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my theory for what henry whispered to camilla is "kitten, i'll be honest. daddy's about to kill himself"

the three genders:

The failure of Greek myth retellings

This is a personal rant about how I, as a Greek and mythology lover, view these modern retellings and how they came out more as a disappointment.

Here are some examples of forced labelling from the book sites like Bookreads:

Do you see a pattern? Is not only they are telling the audience rather than showing how "feminist" are these retellings but also..

Man vs woman

According to the retellings all ancient Greek men are bad, sexist, misogynists, worthless, abusers and women are girlboss ✨. But it's obvious that humans regardless of gender are complex beings.

But when you read the Original epics you realise that women have as much importance in the story as men. But not in the way you are used to...

The women aren't afraid to speak their mind, they have agency, they are a driving force the admire, but it's not with shields, armor or physical strength. They are also showing it with kindness, empathy, cunning but also with anger, sorrow, vengeance.

Penelope, Electra, Antigone, Ariadne, Andromache, Helen, Cassandra etc. ARE strong women! They don't have to go to battle to prove it!

BUT that also doesn't mean we should glorify the women who are abusers and do wrong things!

Clytemnestra for example, exiled Orestes, had her daughter Electra a slave, showed proudly her Trojan women (also slaves) and killed Cassandra an innocent woman.. Do i understand how and why she acted? Yes 💯. Does this justifies her actions ? Of course no.

Medea, killed her brother and her children, and also poisoned Jason's next wife and her father because "she wanted to make him suffer like her". Do i understand why she did it? Yes. Does it justify to have everyone suffer because of one man? No.

Hera, punished several women and men alike because she couldn't do it on Zeus (because he is the king and stronger). Is cheating bad? Yes. Does it justify her to punish someone who was obviously a victim or was powerless against a god? No.

The retellings:

fail to do complex characters.

fail to let the audience come to their own conclusions who's right, wrong or neutral.

They fail to make daring characters without be labelled on a modern stereotype.

Fail to understand the norms of ancient Greece and how they shaped these stories.

Fail to realise that men and women are more complex than modern stereotypes.

I am not against retellings but do better! Making a great retelling respectful to the source and having complex characters with quality reading would be deeply appreciated.

And to the readers to not rely on retellings as "faithful resources".

Interestingly, in the first class Richard attended, Julian asks about the one desire we all have. And Camilla says it's the desire to live. And Bunny adds:

"To live forever"

After all, he is the one who will be killed. And because of this, he will always live in the memory of others. Always young and never old

By @levinky_art on X

no i dont think richard was "not smart enough" for the greek class. but lets not pretend his monetary status is what kept him from fitting in. Bunny was not rich, despite his illusion of wealth/big rich guy persona and his 'friends' knew this. Even the twins weren't well off, lol. Only Francis and Henry were wealthy.

The reason richard never became a core part of the group (unless absolutely necessary) was simply this: he was boring. he was a voyeur whose sole purpose was bearing witness to something greater than himself (nnnot really. all these guys were kind of pathetic and swept up in the tides of their delusions.)

that is part of the tragedy of richard and his entire story: he wanted, so badly, to be a part of this group, this other-worldly phenomenon that could never really accept him. he got swallowed whole and spit right back out by the very people he had built up to be these divine beings of perfection. He becomes doomed to forever feel the grief of a rejection so in-his-face and the only closure he gets is some fantasy he forces in a foggy dream.

AND THIS IS WHEN MOST OF THE THINGS HE DID CARE TO TELL WERE LIES

CAN YOU IMAGINE A STRANGER ENTERING YOUR SMALL GROUP, HE IS VERY QUIET AND MYSTERIOUS. HE SAYS VERY FEW THINGS AND IN ALMOST EVERY CONVERSATION HE LIES

how did Richard casually mention doing cocaine in a burger king parking lot and then ONE LINE LATER call Judy a 'senseless cokehead'

my dude drop the superiority complex

He makes me crash out, respectfully,,

A part of Richard's isolation from the group that I would like to put forward is this:

I truly do believe the group care for Richard as a friend, even when their relationships start to spiral out of control near the end. But that care isn't always present throughout their lives, the same way most people aren't constantly obsessing over their friend's feelings 24/7, and he cannot understand it.

It's not just the stuff you would typically think of that proves this to me, like the twins going out of their way to include him, companionable rambles with Bunny, making food with Francis. The most obvious instance of this is Richard being excluded from the Bacchanalia, and yes, this obviously sucks as someone trying so desperately to be included and a part of the group, but also makes so much sense from their perspective.

If Richard had been normal, he would have been so weirded out! This could be a convenient excuse, but it could just as easily be the group showing their own desires to be accepted by HIM, in a kind of reverse of roles that Richard naturally doesn't want to pick up on, because that would be seeing them human, and fallible, and SIMILAR TO HIMSELF. Unthinkable!

Something I've not seen discussed is the little aside when he first falls in with the group proper and relates that they had found him just as aloof as he had found them. Their inviting him to Francis's house was simply an urge to impress him, and I can't see any other way of reading it than that. If they had simply wanted to include him, but didn't care about how he saw them, they could have simply kept inviting him to their houses and out for lunch.

But, it's the moments that also double as little instances of ostracism that really interest me: Camilla saying Henry didn't want to do another pig ritual because he thought it would upset Richard, the group telling him they've already involved him enough and that he shouldn't participate in Bunny's murder. The general reading of this (that I've seen so far) seems to be that Henry did these things purposefully to keep Richard apart from the group, he didn't know him as well as the others, an unknown quantity, someone he didn't care for as much since he hadn't known him as long. But there's a lot of ambiguity there as well, and I think what makes things so compelling is that uncertainty. It could be purposeful, or unintentional, or some inextricable combination of the two.

(As an aside- ironically, I believe Henry may care about Richard the most out of anyone in the group. Helping him while he was sick, worried about seeing Richard drunk during the day, it's all rather sweet, and I don't believe it was entirely some machievellian scheme.)

However, I like to see the isolation as mostly, if not entirely unintentional, because that makes it so much more cutting to me. It's subtle. They don't put any special thought into doing it, they just…don't even think how these things could make him feel.

The worst part is, as far as I remember, Richard never fully engages with his feelings about this, but they are felt so much through the story and his actions within them. They are moments that sunk deep within his psyche like a stone that's dropped into water and swallowed immediately without a trace. It sits very still inside him, unmoveable.

His acceptance of these moments as they are happening to him is likely a result of his history of loneliness and being apart from others. There is nothing unusual to him about this, that it would require further thought from him within his narrative.

A large part of Richard's isolation is due to his glorification of the people he deems worthy, which continues even after he begins to see their flaws. Despite them, he still can't bear to see them torn down to his level, people he can relate to instead of glorify or look down upon. I think there is an element of self destruction to this, not wanting to understand so he has an excuse to punish himself for self perceived deficiencies.

It's very intriguing, this uncertainty of how much of Richard's isolation from the group is imagined, or perhaps even self imposed in a kind of feedback loop, where he feels pushed away and so pulls himself away from them, to anonymous parties with people he professes not to care about, takes pills and sleeps for days, to numb himself from the pain of their rejection.

And in the process, this feeling of isolation is enforced, becomes more a reality through the concrete evidence he has produced by himself. Maybe the group see his behaviour and think he needs space, they give it to him. He feels lonely, he says nothing. Because he would rather freeze to death than ask for help.