So My Older Sibling Jokingly Said That The Cloaked Person In The Flashback Was The Trickster (like The

I need an Eliot hug right now.

I need Hardison to put his hand on my shoulder and give it a reassuring squeeze and a silly joke.

I need Parker to threaten bodily harm and have everyone chastise her for it.

I need a day with Sophie drinking tea.

I need a night sitting next to Nate as he listens to my problem.

I need a day where I play video games with Breanna and Harry.

I just- I need a day where it doesn't feel like I'm getting fired for doing my job.

I believe in you.

I still can't get over how Eliot and Hardison do their "secret" handshake- even though Eliot is miffed that Hardison ate his sandwhich.

I still can't get over how Parker calls Eliot "Sparky," and he's scared enough to rip open his apple- because he actually thinks Parker somehow got a razor blade in it.

I still can't get over how Eliot tells Hardison that he won't help him if he goes to far with "Ice Man," and when Hardison calls him out on it- Eliot blames Parker.

I still can't get over how Hardison comes to Eliot when he needs help brushing up on wine.

I still can't get over how Parker goes to Eliot when she's looking for something to love and he teaches her to love food.

I still can't get over how Parker is allowed to poke and push Eliot.

I still can't get over how Hardison riles Eliot up and it's just reflex for Eliot to say; "DAMNIT Hardison."

I can't get over how they became a little family all on their own.

I’m crying 😭😭 he trusts them so fucking much

Watching The Corkscrew Job and just ...

Eliot trusting Parker and Hardison enough to go into a situation where he's about to have no oxygen. He would hear over the comms that they're facing down henchmen who are trying to stop them. He doesn't know how long it'll take for them to get air flow happening again.

But there's an innocent person to protect and he has faith in his partners. Faith enough to willingly risk his life time and time again - not just in this instance, but all the others we see over the course of the show. Because Eliot knows that Parker and Hardison will do whatever it takes to protect him, just as he protects them.

There's just something so profound about not even having enough air to draw breath - but it doesn't matter, because you know your partners are out there, fighting to get that next breath to you. And it might take longer than expected. It might not go smoothly, hell, it might not even work at all. But it doesn't matter because your faith in these people is greater than the instincts screaming for oxygen.

Eliot can't breathe without them. But he's used to that - he's been living this way for years already. So he holds his breath and trusts.

bones and all

Ok so i don't have the time to go in and get a screen recorded video with volume but look here

When parker says she wants to kill Dalton Rand, she's looking to Nate. She's asking Nate if they can kill him. Eliot volunteers to kill him. Parker turns to look at Eliot when he starts to speak. Eliot "I don't kill people anymore" Spencer volunteers to kill Rand of his own volition. Parker isn't even asking him, looking to him. He just cares so much about Parker being hurt that he volunteers to do something that hurts himself without being promted or asked personally. This is just something that means so much to me. This is only season 2 but the strong connections are already there

something is so incredibly endearing, emotional, and beautiful in percy/walker’s final narration of saying “if you feel like you don’t belong in this world, then you might be [a demigod] too” which highlights so perfectly the thesis of the books in the first place! which is love and home for people who feel different!

it’s especially important to consider the origins of the book being rick’s son’s adhd and dyslexia, and rick wanting to create a world which gave meaning to these facets of his son that society has deemed hindrances. so when other kids out there who feel different— whether because they’re queer or have learning disabilities or they look different— are drawn to that world, to have the material explicitly include you and welcome you into the world instead of spinning that concept on its head and bragging about how widespread its fame is and how it’s for “everyone” is so important and life changing. like, things don’t have to be for everyone! this media so specially dedicated to outcasts and outsiders and that’s what I love <3

All I could think about when it showed the pit of Tartarus was that that young boy who tapped his mom on the shoulder to make her smile and makes jokes to hide his unease and loves blue food and just wants to be normal and that young girl who couldn’t pick which candy from the gas station and believes love is transactional and was a gift but then a problem and has never seen a movie are both going to fall into that massive hell.

And they are going to survive it. Together.

Revisiting this point from an earlier post of mine about how much I love that Lockwood & Co. specifically does not do this to Lucy:

Can we TALK for a SECOND about how the writers wrote the whole Towel Scene (which admittedly did not make the final cut but still) and managed to make LOCKWOOD the most uncomfortable out of three?? Because he's a massive dork??? Instead of the girl who's literally standing in a towel in a hall with two boys???

Like they put the love of Lockwood's life in a towel in front of him and rather than taking it as an opportunity to objectify her and make her an object of lust, they turned it into an absolutely hilarious moment that showcases not only how much of a dork Lockwood is, but how SAFE Lucy is in that household. Yes it's funny and very awkward but it doesn't broach the sickening feeling of a girl being exposed and unsafe and objectified.

I can't even begin to express how comforting it is, the way this series lets Lucy be safe in this area. I wish I could explain it more clearly but the words aren't wording. Y'all get it.

women stories matter