no but it's the way for aziraphale "nothing lasts forever" meant "i'm willing to give up the bookshop if it means i can be with you safely" and for crowley it meant "nothing lasts forever, not the bookshop, not earth, not us"
i need feminism because when jesus does a magic trick it’s a goddamn miracle but when a woman does a magic trick she gets burned at the stake
Time to make everyone else read this sentence too <3
can we talk about how sweet crowley was this whole season. he told gabriel to jump from the window, regretted it, and made him cocoa. he saved a woman from suicide. he saved a bunch of goats and 3 kids by turning them into birds or lizards. he bumped muriel on the shoulder like a dad would when they told him they were 37th not 38th. he wanted aziraphale to be safe. he told that one guy not to feed the ducks bread because he wanted the ducks to be safe. he sheltered aziraphale, who he’d only known for a few minutes, under his wing. he helped aziraphale with his magic trick and supported him the whole season—his only condition being that aziraphale was safe.
crowley is a good person. even if he hates that, it’s true. and more than anything he wants aziraphale to be safe because he knows what it’s like to lose him. and he wants to protect aziraphale from heaven, because he knows how terrible they can be.
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
everyday i watch people on twitter praise a show that has one or two queer characters in 2024 for being groundbreaking for things torchwood did in 2006
whenever ppl are like "what did tosh/gwen/suzie see in owen?? hes such a twat" and im like 'burn gorman's face, thats what they saw'
listening to the pronunciation samples wikipedia offers of different types of consonants and you know what, I don't believe some of these are actually different sounds. I think this is some audiophile shit like gold-plated cables.
I think part of the problem of modern storytelling is there has been a shift from character focus to message focus.
It's Doctor Who saying "look the evil alt right podcaster has trapped everyone in a weird heteronormative wish world that's baaaaaad uhb we don't know how to resolve it satisfyingly" vs "Rose dragged along a guy she thought cute and he turned out to be a jerk and used time travel to gain access to future secrets and we see her and the Doctor react to that in a way thar shows us more about their character." It's "the Beatles are here kind of as a backdrop to our drag queen villain isn't that fun woo musical number" vs "let's tell a touching story about Vincent van Gogh's depression and relate that to what our characters are currently going through."
And its not just Doctor Who--it's pervasive. It's "let's tell a character focused story of Anakin Skywalker's fall to the darkness and the love around him that wasn't enough" vs "Star Wars is GAY and look at her BLEED her LIGHTSABER." It's "Here's a 19 year old who lost her parents and has to raise her difficult sister, let's see her motivations and love for her sister" vs "Nani is doing the Right Thing for Herself because going to College is Girlboss!"
And this isn't the first time the focus of storytelling has shifted--before it was character focused, we had concept focus. Doctor Who exploring Roman times or a realm made of stories, where characters carry the plot, but aren't the focus of episodes. Episode IV of star wars was certainly a conceptual idea more than character focused, exploring the world and building it as you go. Old Disney like Snow White explored the concept of retelling a fairytale in animation.
I just think that unfortunately the focus of mainstream stories is not to explore a concept, or interesting characters, but to push a message.
Carmelita (19, she/they): Professional Language & Literature Nerd, Queer Entity, and Recovering Workaholic
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