đč
I just had a thought đ
Assuming I am right that they have a daughter, what if her name is Rose đč or Isla Rose?
The rose đč dresses they both wore recently got me thinking. They were quite loud. So I googled âIsla Roseâ and lo and behold there is an Isla Rose flower. Isla Rose is also a popular baby name.
I have not seen any rationale for the Rose đč dresses, so is this perhaps it?
Question I could use some help on! Trying to convince a friend that Kaylor are still together and she said what about the lyrics of "It's Time To Go". What's the best, most concrete evidence to counter that? And, what's a good explanation for the song it's time to go that isn't a jab at Karlie? Would love people's thoughts!
Can someone answer this for the anon?
Things that I find suspicious about Toe and I don't understand how the hets don't:
1) Why she didn't used his voice in the intro of London Boy? It would have been cute if they were real.
2) "I'm New York City, you're the West Village" Does Toe has an apartment there that we don't know about?
3) "Magnetic field being a little too strong" have they never seen and interview of this guy? He is not magnetic at all, he is plain and boring and even a little uptight.
4) He hasn't post anything about folklore, an album he supposedly wrote and produced, why?
im adding number 5
5) if toe lived with his parents until taylor and toe (supposedly) moved in together for the first time somewhere in the UK, who the f*ck was taylor living with on cornelia street?
i just want to say something v quick. I remember believing in toe so much. i was so happy for taylor and i hated kaylor like SO MUCH. i never gave it a thought. never. then i found ttbâs blog after the reputation tour started. i was like âok this is just for entertainmentâ i found the master-posts then i was like âhold on.. this might be somethingâ the first song that made me think was King Of My Heart it just didnât make sense to me. I didnât get the timeline.
before toe i already knew that most of taylorâs relationships were PR but i was so scared i was going to get blacklisted by taylor cause she was always here, and people on tumblr too if i said something. haylor made me cringe đŹ. i was scared taylor would see what iâm posting and hate me. and then i understood that MOST people didnât say a word because they were scared of getting blacklisted too.
people all of a sudden hated karlie or like just ignored her presence like she was never there and i did too for sometimes when i was confused, also because i didnât want people to see her face on my blog i was scared of being called a kaylor etc. what helped me later was the making of the songs when i gave this a thought i KNEW toe was never real. i did the math by myself and it all just didnât add up. it wasnât anyone. it wasnât people making me believe in something i SAW the signs and i knew what taylor was sending messages for the ones whoâll find them.
taylor showed me toe was fake no one else did. then my WHOLE look at her music changed drastically. the first time i listened to Love Story after that i was like âoh my god.....â it was THERE all along i just never noticed. i never thought too hard about it.
by the time taylor dropped Lover I didnât even have to try to understand, everything was just clear to me. I didnât give a fuck anymore about being blacklisted or sucking up to swifties a*ses just to seem like Iâm unproblematic.
it was not about being a kaylor or not. anymore. it was just about knowing that this is a whole other story inside the story she wants to show the public and thatâs when i knew the brilliance of taylor swift.
she sells two stories in one. the oblivious one for the lazy heads who wants to believe the story she wants to sell. and the other story for daydreams and romantics who are like her. who see hidden messages and secrets in every line. people who want to put pieces together and find the real pictures. thatâs why she uses easter eggs.
i donât see why a straight woman dating a white man would put easter eggs in songs for her fans. what are we going to find there, Karen? the size of your manâs underwear? why is the world determined to divide a multimillionaire white woman dating a white man?
This is beautifully written! So spot on. I hope Taylor and Tree see this!!!
The fact that Taylor said, "'tis the damn season, write this down." On her new BIRTHDAY release album.
...and it's legit written in a caption on Karlie's post on Taylor's birthday one year ago tomorrow.
Taylor is a psychic witchy genius... or... đ
đ€Ł
They are psychotic đ
but like folklore had the highest first-week opening of any album since lover which had the highest first-week opening of any album since reputation
Kaylors, This post is low-key for you but I think everyone should be open to this interpretation regardless of shipping.
My Tears Ricochet is actually about watching someone you thought you were going to marry someday, marry someone else. The opening line âWe gather here, we line up, weeping in a sunlit roomâ is referencing a wedding. We Gather Here Today to see the union of person A and person B. However the following parts : Weeping in a sunlit room, sounds more like a funeral. This is because this Wedding marks the death of the writer (Taylor) upon seeing her Lover marry someone else. Their love is dead, forever.
