The Fuck Are You Supposed To Do With The Semicolon ; ?

Writing Platonic Relationships

When writing relationships between characters, one of the best things you can do as a writer is master the art of platonic relationships. Not every relationship has to turn romantic—and when done right, platonic bonds can hit harder than love stories.

But writing them well? That takes a lot of intentionally-written cues and dialogue. Here are just a few tips:

1. Establish emotional intimacy early

Platonic doesn’t mean distant. Let them see each other. Let one character be the first person the other calls when things go wrong. Show moments of vulnerability, casual care, and trust without flirty undertones. Let them have traditions, inside jokes, or quiet routines together.

2. Don’t hint at romance “just in case”

If you’re going for a purely platonic vibe, don’t toss in romantic tension as bait. It cheapens the relationship. Let them have chemistry that’s based in compatibility, not attraction. Not every deep bond needs a romantic subplot. Avoid unnecessary lingering glances or “almost touch” moments unless it’s 100% platonic context (e.g., comforting after a trauma).

3. Give them shared history or shared growth

Platonic duos feel real when we see how they’ve been through things together. Maybe they survived something. Maybe they just grew up side by side. What matters is that their connection isn’t shallow. Flashbacks, casual references to “remember when,” or unspoken teamwork go a long way.

4. Let them be physically close without it meaning more

One character leaning on the other’s shoulder. Braiding hair. Holding hands in a high-stress moment. All of this can be platonic when framed right. Normalize physical affection without romantic framing. You could show how each character interprets the touch. If it’s comfort or instinct—not attraction—it’s platonic.

5. Use other characters to reinforce it

Have others in the story acknowledge the bond without assuming it’s romantic. It helps the reader accept it as non-romantic, too. Maybe someone can say, “You two are like siblings” or “You always have each other’s back.” Reinforce the type of love.

6. Give them conflict—but let them choose each other

Don’t make it perfect. Platonic love, like any bond, includes disagreement. But when they still come through for each other, that’s what makes it powerful. Maybe one apologizes without ego. The other forgives without resentment. That’s platonic strength.

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Platonic relationships aren’t the backup to romance—they’re their own kind of energy. They don’t need to be slow-burn romances in disguise. Let them be bold, soft, loud, or quiet—but most of all, real. Because at the end of the day, platonic love deserves to be written with the same depth, stakes, and tenderness as any love story.

Write Characters Who Feel Dangerous (Even If They’re "Good")

╰ Make their unpredictability a feature, not a bug

A dangerous character isn’t just the guy with the gun. It’s the one you can’t quite predict. Maybe they’re chaotic-good. Maybe they’re lawful-evil. Maybe they’re smiling while they’re plotting the next five ways to ruin your day. If the reader can’t tell exactly what they’ll do next — congrats, you’ve made them dangerous.

╰ Give them a weapon that's personal

Anyone can have a sword. Yawn. Give your character a weapon that says something about them. A violin bow turned garrote. A candy tin full of arsenic. Their own charisma as a leash. The weapon isn’t just what they fight with, it’s how they are.

╰ Let them choose not to strike and make that scarier

Sometimes not acting is the biggest flex. A truly dangerous character doesn’t need to explode to be terrifying. They can sit back, cross their legs, sip their coffee, and say, “Not yet.” Instant chills.

╰ Layer their menace with something else, humor, kindness, sadness

One-note villains (or heroes!) are boring. A dangerous character should make you like them right up until you realize you shouldn’t have. Let them charm. Let them save the kitten. Let them do something that makes the eventual threat feel like betrayal.

╰ Show how other characters react to them

If every character treats them like a nuclear bomb in the room, your reader will, too. Even if your dangerous character is polite and quiet, the dog that won’t go near them or the boss who flinches when they smile will sell the danger harder than a blood-soaked axe.

╰ Make their danger internal as well as external

It’s not just what they can do to others. It’s what they’re fighting inside themselves. The anger. The boredom. The itch for chaos. Make them a little bit scary even to themselves, and suddenly they’re alive in ways pure external "baddies" never are.

╰ Don't make them immune to consequences

Even the most dangerous characters should get hit—physically, emotionally, socially. Otherwise, they turn into invincible cartoons. Let them lose sometimes. Let them bleed. It’ll make every moment they win feel twice as earned (and twice as scary).

╰ Tie their danger to what they love

Real threats aren't powered by anger; they're powered by love. Protectiveness can be feral. Loyalty can turn into violence. A character who's dangerous because they care about something? That's a nuclear reactor in a leather jacket.

