10 Lies Your Character Believes About Themselves (And They’d Die Before Admitting It)

10 Lies Your Character Believes About Themselves (And They’d Die Before Admitting It)

These aren't the fun, Disney Channel lies like “I'm just a regular girl” while literally being a secret pop star. These are the ugly ones. The ones that get in your character’s blood and start rewriting their whole life without them noticing.

» “If people really knew me, they'd leave.” Not "might." Would. No question. So they smile bigger. They edit harder. They keep conversations surface-level. All while carrying this bone-deep certainty that love is conditional... and they are dangerously close to failing the test.

» “I have to earn every good thing.” Rest? Happiness? A day without guilt? They treat those things like prizes at the end of a brutal obstacle course. No one told them they could just have good things. No strings. No blood price. (So they keep bleeding anyway.)

» “I'm too much.” Too loud. Too intense. Too sensitive. Too complicated. They know it. They've been told. So now they pull themselves in, hold their breath, bite back everything real until they barely take up space at all. (And ironically, they still think they’re being "too much.")

» “I'm not enough.” Neat little trick, right? They’re both "too much" and "not enough" at the same time. Magic. They're convinced everyone else got the secret manual for how to be lovable and they somehow missed it.

» “If I'm strong enough, nothing can hurt me.” They call it resilience. Other people call it stubbornness. Reality calls it self-destruction. They've mistaken numbness for healing and independence for invulnerability. But hurt still gets in. It just hits harder when it’s been bottled up for years.

» “I’m responsible for everyone's happiness.” Caretaker. Peacemaker. Therapist friend. Emotional sponge. They’ve appointed themselves as everyone's safety net, believing that if they don’t hold everything together, everything will fall apart. (Newsflash: it's not their circus, and it never was.)

» “I don't need anyone.” Need is a dirty word. It’s weak. It’s dangerous. So they white-knuckle their way through life, collecting scars and pretending it’s freedom. But late at night? In the dark? They’d sell their soul for someone to just... stay.

» “I'm the villain in someone else's story and they might be right.” They know they've hurt people. Made bad calls. Left damage. And no matter how much good they do now, some part of them whispers, You don’t get to come back from that.

» “My best days are behind me.” Whether they peaked in high school, lost their shot at something important, or just carry a chronic ache of nostalgia, they believe it’s too late. That nothing good can be built from where they are now. (Which, ironically, makes them waste even more time.)

» “This is as good as it gets.” They settle. For bad love. Boring jobs. Half-dead dreams. They tell themselves it's "realistic." "Mature." "Practical." But underneath? It's fear. It's heartbreak. It's the quiet belief that hope is something they can’t afford anymore.

More Posts from Lexiquc and Others

1 month ago

𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀

- symbols to use in bios softs ♡

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↻ ◃◁ II ▷▹ ⇄

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⠈⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄

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︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶︶

🅐🅑🅒🅓🅔🅕🅖🅗🅘🅙🅚🅛🅜🅝🅞🅟🅠🅡🅢🅣🅤🅥🅦🅧🅨🅩

🄰🄱🄲🄳🄴🄵🄶🄷🄸🄹🄺🄻🄼🄽🄾🄿🅀🅁🅂🅃🅄🅅🅆🅇🅈🅉

ᵃᵇᶜᵈᵉᶠᵍʰⁱʲᵏˡᵐⁿᵒᵖᵠʳˢᵗᵘᵛʷˣʸᶻ

ᴀʙᴄᴅᴇғɢʜɪᴊᴋʟᴍɴᴏᴘϙʀsᴛᴜᴡxʏᴢ

𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀
𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀
𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀
𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀
𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀
1 month ago

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

1 month ago

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

1 month ago
RESOURCES  MASTERLIST!  Neste  Post  Você  Vai  Encontrar  Uma  Masterlist  De  Blogs  Com 

RESOURCES  MASTERLIST!  Neste  post  você  vai  encontrar  uma  masterlist  de  blogs  com  resources  e  diretórios  de  FCs.

RESOURCES  MASTERLIST!  Neste  Post  Você  Vai  Encontrar  Uma  Masterlist  De  Blogs  Com 

Diretórios de FCs:

RPHelper.

Diretório de FCs brasileiros por winterhelps.

Brazilianfcs.

Fcxdirectory.

Diretório de FCs por oolympia.

