Dr. Sharp Angles And Dr. Soft Curves

🏛️ THE GREEK PITT-THEON 🏛️

I know we been knew that fandom in general is terrible at tolerating gray areas, but I find myself beyond irritated with this song and dance when it comes to the Pitt because the fallibility of the characters is the whole entire point.

The show is not subtle about its themes. Every single episode and character arc is hammering home that impossible, high-stakes judgement calls are an occupational hazard and a torturous burden placed on healthcare workers, and they can never be 100% sure in the moment if they're making the right decision. Sometimes you order a BiPAP and you accidentally make the patient's condition worse; sometimes you do a REBOA against literally every superior's instruction and you save a life. You do your best in the moment, and it's only after the fact, once the results come in, that people will decide whether you're a stupidly cocky student or a heroic cowboy-doctor.

That trade-off is present even when it's not life-or-death. Taking extra time and care to get to know your patients is great for the ones already in the bed; it's not great for the ones still out in the waiting room. Which type of patient satisfaction should we prioritize? Do you involve law enforcement before you know a crime has been committed? When does preemptive action prevent harm and when does it cause more? How do you adhere to "Do no harm" when someone always gets shortchanged no matter what decision you make?

Hell, the inherent unfairness is baked into the very premise of a teaching hospital: these patients didn't necessarily sign up for their once-in-a-lifetime emergency to be a med student's teachable moment. Nobody really wants a newbie doing their stitches—but also, practical experience is an absolute must for medical training. Without interns now, you can't have experts later, so here we are.

So with all that in mind, I don't think debating which character was Right or Wrong in a given scene has ever been a less productive way of engaging with a show. For all I disdain the mentality that refuses to engage with the Trolley Problem because "the REAL problem is whoever tied those people to the tracks in the first place!!1!" sometimes you actually are supposed to consider the bigger, systemic picture. The Pitt is inviting us to engage with very real problems with the state of healthcare in modern America by showcasing how it's literally impossible for these doctors to make the perfect decisions every time, and no it's not fair. To anyone.

idk I just think in light of that very clear message, fighting over which blorbo was the rudest or made the worst fuck up or whose reaction to stress and trauma is more valid is the height of media illiteracy.

AU where instead of being spies the Slough House gang are in an unsuccessful punk band called Idiot Activity. Lamb is their long-suffering manager. Taverner is head of A&R at the record label who keeps them on the books as a tax write off.

Idiot activity

Generally, I'm not sure I totally get the whole "whump" thing. But that first gif, where he's being perp walked out of the Park by Hobbs with blood all over his face? Is that what you guys are talking about?

JACK LOWDEN as River Cartwright in SLOW HORSES Season 3 (2023)

Jack Lowden as River Cartwright Slow Horses – S01E03 – Bad Tradecraft

Im gonna lose it over the way people are so prescriptive about shipping

"Why are you focusing on romance when the show doesn't --" because I want to, i dont need the show to do anything, im not trying to get into the writers room im on ao3, you don't have to panic because i'm engaging with media different than you

"You cant ship them together because [something in canon]" what on gods green earth would be the point of fanfic if all it did was respect canon?

"That's never going to be canon" okay! I dont need it to be! Once again, hence the fanfic! 99.9% of things ive shipped in my life were not canon and had no chance of becoming canon and tbh that makes it more fun for me

"Stop shipping [pairing] theyre obviously platonic" or "why are people shipping A and B when A and C is right there?" This isn't a competition, i'm not trying to prove anything to you, im shipping the characters who make my heart pang and if you dont share that perspective we're all going to be okay

For my money, the most (only?) interesting thing about Frank Harkness is seeing where River Cartwright gets his crazy streak from.

River spent most of his childhood and youth raised by his grandparents, in what I can only imagine was a mostly pleasant stereotypically repressed British upbringing. His hometown is wealthy and picturesque. He probably went to a nice university and did mostly normal university things there. And yet he is, canonically, a maniac, who is ready to commit violence at any given moment. My two favourite examples:

s1: beats his erstwhile friend unconscious

s2: chokes a random cab driver (and then tells him "I'm one of the good ones". Lol, okay honey bunny)

And he also has the other side of the coin, which is that he's unruffled by the prospect of enduring physical violence himself.

And Frank sees this in him, instinctually.

When Frank tells Taverner that River is a poor fit for MI-5 and that's why he's mouldering in Slough House - ask yourself, where is the lie? River is constitutionally ill-suited for life in a modern bureaucratic institution, even if that institution does spy stuff.

He would never join Frank's operation because unlike Frank, he has good in him, or at least he wants to do good. But ooh, he also wants to be good at what he's doing. He wants to feel good in the way you feel good when you're doing something that comes naturally to you.

The most best thing about the scene between Frank and River at the bar in season 4 is when Frank gives him a few crumbs of praise and River just fucking eats it up, despite himself. Because actually he IS good at the kinetic stuff. But what drives that side of him is also what gets him continually shit on by the Service. And it must feel amazingly good to have someone recognize and validate that potential in him, even if it's coming from his nutcase absent father.

Lamb sees River's potential, of course, but he never shows it or overtly encourages him because Lamb understands him and knows that he's already got a big head and no impulse control and that he needs to learn to get over himself and calm the fuck down. He doesn't need the OB filling his head with Rudyard Kipling nonsense or Frank Harkness selling him American-style on the glamour of being a mercenary. He needs someone who can show him how the world, in all its ugliness, really works. That's what's going to keep him alive and possibly intact in some sense.

I think this is all pretty obvious but I've been trying and failing to plot a River Harkness AU so here are some thoughts that arose on father/son dynamics.

Chinese street fashion in Chengdu

Videos compiled by me. Videos were filmed with the subject's knowledge.

song: 好久不见 - Lil Jet

📷 Jack Lowden by Matt Easton

Top 5 most sexual moments of The Pitt season 1:

5. Shen sips his iced coffee.

4. Santos stabs Garcia in the foot and Garcia walks it off.

3. Robby recites the Shema.

2. Whittaker snaps the rat's neck.

1. Abbot takes off his prosthetic foot.

Honorable mention: Langdon fidgets his way through a moment of silence for a recently deceased patient.