╰ Remember: danger is a vibe, not a body count

Your character doesn’t have to kill anyone to be dangerous. Sometimes just a glance. A whispered rumor. A quiet, calculated decision to leave you alive — for now. Dangerous characters control the room without ever raising their voice.

Ways I Show a Character is In Love But Doesn't Know It Yet...

This one’s for the emotional masochists writing the slowest of burns, where your readers are screaming “just kiss already!” by chapter twenty... I Love and Hate you... ♥

They compare everyone else to the person… and everyone else comes up short. Even when they’re not consciously doing it. No one’s laugh is as warm. No one’s eyes crinkle that way.

They remember the weirdest little things about them. Birthdays? Whatever. But that time they snorted laughing at a dumb joke? Locked and loaded.

They feel weirdly guilty when flirting with someone else. Like they’re cheating… except they’re not even dating. Or are they? Or—ugh, feelings are the worst.

They notice every damn detail when the other person isn’t around. "They’d like this song." "This smells like their shampoo." "I wonder what they'd say about this weird squirrel."

They use weird, overly specific compliments. Not “You look good,” but “That color makes your eyes look like a storm in a novel I’d cry over.”

They get weirdly intense about that person being hurt or in danger. Like, irrationally intense. "He’s just a friend," they say while planning to murder anyone who makes them cry.

They feel safer around them than anyone else, and it freaks them out. Like: “I’m always on guard. Except with you. That’s... suspicious.”

Hey I need some help. I notice when I look at what I write, I tend to use the same things to start off sentences or say "I then" before going into the sentence. What is a good way to start off something if its in first person? Hope it makes sense.

If you find yourself stuck in the “I did this. I went there. I then…” loop, you’re not alone. First-person can feel limiting at times because everything filters through you. But here's the good news: there's a simple way out.

Vary Your Sentence Structure

Instead of always leading with “I,” shift the focus:

Action first: The cold wind hit me before I even stepped outside.

Emotion first: Nervous, I double-checked the text before sending it.

Setting first: The kitchen was silent. I stepped in like an intruder.

Dialogue/Thoughts: “This is stupid,” I muttered, knowing I’d still go through with it.

Cut Fillers Like “Then”

You often don’t need “then” at all. Try tightening it:

I stood up, grabbed my bag, and walked out. vs. I stood up. Then I grabbed my bag. Then I walked out.

Use Internal Reactions

Instead of narrating every action, show your MC’s thoughts, feelings, or instincts:

My stomach twisted. Something about her smile was wrong.

I didn’t move. Couldn’t. Every cell in my body screamed at me to run.

Basically: your character doesn’t always have to be the sentence’s subject. Show the world around them, their sensations, their spiraling thoughts—let those take the lead sometimes.

You got this.

Enemies to Lovers – Romantic Gestures That Could Burn Down a Kingdom (But Make You Swoon First)

Enemies to lovers isn’t just a trope. It’s a bloodsport. It's sharp words, lingering glances, and two people falling in love while pretending they're not. The gestures here are full of tension, denial, and drama. Because what’s hotter than someone who once wanted to destroy you now wanting to hold your hand?

╰ The “I Hate Everyone But You” Exception

They don’t do favors. Ever. But suddenly your character’s car is fixed, or their name is cleared, or someone suspiciously threatening has backed off. No explanation. Just, “Don’t read into it.” We’re reading into it. Hard.

╰ Bandaging the Wounds They Might Have Caused

Enemies fall in love while bleeding. One gets hurt—physically or emotionally—and the other is the one who stays behind. They patch the other up in silence, trying not to flinch at every touch. It’s a love language. A very stabby one.

╰ The Insult-That’s-Actually-a-Compliment

“You’re insufferable and reckless and… gods, you’re brilliant.” They can’t quite say “I’m in love with you,” so they wrap it in verbal barbed wire and hope you catch the truth beneath it.

╰  Fighting for Them Instead of with Them

When the enemy suddenly becomes your character’s fiercest defender. A verbal sparring match turns into: “You don’t get to talk about them like that.” Yes. That’s growth. That’s romance. That’s literary foreplay.

╰  The Reluctant Confession (aka Emotional Vomit)

It slips out. After a fight. Or in the rain. Or while one of them is bleeding and the other thinks they might lose them. “I don’t know when it happened, but I care. More than I should. More than I want to.”