Diretório de FCs por roryrps.

Diretório de FCs por herorps.

Diretório de FCs femininos por angeldustmt.

Diretório de FCs masculinos por angeldustmt.

Diretório de FCs para rps históricos e de fantasia por echodplaines.

The Face Claim Directory Project.

Diretório de FCs por peppermintstranger.

Indigenous FC Directory.

Diretório de FCs por dear-indies.

Diretório de FCs por argentangelhelps.

Diretório de FCs por faceinspn.

Diretório de FCs sul-asiáticos por sonamhelps.

Diretório de FCs LGBTQIA por gayagendarph.

Diretório de period FCs por periodfcnetwork.

Diretório de FCs filipinos por filipinofaceclaims.

Diretório de FCs por acioo.

Diretório de period FCs por optimismrpt.

Diretório de FCs chineses para rps históricos por howlscifer.

Diretório de FCs asiáticos por sqxprint.

Diretório de FCs por consultthemuses.

Diretório de period FCs por hatanoes.

Diretório de FCs por kbunburyhelps.

Diretório de FCs latinos por raihelps.

Diretório de FCs asiáticos por verholies.

Diretório de underused FCs por thalsrph.

Diretório de FCs por fc-suggests.

Diretório de FCs canadenses da série Degrassi por rphdegrassi.

Diretório de FCs 35+ por gomezisabellas.

Diretório de FCs vietnamitas por thanhpls.

Diretório de FCs coreanos com cabelo colorido por krph.

Diretório de FCs racializados por fcdiversity.

Diretório de FCs por thehumbleroleplayer.

Broadway Faces Directory.

Diretório de period FCs por sonamhelps.

Diretório de FCs por fyrpdiversity.

Outros:

Resources de FCs que se identificam como queer por queerfcs.

Diretório de resources de FCs asiáticos por kcrph.

FC help de FCs asiáticos por kcrph.

Doc com diretório de FCs trans por dear-indies. (Post caso o link não funcione).

Docs com diretório de FCs não-binários por dear-indies. (Post caso o link não funcione).

Docs com diretório de FCs que não se encaixam nos padrões por dear-indies. (Post caso o link não funcione).

Docs com diretório de FCs pretos LGBT+ por dear-indies. (Post caso o link não funcione).

Docs com diretório de FCs com deficiências por dear-indies. (Post caso o link não funcione).

1 month ago

sometimes you need dialogue tags and don't want to use the same four

A colour wheel divided into sections with dialogue tags fitting the categories 'complains', 'agrees', 'cries', 'whines', 'shouts', and 'cheers'
A colour wheel divided into sections with dialogue tags fitting the categories 'asks', 'responds', 'states', 'whispers', 'argues', and 'thinks'
1 month ago

20 Subtle Ways a Character Shows They're Not Okay (But Won’t Say It)

(For the emotionally repressed, the quiet imploders, the “I’m fine” liars.)

✧ Cancels plans they were excited for.

✧ Sleeps too much—or barely at all.

✧ Snaps at tiny things, then immediately regrets it.

✧ Can’t stand silence, suddenly always has noise on.

✧ Dresses in oversized clothes to hide their body.

✧ Laughs too loudly. Smiles too tightly.

✧ Picks at their nails, lips, or skin.

✧ Constantly checks their phone, even though no one is texting.

✧ Stops answering messages altogether.

✧ Forgets to eat—or pretends they already did.

✧ Eyes scan the room like they’re waiting for something bad.

✧ Overcommits. Can’t say no. Burns out quietly.

✧ Stops doing the things they love “just because.”

✧ Apologizes too often.

✧ Avoids mirrors.

✧ Can’t sit still—but won’t go outside.

✧ Says “I’m tired” instead of “I’m hurting.”

✧ Tries to clean everything when their life feels out of control.

✧ Uses sarcasm as armor.

✧ Hugs people just a second too long—and then acts like nothing happened.

1 month ago

Adding More Depth to Characters

Character development is an ongoing journey, with endless opportunities to create realistic and authentic characters that bring your story to life. In this post, I’ll share ways to help you deepen your characters and make them stand out.

Ways to Make Your Characters Stand Out

- Realistic Reactions: Ensure your characters react authentically to the events around them. For example, when something makes them happy, show it through smiles, laughter, or gestures of joy. When faced with sadness, anger, or disgust, portray those emotions believably to immerse readers in their experiences.

