Another Sketch From Magma 🤧

I knew that! Flipping conspiracy!!

end of time secret ending (the bbc wont tell you about this one)

“I need you” isn’t “I love you,” and it isn’t “Yes, let’s go off together,” but the thing is, it might as well be. And it might be one of the more honest things Aziraphale has ever said.

He has never said it aloud before now. Not like this, with eons worth of raucous indignant feeling crawling up into his throat. He had not wanted, not expected to say it like this, mocked by his own stricken reflection in Crowley's sunglasses, each lens a dark mirror.

"I—I need you," says Aziraphale, and his voice breaks down the middle. It might as well, for he's confessed too late. Crowley is shut to him, recedes from him like a wave broken on the terrible bedrock of Aziraphale's futile stubbornness.

And still, even like this, Aziraphale needs him.

His presence, his constancy. His unfailing, tenacious friendship.

Crowley’s kindness, his softness, his solicitousness under the prickly façade Aziraphale sees is just that—a layer that can be so easily peeled away to reveal the deep core of caring beneath, too entrenched to be deserved by any world they could live in. He needs Crowley’s unguarded gaze, needs the way Crowley’s forever looking at him across distances when he thinks Aziraphale doesn’t notice: chin tilted up, eyes soft as marigold petals.

A phone call away whenever anything or nothing at all happens is Crowley’s dear voice; his lovely dry humor; his sauntering, slithering, improbable walk despite which he somehow flawlessly falls into step alongside Aziraphale anywhere and all the time. His hip knocking against Aziraphale’s, casual as anything and yet so much more than. Flashes of black and wisps of red flitting in and out of Aziraphale’s periphery for thousands of years.

He needs their circuitous arguments, their winding ethical debates—after most of which they somehow end up on the same side, that is, their own side, terrifying and exhilarating in its Promethean familiarity—and Crowley’s chaotically-sure moral compass. The times Crowley is braver than Aziraphale could ever be; and the times Crowley reminds him of how brave he actually always has been.

And Aziraphale needs even the great big awful rows, the ones that end in their standing on opposite verges of another chasm of their own making. Because the culmination of such a fight is always the meeting again in the middle. It’s the low sweeping bow of their apology, a ritual not half earnest for all its facetiousness, which says so much without either of them having to utter a word. Crowley holds a whole conversation in the dip of his fiery head and the exaggerated flutter of his elegant wrists, when it’s his turn; and, when it’s Aziraphale’s, the hashing-out of differences is there in the way he executes each familiar movement with the practiced ease of a faithful courtier, though it’s been ages since he stood in any king’s court.

He needs the knowledge that they always forgive each other. Because, well, they do. They must. They will. What’s a spat or a quarrel or even a proper falling-out to two beings like them, to him and Crowley?

Aziraphale needs Crowley’s happiness. His truest happiness. If that isn't the crux of it all, what is?

He remembers the ancient light of Crowley's joy, how it had shone once about both of them like an aura through the blackness of undeveloped space. It never left, all that bright, barely reined-in giddiness, all that frenetic energy, but he's transmuted it, magpie-like, into something else. Aziraphale can sense it whenever Crowley brings him a new vintage record to add to his collection. Whenever Crowley pulls out Aziraphale’s chair for him outside Marguerite's, or orders just what he likes for him at the Ritz. Whenever he drops into the shop unannounced with a little box tucked under his arm, full of gorgeous petits fours from the new bakery Aziraphale hasn’t yet tried, and says, gleeful, Ohhh, you wouldn’t believe all the wiling I had to do to get my hands on these, angel. You’ll have to thwart me for this, I know. But first—no, no, no, first! The only sensible thing for you to do would be to try them… you’ll like the pear macaron...

And of course Crowley is right. He's right about most things, isn't he, after all? Because Crowley knows him, and he needs to be known, but it simply wouldn't do for anyone else to be the one doing the knowing.

Aziraphale likes the pear macaron, just as Crowley knew he would.

He likes all the things that come along with Crowley, really. The fast car, oh yes, sleek and stylishly classic and so very Crowley through and through, though Aziraphale has committed staunchly to grousing about it. The way no companionable silence held in Crowley's company is ever truly silent. The jaunts to the park on seasonable days: Crowley's touch lingering where he pours frozen peas for the ducks into Aziraphale's cupped palm; the fondness in Crowley's tone poorly disguised as he points out his favorite mated pair trawling placidly across the pond. The drinking together long past the small hours of the morning in the back room of the bookshop, where the walls are the same warm ochre shade as Crowley’s eyes.

It isn't ever so much about the drinking as it is about the together bit. How the space between them dwindles with the syrupy passage of time. How Crowley softens and melts into the settee. How he becomes Aziraphale's to watch, for once. How he grows so wondrously relaxed and gloriously at home there in Aziraphale's space that Aziraphale begins to wonder if this will at last be the night Crowley does not, eventually, get up and retreat back to his Bentley to take himself away again...

