This album is about how two men broke her heart just months apart and how she was quite literally going through a mental breakdown while trying to put on a front while performing for millions of people on a world tour but you wouldn’t know that because you’re either so caught up in trying to figure out who each song is about or your so caught up in your hate for her that you’d rather make fun of her in her most vulnerable, raw, and honest state just to make yourself feel better
My favourite Eliot Spencer character trait is Friend-shaped To Children. Nate can't look at children without crying. Sophie is politely baffled at the concept of Humans Who Don't Understand Complicated Psychological Concepts Because They Are Literally 6 Years Old. Hardison has older brother energy, which is to say children are comfortable in his presence but they don't actively seek him out, unless of course to play an epic prank akin to the great tradition of Ring and Ditch or Spell ICUP. Parker will try to protect any child she can, but under-12s without autistic criminal intent don't really connect with her, unless of course they are Traumatized™.
Eliot Spencer is continuously sought out by children of all ages. Traumatized or not? Does not matter. Literally baby or cool teen? Does not matter. They will come up to him while he is glaring daggers or actively planning to murder someone and ask him to hold their hands through the security check at the airport. And you know what? He does. He holds their hand every single time.
I honestly love them all so much and I can’t wait to start reading the books just to see more of the world. Netflix better fucking renew it.
Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.
Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.
How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!
This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:
How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.
We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.
George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.
The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.
There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.
The aggressive one also being the caregiver of the group.
(aka the softer side of Kirin in The Wilds season 2)
*Spoilers for the most recent percy jackson episode*
Grover is a master manipulator. He just promts Ares with certain topic starters and off the god goes on a tangent. Starts with war, ends with his sister. Like a therapist but with his own goals in mind. Do you think all beings that live beyond the mist e.g. centaurs, satyrs, nymphs, dryads etc. are brought up with knowledge on how to protect themselves against gods [not physically] like mentally almost like a survival guide. The way there's like advice for women to protect themselves against being attacked in public.
Just started reading it and love it already 💙
Alex “my reputation's never been worse, so, you must like me for me” Blackwood and Molly “I hate accidents, except when we went from friends to this” Parker
guys can we just sit back and really take in the fact that lockwood & co was so good as a show, that everywhere we look, there are new people in the fandom actively going out and purchasing the books to read them? including myself, who didn't know of the books until the show released because i live under a literary rock.
but like, the show was good enough and compelling enough that it drew us all in and we wanted more, and we have it. we have the books. we can read them. and we want to. can we bask in that? can we appreciate this? this amazing. this so cool. idk i just find this so neat, you know? there's plenty of media that releases, based off books, and people don't go out and read the source material. but... it feels different with this one. and i love that.
you ever just think about how the leverage writers gave us a canon polyamorous relationship confirmation in the long goodbye job?
like, they didn’t have to go that hard
but they did
parker, hardison and eliot are seen as a unit, working together in sync. there are callbacks to the pilot episode multiple times that are centered around their interactions.
and then there’s the “death” scene: aka, the scene that proves just how ride or die they are for each other. they die in each other’s arms. they die holding hands. what’s even more- the two in a canon established relationship are not the ones holding hands. no- instead, it is eliot who is in the middle. eliot, their hitter, their protector, their best friend. he was the one that was in the middle, holding hands with hardison and then parker. he is the one that reaches out and grabs hardison’s hand, reassuring him one last time and referencing an inside joke. parker then makes a point to move and grab eliot’s hand in her own- her literal last act before dying. you CANNOT tell me that is anything but pure, unadulterated love. they lived together. they breathed together. they died together.
AND THEN, as if that wasn’t enough, we had this scene in the final minutes of the show:
sophie: promise me, (looks at parker and hardison) you'll keep them safe.
eliot: till my dying day.
let's take a minute to acknowledge that literally a minute after nate proposes to sophie eliot says THIS??? something reminiscent of marriage vows about parker and hardison? he will protect them until his dying day and not a second before.
and then we have this:
nate: you know, eliot, I'd say call if you need anything, but you never... never need anything.
eliot: yeah, I did. (looks at parker and hardison) and thanks to you, I don't have to search anymore.
parker never had a family, not really, but it's been established that she knows she's not alone, that she has people that care about her, that she is loved (the white rabbit job). hardison had his nana and his family, but we saw at the beginning of the show he was eager to slide into this new found family of his. he cares deeply, loves deeply. and now, at the end of eliot's arc, he admits that all that time, he was missing something. he looks at parker and hardison and states with conviction that he doesn't have to search anymore.
they all have what they were missing at the beginning of the show- each other.
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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