- Social Outings: Let your characters interact with others to reveal their personality. Consider scenes where they hang out with friends or family at parties, movie theaters, or other settings relevant to your story.

- Hobbies & Interests: Real people have hobbies that shape their identity. Give your characters hobbies or interests and let them share their passions with others. This adds layers of realism and connection.

Examples of Emotions

Here’s a variety of emotions to consider when writing your characters:

- Sadness, Happiness, Anger, Disgust, Fear, Surprise

- Shame, Panic, Jealousy, Frustration, Envy

- Pride, Love, Amusement, Gratitude, Grief

- Kindness, Pleased, Unhappy, Anticipation

- Awe, Calmness, Enjoyment, Guilt, Pity, Wonder

Use these emotions to showcase your characters' depth and adaptability as they face challenges or triumphs.

Examples of Places to Go

Need ideas for where your characters can interact with others? Here are some examples:

- Park

- Restaurant

- Movie Theater

- Library

- Museum

- Amusement Park

- Zoo or Aquarium

- Sports Game

- Mall

These settings can help your characters showcase their personalities while advancing the plot.

Examples of Hobbies

Incorporating hobbies adds realism to your characters. Here’s a list to inspire you:

- Painting or Drawing

- Yoga

- Pottery

- Playing an Instrument

- Creating Models

- Bird Watching

- Hiking

- Reading

- Watching Movies or TV Shows

- Collecting

- Photography

- Dancing

- Video Gaming

- Writing

- Gardening

- Cooking

- Sports (Basketball, Baseball, Football, Soccer, Tennis)

- Jigsaw Puzzles

- Exercise

Feel free to pick hobbies that align with your characters' personalities or storyline.

Conclusion

By incorporating realistic emotions, hobbies, and interactions into your characters, you can create layered personalities that resonate with your readers. Taking the time to add depth ensures your characters connect and leave a lasting impact.

Happy writing!

1 month ago

Write Characters Who Feel Dangerous (Even If They’re "Good")

╰ Make their unpredictability a feature, not a bug

A dangerous character isn’t just the guy with the gun. It’s the one you can’t quite predict. Maybe they’re chaotic-good. Maybe they’re lawful-evil. Maybe they’re smiling while they’re plotting the next five ways to ruin your day. If the reader can’t tell exactly what they’ll do next — congrats, you’ve made them dangerous.

╰ Give them a weapon that's personal

Anyone can have a sword. Yawn. Give your character a weapon that says something about them. A violin bow turned garrote. A candy tin full of arsenic. Their own charisma as a leash. The weapon isn’t just what they fight with, it’s how they are.

╰ Let them choose not to strike and make that scarier

Sometimes not acting is the biggest flex. A truly dangerous character doesn’t need to explode to be terrifying. They can sit back, cross their legs, sip their coffee, and say, “Not yet.” Instant chills.

╰ Layer their menace with something else, humor, kindness, sadness

One-note villains (or heroes!) are boring. A dangerous character should make you like them right up until you realize you shouldn’t have. Let them charm. Let them save the kitten. Let them do something that makes the eventual threat feel like betrayal.

╰ Show how other characters react to them

If every character treats them like a nuclear bomb in the room, your reader will, too. Even if your dangerous character is polite and quiet, the dog that won’t go near them or the boss who flinches when they smile will sell the danger harder than a blood-soaked axe.

╰ Make their danger internal as well as external

It’s not just what they can do to others. It’s what they’re fighting inside themselves. The anger. The boredom. The itch for chaos. Make them a little bit scary even to themselves, and suddenly they’re alive in ways pure external "baddies" never are.

╰ Don't make them immune to consequences

Even the most dangerous characters should get hit—physically, emotionally, socially. Otherwise, they turn into invincible cartoons. Let them lose sometimes. Let them bleed. It’ll make every moment they win feel twice as earned (and twice as scary).

╰ Tie their danger to what they love

Real threats aren't powered by anger; they're powered by love. Protectiveness can be feral. Loyalty can turn into violence. A character who's dangerous because they care about something? That's a nuclear reactor in a leather jacket.

╰ Remember: danger is a vibe, not a body count

Your character doesn’t have to kill anyone to be dangerous. Sometimes just a glance. A whispered rumor. A quiet, calculated decision to leave you alive — for now. Dangerous characters control the room without ever raising their voice.