╰ The Jealousy Meltdown

Watching someone else flirt with their former mortal enemy-turned-emotional-trauma-partner is agony. Cue the sulking, the sarcastic digs, or even a protective arm around the waist. “I thought you hated me.”, “I do. Just not when they’re looking at you like that.”

╰ Touch That Lingers

Accidental shoulder brushes. A hand that stays a second too long. Pulling them back by the wrist. They're not even sure when the touch went from "tactical" to tender. But we all felt it.

╰ Burnt Bridges, Rebuilt with Care

They say sorry. Maybe not directly. Maybe it’s “I didn’t mean it” or “You didn’t deserve that.” But for someone who used to only speak in daggers, that apology is a love letter in disguise.

╰ Sacrifice, the Ultimate Plot Twist

The character who swore they'd never care—who literally plotted the downfall of your protagonist—is now taking the hit. Protecting them. Giving something up. Choosing them. And not because it’s noble. Because they can’t stand the thought of losing them.

╰ The Kiss That Ends a War

When words fail, and emotions bubble over, and suddenly they’re grabbing each other like salvation. That kiss? That’s not just a kiss. That’s 100 pages of tension, regret, longing, and fury turned into a moment of surrender. (You know the one.)

Body Language Cheat Sheet For Writers 

╰ Facial expressions

These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.

Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.

Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.

Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.

Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”

Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.

╰ Eye movement

The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.

Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”

Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”

Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.

Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.

Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.

╰ Gestures

This is where characters’ emotions go when their mouths are lying.

Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.

Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.

Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.

Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”

Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”

╰ Posture and movement

These are your vibes. How someone occupies space says everything.

Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.

Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.

Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.

Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.

Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)

╰ Touch

This is intimacy in all its forms, comforting, protective, romantic, or invasive.

Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.

Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.

Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.

Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.

Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.

╰ Mirroring:

If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...

Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.

Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.

Finger tapping — Time is ticking. Brain is pacing. Something’s coming.

Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.

Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.

Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.

Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.

Hands behind the back — Authority. Control. Or rigid fear masked as control.

Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.

Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.

Squinting — Focusing. Doubting. Suspicion without confrontation.

Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.

Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.

Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.

Ways I Show a Character Is Secretly Lonely (Even When Surrounded by People)

I love writing characters who insist they’re “fine” while clearly radiating the desperate energy of a dog left home alone for eight hours with no enrichment activities.

They laugh too loud at jokes that aren’t funny. And not just a chuckle—like full-blown sitcom audience laughter. Because if they laugh hard enough, maybe no one will notice the hollow echo inside.

They overshare weirdly fast. First conversation? Congrats, you now know about their third-grade trauma and their mom’s weird obsession with Tupperware. It’s like emotional diarrhea: uncontrollable, messy, and a cry for connection they don’t even realize they’re making.

They get way too invested in minor social interactions. The barista remembered their name? That’s the emotional highlight of their month now. They’re writing about it in their journal tonight.

They cling to any group or friend who gives them an ounce of attention. Book club? Bowling league? Interpretive dance class for introverts? They’re signing up just to hear someone say, “See you next week.”

They’re the ultimate “life of the party” but go home feeling like they were never actually seen. Because if you're entertaining enough, nobody looks too closely at the emptiness.

Their texts are weirdly enthusiastic at 2 a.m. "OMG WE HAVE TO HANG OUT!!!!" followed by weeks of silence. It’s not flakiness, it’s a tidal wave of loneliness crashing into a wall of shame.

They constantly post selfies, group photos, “Having so much fun!!” posts… and yet, somehow, you can smell the loneliness through the screen. (If you could bottle that vibe, it would smell like stale wine and unsent texts.)

They stay in bad relationships just to not feel alone. Red flags? They’ve knitted a full quilt out of them. Because someone is better than no one, right? (It’s not.)

They sabotage good relationships because vulnerability is scarier than loneliness. "If I push them away first, they can’t hurt me!" - them, crying alone on a Friday night, claiming they're just "enjoying some me-time."

They have this glazed look when people talk about “close friends.” Like they know what it’s supposed to feel like, but they’re running on Google Image results and secondhand memories from coming-of-age movies.

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Write Characters Who Feel Dangerous (Even If They’re "Good")

╰ Make their unpredictability a feature, not a bug

A dangerous character isn’t just the guy with the gun. It’s the one you can’t quite predict. Maybe they’re chaotic-good. Maybe they’re lawful-evil. Maybe they’re smiling while they’re plotting the next five ways to ruin your day. If the reader can’t tell exactly what they’ll do next — congrats, you’ve made them dangerous.

