The slight chance that one of them will come out of it. And, more cynically, the hope that if they are good tributes and obey, their families will be left alone. If they choose to rebel and choose to die now they guarantee retaliation against their families and perhaps their entire district. We see that even in the tributes that attack the Gamemakers in the arena. They rise up, they break that bond of implicit submission--and they die bloody for it.
Why don't they rebel? Because they don't have the privilege to lose.
Even Lenore Dove, the Joan of Arc of Twelve, fails to do any real damage or have any real effect. All she does is get herself a reputation for being a trouble maker, and eventually get herself killed. Was she killed as part of the retaliation against Haymitch, or was her punishment because she's a rebel, and that's what happens to rebels? (and Snow hates covey girls.) but she fails because she IS alone. She focuses on small, symbolic acts that do nothing, but that she hopes will rally the people to action.Unfortunately, the people of Twelve don't want their lives to get any worse, and they don't have the privilege of spending time and energy on revolution the way a teenager girl whose family doesn't need her income to survive does--sadly, Twelve will remain this way, in an uncanny valley where they're beaten down enough to need change, but not enough to have NOTHING to lose. They are not one of the districts that rise up. So acting alone does nothing, teaming up does nothing. How does one fight an enemy with better technology, better weapons, and better organization? Beetee's plan doesn't work out. Of course it doesn't. Could it ever? Was it just borne out of grief for his son? And even if it had, then what? What was the plan? Haymitch's poster gets edited away. The Newcomers fail. Lenore Dove dies. The most you can say is Haymitch himself becomes too important to kill, like Beetee, and Snow let him live to fight another day, but so destroyed that he no longer WANTS to.
So, then, what WORKS?
The answer is, quite cynically, Plutarch's version of the world. Numbers mean something, there are more of US than there are of THEM , but that isn't enough. You need weapons, you can't bring a knife to a gun fight, you need EVERYONE on your side. You need organization, not just a series of disconnected rebellions, and you need an Army, provided by Thirteen, as problematic as they are. The timing just needs to be right. And most crucially, what I think Plutarch and everyone involved here learned is that victory belongs to those who control the narrative. Those who control the flow of information and tell their story. And it's not Plutarch, for all his cameras and his propos and his idea behind The Mockingjay, who eventually does that well.
It's Haymitch.
Who learned to tell a story and sell a narrative with himself and the Newcomers. Who tried to paint his poster in the arena only to see it rewritten in front of him. Who won't make that mistake again. When it's time for the deciding factor in the revolution, it's Haymitch who creates the Mockingjay-- and is he also using Katniss and her image? Yes. but he at least sees Katniss and the human she is inside it, unlike Plutarch who hasn't changed much from the man who makes a grieving family do reshoots over and over so he can get his footage, while congratulating himself for letting Haymitch have his goodbye.
When Katniss sets off the spark twenty five years later, the world is ready. The work is in place. Plutarch, Haymitch, Beetee, everyone can say GO , and this time it'll work. So buckle in, and wait for the Long Game, even though only Plutarch really has the privilege to wait, the rest of them don't have a choice. It's cynical. It's awful. People die. The lone rebels and the plucky girls and the alliance depending on its numbers all fail. Plutarch motherfucking Heavensbee, the richest of the rich the privilegedest of the privileged, pulls off the revolution, takes the credit, and lives to see the end of it, without ever once examining his own privilege, and unpacking the fact that despite his head being on the right side of history, he's never managed to see the Districts as PEOPLE . (and you could argue, ANYONE as people. ) But it's just the only way.
But this book isn't the middle of the series. It's the end. How awful would it be to read if we didn't know that Katniss and the Mockingjay rebellion would eventually succeed. We know that despite the cynism of a failed revolution and all its players, that one day it WILL work out. This book is called sunrise on the Reaping....the sun rises on a world where this is inevitable. But one day it won't be.
“and while lenore dove will forever be my true love, louella is my one and only sweetheart.”
that line hits so hard when you realize how quickly he was calling katniss sweetheart. through katniss’ eyes, it seemed insincere at first, almost like haymitch was mocking her. but now we truly know haymitch wouldn’t just throw that around. he truly cared for her from the start.
Katniss *thinking about the Mockingjay pin*: Wow this was Madge’s aunt’s, what a precious and valuable family heirloom, it must have been special to her, I’ll treasure it forever.
Maysilee *thinking about the Mockingjay pin*: this bird is ugly and stupid I’m literally never going to wear this.
You’re not ready for this edit
Artist Spotlight: Swangzehl
the edit itself
this edit is getting taken down from tiktok every time someone reuploads it, its straight up censorship at this point
Im not even american but im having a great time with this
DONT LET THIS DIE
credit to miraculousgastropod for the original
”pdf file” “unalived” “grape” “corn” what if i killed myself right here right now
I know some rad fuckers.
"ive never seen two pretty best friends" mfs when they see them changing my shoko design every time i draw her fr....but i like this one i think im gonna stick w/ it
god blind me for all i have seen
forgive me my faults and accept my doubts
that i might look upon the corrupted
and choose the hope and plea of restoration
god blind me for all i have said
for words ill-formed and careless thought alike
that i might bring divinity from mundane
and share my love of doubt with all the world
god blind me for all i have borne
for watching as the world comes to its end
that i might seek the wisp of endless hope
and avert calamity with mine own hands
god blind me for all i have done
for taking half lived moments of a full life
that i might live free as my own being
and choose beyond the will of my creators
I saw you again in a dream, or maybe it was a nightmare
Being a young adult is so strange. You enter a coffee shop. The 20 year old girl waiting behind you cried all night because she just came to a new city for university and she feels so alone. That 27 year old guy over there works a job he is overqualified for, he lives with his parents and wants to move out but doesn't know what to do about it. That one 24 year old dude already has a car, a house, and a job waiting for him once he graduates thanks to his dad's connections. The 26 year old barista couldn't complete his higher education because he has to work and take care of his family. The 28 year old girl sitting next to you has no friends to go out with so she is texting her mother. That couple (both 25 years old) are married and the girl is pregnant. The 29 year old writing something on her laptop has realized that she chose the wrong major so she is trying to start all over. We are not alone in this, but we are actually so alone. Do you feel me
mai and maki casually being the most tragic siblings, how do you even come back from that? i died for you, the only thing left of me is a sword, a weapon, my death is unequivocal proof that i was holding you back, your pride landed us here, i will take your every weakness with me when i go but i will leave you the greatest burden you will ever carry, i love you
kind of jealous of swifties. wish i could be satisfied with so little
Hank leaving Rose to die and Moldaver caring for Rose even after she becomes a rotting zombie is peak straight male versus lesbian behavior.
Thinking about the Bad Parents this episode because like, imagine your child, who's constantly burdened with the fate of the world, comes to you after school and says it's not enough. That they have to take the Last Stand exam and it's tomorrow. You have no time to take time off work to be with them, to be able to wait for them when they get home.
And then the next day you say goodbye in the morning, you kiss them on the head and tell them you love them. But you know that the next time you see them they will have died. You know that all the day you're at work, your child is fighting for their life in a drastic last stand. How do you focus with that knowledge? How do you move on, wondering if your child is already dead? That while your working or doing chores, your child could be lying on a sandy flood, dead, while all their friends fight for their lives?
How do you move past it? How do you live out that day?