Pouran Jinchi, Black And Blue At Leila Heller Gallery Through October 24, 2015.

just opened:

“HYSTERIA: Spatial Conversations with Florine Stettheimer”  Rosson Crow

Sargent’s Daughters Gallery, 179 East Broadway, NYC

In this recent body of work, Crow debuts a new technique of Xerox transfers layered with painting on the canvases. Crow has long been fascinated by history and the psychology of interior spaces, and has addressed subjects as varied as French Revolutionary interiors, New York City graffiti and the films of Alfred Hitchcock. This exhibition represents Crow’s response to the paintings of Florine Stettheimer (1871-1944), a New York artist whose paintings date from the 1910s to the 1940s.  Although considered a very important artist of her time, (Marcel Duchamp organized her retrospective exhibition at MOMA in 1946, and she was included in the first Whitney Biennale in 1932) Stettheimer’s works are relatively unknown today as she steadfastly refused to sell or show them in galleries.  Since her death, they have often been dismissed as overly “feminine” and “eccentric” and today Stettheimer remains known mostly to a growing cult of women artists on both sides of the Atlantic who love and claim her influence. - thru May 17

George Elgar Hicks - On the seashore (1879)

Camille Sitting on the Beach at Trouville

Claude Monet, 1870-1871

Charming Baker • “Intelligence is No Match for Adaptability,” 2008 • The House Sale • Aug 19 — Sep 01

Lady in gold : the extraordinary tale of Gustav Klimt’s masterpiece, Portrait of Adele Bloch-Bauer / by Anne-Marie O'Connor

Contributor to the Washington Post Anne-Marie O’Connor brilliantly regales us with the galvanizing story of Gustav Klimt’s 1907 masterpiece—the breathtaking portrait of a Viennese Jewish socialite, Adele Bloch-Bauer. The celebrated painting, stolen by Nazis during World War II, subsequently became the subject of a decade-long dispute between her heirs and the Austrian government.

Aquarela sobre papel, 21x14,8cm , 2015.

Jewish Life Of Budapest

This poster advertising the 1934 Levant Fair in Tel Aviv, and glass lantern slide showing the Fair at night, both from our collection, convey the modern architecture and the excitement of this international exhibition which aimed to create economic ties between Israel and foreign countries. .

Vincent Van Gogh: Casas en Auvers, 1890.