╰ Give them a weapon that's personal

Anyone can have a sword. Yawn. Give your character a weapon that says something about them. A violin bow turned garrote. A candy tin full of arsenic. Their own charisma as a leash. The weapon isn’t just what they fight with, it’s how they are.

╰ Let them choose not to strike and make that scarier

Sometimes not acting is the biggest flex. A truly dangerous character doesn’t need to explode to be terrifying. They can sit back, cross their legs, sip their coffee, and say, “Not yet.” Instant chills.

╰ Layer their menace with something else, humor, kindness, sadness

One-note villains (or heroes!) are boring. A dangerous character should make you like them right up until you realize you shouldn’t have. Let them charm. Let them save the kitten. Let them do something that makes the eventual threat feel like betrayal.

╰ Show how other characters react to them

If every character treats them like a nuclear bomb in the room, your reader will, too. Even if your dangerous character is polite and quiet, the dog that won’t go near them or the boss who flinches when they smile will sell the danger harder than a blood-soaked axe.

╰ Make their danger internal as well as external

It’s not just what they can do to others. It’s what they’re fighting inside themselves. The anger. The boredom. The itch for chaos. Make them a little bit scary even to themselves, and suddenly they’re alive in ways pure external "baddies" never are.

╰ Don't make them immune to consequences

Even the most dangerous characters should get hit—physically, emotionally, socially. Otherwise, they turn into invincible cartoons. Let them lose sometimes. Let them bleed. It’ll make every moment they win feel twice as earned (and twice as scary).

╰ Tie their danger to what they love

Real threats aren't powered by anger; they're powered by love. Protectiveness can be feral. Loyalty can turn into violence. A character who's dangerous because they care about something? That's a nuclear reactor in a leather jacket.

╰ Remember: danger is a vibe, not a body count

Your character doesn’t have to kill anyone to be dangerous. Sometimes just a glance. A whispered rumor. A quiet, calculated decision to leave you alive — for now. Dangerous characters control the room without ever raising their voice.

— COMO BUSCAR TEMPLATES?

Onde e como encontrar templates.

Recebi uma ask pedindo por um tutorial de como encontrar templates, e mesmo que seja um trabalho que não tem como eu facilitar, sei que muita gente chega aqui no tumblr e não sabe onde procurar e por onde começar.

Por isso, nesse guia, vamos discutir onde procurar templates para usar aqui no tumblr, seja em um blog pessoal, 1x1, blogs de personagens ou, até mesmo, em uma central.

Antes de tudo, como eu disse ali em cima, não tem muito como cortar caminho. Se você quer encontrar templates que gosta, vai ter que passar um tempo fuçando nas tags até encontrar o que você está procurando. Aqui você não vai encontrar uma fórmula mágica, e é importante saber que demanda tempo além do que você vai dispor para editar seu template. Dito, isso, vamos começar.

Adendo: o casal do @twilightalks postou um super post com vários blogs e sites pra vocês encontrarem conteúdo pra edições e que vai facilitar muito a sua vida. Clique aqui pra ser direcionado para o post!

RPHs

Primeiro, a maioria (se não todos) os tumblrs de rph reblogam templates. Você pode abrir um rph da rp br ou da tag gringa e vai encontrar resources, isso é fato. Mas se você não sabe o que procurar, abrir um blog não vai te ajudar tanto assim, já que é impossível ir olhando página por página.

Para facilitar a sua vida, eu vou colocar aqui algumas tags de helpers brasileiros onde você encontra templates:

jackhelps

#char psd; templates específicos para introdução de personagens. #ps template; templates em geral. #icon borders; templates para banners & ícones. #psd; psd para aplicar em imagens. #dividers; divisores para posts.

sakurajjam

#( templates ) #( psd ) # ♡ · ❄️ : photoshop

neozhelps

#⊰ 🍄：photoshop resources ˎˊ˗

desireeh

#templates

yeagrist

#* ⠀𓈒 ׄ ✮ ﹕ 𝐫𝐞𝐬𝐨𝐮𝐫𝐜𝐞𝐬 ⸝⸝ template . # *   ⠀𓈒       ׄ     ✮     ﹕     𝐫𝐞𝐬𝐨𝐮𝐫𝐜𝐞𝐬       ⸝⸝    psd      .

gwldcnz

#m: templates. #m: dash icons. #m: graphics. #m: colorings. #m: ps resources. #r: templates. #r: colorings. #templates. #colorings.

yixinc

#template

twilightalks

Mega post de help com vários links úteis, incluindo perfis de criadores de conteúdo.

