Yuta

But I am so deeply lost in my own soul, how can I expect anyone else to understand me?

- Courtney Peppernell

Vegas: Remember when I tortured you and you fell in love with me?

Pete: Vegas.

Vegas: Fine, when I tortured you, you laughed during it and I became obsessed with you forever.

Daraku Kazoku-ron by Tsurukame Mayo

fujoshi

Sex is great and all, but have you ever watched a scene with so much tension that your soul left your body?

Like Togawa's thumb in Nozue's mouth?

Or Teh smelling Oh-aew?

Perhaps Ritsu giving Masumi some water?

Maybe Mangkorn commanding Yai to kneel and not speak?

Possibly Vegas sniffing Pete while forcing Pete to talk to his grandmother?

When Tan leaned into Bun and asked him this?

Did Li Cheng licking Mu Ren's lips finally do it?

Or is your soul intact and still very much tethered to your body?

The fact that Seojoon has folders upon folders saved and named: (1) Seojoon, (2) Do not open, (3) Are you sure? (4) You may regret it (5) Hanjiwoo… in order to access Jiwoo’s pictures he didn’t come around to delete, kills me. Also, the fact that he finds it difficult to fake cry onset during filming, but cries deeply upon viewing these photos, kills me even more.

Episode 6 // Episode 8

Love for Love's Sake (2024) dir. Kim Kyun Ah

@Yanjusofine_ on Twitter 🤎

No thoughts, just Vegas posing Pete to fuck him the same way he posed him the first time he offered Pete tenderness.

...No wait okay I lied I have a lot of thoughts actually, because there are other parallels between these two scenes and they're quietly driving me insane:

Pete telling Vegas to set him free by letting him die vs Pete telling Vegas to set him free by binding him

Vegas leaning over Pete with a pill in his mouth vs Vegas leaning over Pete with a condom in his mouth, when the pill was a promise of change and no further harm

(I could rotate the second image 90 degrees to show the visual parallel better but hell if the tilted camera isn't tipping me right over the edge into madness, along with Vegas framed directly between Pete's arms on bottom and the chains wrapped around his ankles on top. This post isn't meant to be about framing, but asdk;lfsj;lkj)

Pete looking up at Vegas, mutinous and trying to understand his actions, vs Pete looking up at Vegas both willing and completely aware

And afterwards, Vegas settling on the floor facing opposite Pete and meeting his eyes with a chain visually splitting them apart vs settling on the bed beside Pete and meeting his eyes with nothing in between