Because I Have No Life, I Made For Myself A Sketchbook. Art From Koikii.deviantart.com.
Because I have no life, I made for myself a sketchbook. Art from koikii.deviantart.com.
More Posts from Erubaba and Others
Rise of the Tomb Raider “Dead End Thrills” Screenshots.
Mercy would take advantage of Pharah….and every piece of her prosthetics
Catherine wants to make people more aware about how important it is to be aware of these issues.
She knew him for 20 years. He worked as a police officer. 90 days as a punishment is such a pathetic sentence. Total rubbish. this guy is evil and who knows how many victims of his assaults have stayed unknown. What a scums serve in the law enforcement…
Please share.
hahahaha
Sorce:
http://avatar.reactor.cc/85
what she says: I'm fine.
what she means: Rise of the Tomb Raider isn't coming out on the PS4 until late 2016, and while I'll be able to play it on my PC a few months after the XBox's release date, I will not be able to really enjoy the game to its full potential because of my computer's outdated graphics card and fear that it will overheat even with all of the options at their lowest setting and this is really distressing to me because I am a huge fan of the series and now I'm going to have to take the extra precautions to avoid spoilers a year before I can actually make a purchase that I am happy with.
How did the movie compare with your expectations?
Traci Kato-Kiriyama: It was stunning visually, but emotionally it didn’t draw me in.
Keiko Agena: It was harder to watch than I thought it was gonna be. To get emotionally invested, you have to really care that she needs to find out who she is. But when she finally meets her mom, my gut felt so weird in that moment.
Kato-Kiriyama: That scene was devastating on all levels. It got me because of the emotion of the mother [veteran Japanese actress Kaori Momoi]. She’s really wonderful. That scene should have been beautiful, but Major had nothing in her eyes. Acting-wise, what a missed moment.
Atsuko Okatsuka: I wasn’t aware they were gonna explain the whitewashing. I thought it was just going to be an action film, no explanation, just go with the fact that it’s a future Japan with this robot cop. And then to be like, “Oh shit, I used to be a Japanese woman!” (Laughter) That was against my expectations.
How did you feel when that twist was revealed?
Agena: That was hard, y’all. Hard and awkward.
Ai Yoshihara: Major’s backstory is white people trying to justify the casting.
Okatsuka: And they f—ed up in the process because now it looks even worse. The text at the beginning of the movie explained that Hanka Robotics is making a being that’s the best of human and the best of robotics. For some reason, the best stuff they make happens to be white. Michael Pitt used to be Hideo.
Agena: That was the other cringe-worthy moment, when they called each other by their Japanese names. We’re looking at these beautiful white bodies saying these Japanese names, and it hurt my heart a little bit.
Kato-Kiriyama: It was supposed to be so touching and intimate, and it felt gross. And kind of laugh-worthy at the same time.
Okatsuka: I would have preferred them just using American names. “You used to be Bob.”
Part 1. Best viewed on the main page.
It’s finally here! I’ve wanted to tell this story for a long time. I hope you can enjoy reading it as much as I have enjoyed making it. This is just the beginning!
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Thank you!
Consent is like a traffic light.
When they say ‘stop’, you stop.
When they say ‘maybe’, you get ready to stop.
When they say ‘go’, you go.
And like a traffic light, their signals are not optional.
For example, if they say ‘stop’ or ‘maybe’ and you decide to keep going, you will get hit by a truck.
MY truck.
I will run you over.