Tags

Certo, mas onde esses rphs procuram esse tipo de coisa pra reblogar? E se não encontrar nada ali, como procurar?

Pra ir direto na fonte, você vai precisar usar as tags do tumblr. Se você notou ali pelos links, temos termos específicos mas em geral usamos template em rph. É assim com todo conteúdo? Não, você vai precisar pesquisar tags específicas pra encontrar algo que você procura.

#rph

Essa é a tag geral de helpers do tumblr, então você pode encontrar conteúdos em geral, como templates, gif packs, pngs, etc. Não é frequentemente que vejo templates por ali, a maior parte dos posts é de gif packs, mas pode ser que você encontre algo se der uma olhada pela tag.

#rp resources

Resources variadas, desde pngs, templates, ícones, etc. Aqui você vai encontrar tudo mais misturado, e com outros tipos de resources como starters e etc. Se você está procurando algo mais específico, pode dar um trabalhinho. Se não, vai encontrar bastante coisa bacana.

#rp template #psd template #rp psd template #graphic template #photoshop template

Nessas tags você encontra templates gerais. Acontece de ter alguns posts irrelevantes, mas, em geral, são só templates que você pode usar, só precisa filtrar conteúdo gratuito.

#character graphic #character template #character psd #char psd

Character psd/graphic/template são aqueles templates que se encaixam em fichas. São especificamente feitos para mostrar personagens, e podem ser usados como fixado também. Alguns têm espaço para nome e outras informações, outros são focados só em imagens. Quando você estiver buscando esse tipo de template, as tags acima são ideais para essa busca.

#rp psd #psds #free psd #psd

Quando você quer encontrar ajustes de cor para colocar nas suas imagens, e não templates, as tags que usamos são as de psd. Nelas você encontra psds gratuitos e pagos, alguns que só alteram coloring e outros que alteram as cores de forma mais extrema.

Outras tags úteis:

#faceless gif pack para packs de gifs de cenários, pessoas que não mostrem os rostos, objetos, etc.

#aesthetic pngs #transparent png #png icons #transparent icons para ícones em png. Podem ser usados em templates e como ícones.

#dividers #tumblr dividers #aesthetic dividers #post dividers são os divisores de posts em png.

#icon border #free rp icon border #icon borders sendo bem sincero eu só me deparei com esses templates recentemente, vejo eles sendo usados (e já usei) como banners.

#dash icons template são os templates pra fazer ícones transparentes pra dashboard.

Deviantart

Se você pretende usar templates com frequência, vai ter que se acostumar a usar o Deviantart. É um site onde criadores postam arte, mas também armazenam templates, psds, e etc, e disponibilizam para baixar. Alguns criadores aqui do tumblr armazenam lá, e você recebe um link para baixar pelo deviantart, e outros você só encontra por lá.

Para baixar, você vai precisar criar uma conta, o que é bem simples de se fazer, e depois ir até o link do que pretende baixar. Embaixo da imagem do template, você vai encontrar esses botões:

Você clica na seta de download, e o conteúdo vai ser baixado. Algumas vezes vem direto como psd, outras em uma pasta com arquivos, ou até mesmo um arquivo zipado. Depende do criador.

Mas atenção, se você entrar em um conteúdo em que no lugar da seta, apareça o valor, assim:

Significa que esse conteúdo é pago, infelizmente.

Mas, além de ser direcionado para o Deviantart apenas para download, você também pode pesquisar templates diretamente por lá. Eu considero até um pouco mais fácil, pois você consegue especificar exatamente o que está buscando.

Exemplos:

É claro que vai surgir algum conteúdo que não interessa, mas você consegue fazer uma busca mais direcionada ao que você está buscando.

Aconselho sempre adicionar o termo template no final da busca para garantir que você filtre por templates mesmo, e buscar usando termos em inglês pra ter mais resultados. Depois é só ir selecionando os que você gostar e conferir se não são pagos. Não se esqueçam, é claro, de dar uma olhada na descrição do conteúdo para saber como o criador gostaria de ser creditado.

No post do twilightalks também tem uma lista ótima de usuários que postam templates, o que facilita essa busca.

Buscar templates é um trabalho um pouco cansativo, não tem muito como correr disso, infelizmente. Mas sabendo onde buscar facilita bastante e poupa um pouco do seu tempo. Então espero que esse guia ajude, e qualquer dúvida, só chegar na ask!