Harakiri / Seppuku (1962) | dir. Masaki Kobayashi
Cinematography by Yoshio Miyajima
“Night, the beloved. Night, when words fade and things come alive. When the destructive analysis of day is done, and all that is truly important becomes whole and sound again. When man reassembles his fragmentary self and grows with the calm of a tree.”
Antoine de Saint-Exupéry (via seabois)
For someone who was never meant for this world, I must confess I’m suddenly having a hard time leaving it. Of course, they say every atom in our bodies was once part of a star. Maybe I’m not leaving… maybe I’m going home.
Gattaca (1997)
Man is the most bungled of all the animals, the sickliest, and not one has strayed more dangerously from its instincts. But for all that, he is of course the most interesting.
Friedrich Nietzsche, The Antichrist (via philosophybits)
Kaidan aka Kwaidan (1964)
Director: Masaki Kobayashi Cinematography by Yoshio Miyajima
Ctrl+F
type in “http” in the search bar and “https” under the ‘replace’ box
hit “all”
now your theme will allow you to save
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hell site
The function of the image, as Gogol said, is to express life itself, not ideas or arguments about life. It does not signify life or symbolise it, but embodies it, expressing its uniqueness.
Andrei Tarkovsky, from “The Film Image,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
Daido Moriyama: Shinjuku, Limited Edition (Second Printing) [SIGNED]
© Vincent Borrelli, Bookseller.
Bong Joon-ho