1 month ago

Making a Character Whine in Monologue

I’m a big believer in letting characters bleed quietly. You know, the kind of emotional tension that simmers just under the surface—not the dramatic “I am torn!” speeches. Here’s how I like to sneak internal conflict into my writing without making my characters feel like they belong in a bad soap opera... Have Fun! (。♥‿♥。)

╰ Saying the opposite of what they feel. Like insisting they’re fine while gripping a coffee mug like it personally insulted their ancestors.

╰ Pausing before responding to something simple. Because sometimes the silence says “I’m thinking too hard about this” louder than a whole paragraph ever could.

╰ Changing the subject when things get too close to their emotional soft spot. Classic evasion. Bonus points if they pretend it's for someone else’s sake.

╰ Making choices that contradict their stated goals. "I swear I’m over them"—cut to them rerouting an entire road trip to pass by their ex’s hometown.

╰ Being too nice. Yep. People-pleasing? Avoidance in a trench coat.

╰ Fixating on a tiny, irrelevant detail while avoiding the bigger thing. They can’t deal with their grief, but they can definitely spend 12 minutes lining up pens perfectly.

╰ Snapping at someone they trust—then immediately regretting it. Because pain has to leak out somewhere, and it’s usually not in a convenient monologue.

╰ Doing something “just in case,” but obviously hoping for the opposite. Packing a goodbye gift they never plan to give. Writing a message they never send.

╰ Rewriting memories in their head. “It wasn’t that bad. They didn’t mean it. I probably deserved it.” A spiral in slow motion.

╰ Being hyper-aware of how others are reacting to them. Internal conflict often turns into external paranoia: “Did she flinch? Was I too cold? Did he see that?”

1 month ago

How to Write Better Villains (Because Your Story Deserves One)

There’s nothing worse than a forgettable villain. You know the type: cartoonishly evil for no reason, monologuing their master plan to no one in particular, and vanishing from memory the second you finish the book. A great villain, though? They haunt your thoughts, challenge your hero, and—sometimes—you catch yourself *agreeing with them*. If you want to level up your storytelling, here’s how to craft villains that stick.

1. Give them a reason to be bad (and make it make sense)

Nobody wakes up one day and just decides to be evil (unless they’re in a Saturday morning cartoon). Real people are shaped by their pasts, fears, and desires—and your villains should be, too. Maybe they believe they’re saving the world, just in a way that costs too much. Maybe they were betrayed and now trust no one. Whatever the case, give them a *why*. Even better? Make your readers *understand* that why, even if they don’t agree with it.

2. Avoid the evil-for-evil’s-sake trope  

Mustache twirling is out. Complexity is in. A villain who kicks puppies just to prove they’re the bad guy is boring. But a villain who feeds stray dogs while orchestrating a political coup? *That’s* compelling. The best antagonists aren’t evil—they’re driven. And when their goals put them in direct conflict with the hero, *that’s* where the tension comes from. Let them think they’re the hero of their own story.

3. Let your villain challenge the protagonist in meaningful ways  

Your villain shouldn’t just be a physical threat—they should challenge your hero’s beliefs, force them to make hard choices, and maybe even make them question themselves. When the antagonist represents a deeper, thematic opposite to the protagonist, you’ve got literary gold. Think of how The Joker unravels Batman’s moral code, or how Killmonger forces T’Challa to reconsider Wakanda’s isolationism. Conflict isn’t just punches—it’s philosophy.

4. Make them unforgettable

Whether it’s a chilling line of dialogue, an eerie calmness, or a twisted sense of humor, give your villain something *distinct*. Personality matters. A unique voice, a specific mannerism, or an unexpected vulnerability can elevate your villain from “meh” to “iconic.” Think about what makes them tick—and what makes them *memorable*.

5. Don’t be afraid to make them right

The scariest villains are the ones who are *almost* right. When a reader can see where they’re coming from—or even agree with some of their points—that’s powerful. It creates tension not just in the story, but in the reader’s own mind. And that’s exactly what a good villain should do: make you question, make you uncomfortable, and make the story impossible to forget.

What are some of your favorite villains in fiction? Drop your favs (or your own villain WIPs) in the tags or replies—I’d love to see them!

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