There is always that fragile little moment, right after sobering up, when everything in their universe seems at the same time to be entirely too set in stone and entirely too much as though it all hangs by one delicate, dissembling thread. Always the split second in which Aziraphale looks into Crowley's guileless face and remembers he could unravel everything with a single tug.

Yes, one sharp tug on the lapels of Crowley's jacket would do it, he knows. How easily it could be done... Tumble the two of them into one another, just then, and they would never be parted again. And his deft-tongued Crowley would lick the heat and the aftertaste of Talisker into Aziraphale's mouth, then, before it had the chance to dissipate completely.

He could. He could.

It's in those stretched milliseconds, brimming with a tender longing so acute it tips right over into an agony, that Aziraphale realizes: I do need all of you, darling, don't I? So terribly much it might unmake me one day. Never mind Aziraphale's most fickle and blustering attempts at denial, he knows this to be true as he knows the truth of little else in the cosmos.

And perhaps today is that day—the day Aziraphale will dissolve and be remade in the permanent shape of lack.

Favourite ship dynamic: no one truly knows what exactly is going on between the two characters, including the characters themselves. But whatever it is, it's written in the fabric of the universe.

fourteen and the toymaker making out sloppy style but fourteen is actually kissing tooth!master

But of course the Master would buy pears! Not because he likes them, oh no, just to goad/irk/grate on the Doctor's nerves. Because that's how they are. Love that detail - and the Gallifreyan swirls above their heads, indicating that they speak (think?) in their native tongue.

Retired Timelords 😃

I keep seeing a post that's like "it's so sweet that Crowley cleaned up the bookshop while Aziraphale was in Edinburgh" and I'm like listen, I get what you mean but that is not what's happening here, Aziraphale keeps his shop a mess on purpose to ward off customers and Crowley tries to alphabetize his CD collection to take his mind off the impending apocalypse but is thwarted by them already being alphabetized. That was stress cleaning and it was for Crowley's benefit.

I still can’t get over that we got to see this.

GIFs taken from https://www.tumblr.com/flowergrenades/724087820292112384/oh-yes-its-working

The moment he broke into that smile, my first thought was how much he looks like the Doctor here. Because Crowley doesn’t smile like that. We’ve never seen him smile like that: with such pure, radiant, uninhibited joy and awe. Not as himself. The first scene of this season was so impactful because we saw what Crowley was like as an angel, just how adorable and pure he was, full of overflowing love and affection for all of creation… and how much of a contrast it was to Crowley as a demon – jaded, weary, guarded, hiding behind his dark glasses and a grumpy, sardonic demeanour.

But this smile. It’s dazzling. There’s not a trace of irony or snark or sneering amusement, nothing of the sort. He’s just happy. Yes, it’s one of those “pictures taken seconds before a disaster” moments, but he doesn’t know it yet. Right now, he’s watching two humans about to fall in love. Knowing it was him who made it happen. Him, a demon, putting just a little bit more love into this world. And this makes him so happy.

Everything about the way this shot is framed is so intimate, and vulnerable, and powerful. He’s resting his forehead against the window, with his glasses off, and his face is right in front of us, the viewers. It almost feels like intruding on a private moment… because it is. He’s only smiling like that because no one’s looking at him. He wouldn’t do it in front of anyone else. Not even Aziraphale, I think.

But imagine if Aziraphale had been there to see it. He would have perished and discorporated on the spot. He’d have fallen in love with him right there and then, if he hadn’t already fallen in love with him many times over.

I don’t give a fuck if they kiss in S3, I can take it or leave it. The only thing I want is for Crowley to smile at his angel like that. And for Aziraphale to see it.

Assuming Aziraphale has zero idea that Second Coming involves torturing demons…

This is what is going to make him snap, is it not. I mean imagine you go to Heaven really hoping to fix it and you find out that Second Coming not only means end of the world (he knew about that six thousand years ago) but torturing fallen angels.

Imagine his face when he realises that they’re planning to do that to Crowley.

What does he do? He runs to Metatron? He showed him that Crowley can be an Angel again so obviously he won’t be treated like other demons, right?

But Metatron has everything he wants now so he doesn’t need to lie to Aziraphale anymore. No, Crowley made his choice, he stayed with demons so he will be treated as one.

But, but, he can convince him! He will try again!

No, too late for that.

What if Crowley will already be captured? Metatron clearly can’t stand him.

Or will he tell Aziraphale he can try again? Knowing Crowley still won’t come back.

But imagine Aziraphale grabbing Crowley and nervously telling him that he has to come with him or they will hurt him. Crowley still won’t go. He will look at him in even bigger disbelief. You are still on their side? Come to Heaven? When they just told you they will torture me otherwise?

I can imagine Aziraphale finally stopping, forced to face the truth.

Or if he found out they captured Crowley? After telling him he can totally be an Angel again? Realising they lied about everything to him and now Crowley will get hurt?

Oh boy.

Hand, anyone?

Takin' Over The Asylum (1994) | 1.02 Fly Like an Eagle