âCause I loved you, I swear I Loved you, I loved you until my dying dayâ Sound like would-be wedding vows, except now they will never be said.
âWe gather stones, never knowing what they mean, some to throw some to make a diamond ringâ This lyric marks Taylorâs intention to marry Person A, although life clearly had other plans. Perhaps this wedding is a slap to the face of Taylor, Person A throwing rocks.Â
âYou know I didnât want to have to haunt you, but what a ghostly sceneâ once again playing with the theme of a funeral or the death of love, now it is cursed. âYou were the same jewels that I gave you as you bury meâ All the âStonesâ that Taylor gave her lover before a possible wedding ring.
To add to this: I think Person A is settling with Person B. Taylor and Person A didnât work out for whatever reason but it would seem that Taylor begged them to stay âI didnât have it in myself to go with grace, cause when Iâd fight you used to tell me I was braveâ Person A clearly still misses Taylor though âIf Iâm dead to you why are you at the wake? Cursing my name, wishing Iâd stayedâ
Furthermore, The Last Great American Dynasty is a metaphor for this exact concept. Person A married for superficial reasons, not love. Money, Loud Parties, Filling pools with champagne. But in the night Person A will always hear Taylorâs âStolen Lullabiesâ the songs written about them, and wonder the same as what Taylor does âIt couldâve been fun, if you were the oneâ
I really love this line as well âYou turned into your worst fears And youâre tossing out blame, drunk on this pain Crossing out the good yearsâÂ
Person A never wanted to be the person marrying for money, they are a hopeless romantic. Perhaps they didnât come from money, like Rebecca in The Last Great American Dynasty, they were Middle Class. They were the type to make fun of people like that, now taylor writes of Person Aâs friends of privilege âBitch Pack FriendsâÂ
And yet Person A for some reason blames Taylor for the outcome, they canât let go of the love either, they are drunk on the pain of losing the love of their life and crossing out the good years, forgetting the innocence of youth and trading it for the corruption of wealth.
Ok I swear the second clip is a new angle?? Am I imagining this?? Help me out đ„Č
Her latest album, folklore, is a refreshing departure from all that. Itâs a newish sound for her, but the narrative style she uses on some of the albumâs best tracks feels at once familiar and novel. Itâs a callback to some of her earliest work. Itâs âEnchantedâ off Speak Now with its neutral pronouns and lyrics about being kept awake until 2 a.m. plagued by the âlingering question ⊠âwho do you love?ââ Itâs âBreatheâ all over again. It all set the stage for âbetty,â a song about a love triangle which, depending on how you listen to it, could be about three women and absolutely zero men. To arrive at that interpretation, you need to know that, like much of Swiftâs best songwriting, itâs all coded: Swift is named for James Taylor and all three of the names used in the song â James, Inez, Betty â are the names of Blake Lively and Ryan Reynoldsâs three daughters. James is a woman and Betty, the classmate she pines for the entire song, is too. When James skateboards past Bettyâs house, she canât breathe.
It still works even if you donât subscribe to the theory that James is a woman. In that read, Swiftâs still singing as James. Sheâs donning a male persona, embodying him in a sort of musical drag. It takes Loverâs âThe Manâ from hypothetical to very literal. William Bowery, a songwriter nobody has ever heard of, has a credit on the track. Thereâs some speculation that this is Swift herself, once again using a male pen name. (Sheâs previously written as Nils Sjoberg when she didnât want anyone to know it was her.)Â
Itâs a heteronormative interpretation of the songâs love story, but one that doesnât make the song any less queer. (Plus, if you listen to âbettyâ as a trio with âcardiganâ and âaugust,â youâll still find the supposed love triangle arc has no male pronouns.) Consider it a more fluid version of what Swift did with âLove Story,â a song that on its surface sounds like itâs about a straight couple, but if you listen more closely, if you want to hear it differently, a queer narrative reveals itself. A story about a father who wonât let Juliet be with the person she loves. A male name â Romeo, James â used as a cover story. In âLove Story,â Swift sings and writes as Juliet. What she does with âbettyâ is a savvy move that frees her up to weave plot from a whole new perspective and give her queer fans what theyâve been thirsting for, all at the same time. Conspiracy theories about Swift still abound. The whole album is in lowercase save for Bon Iverâs name. His initials spell ⊠you know. William Bowery is an anagram for âwow Iâm really bi.â And in a real back-breaking reach, some stans say if you listen to âMad Womanâ around the 1:15 mark you can hear the phrase âTaylor Kloss come outâ hidden inside the lyrics. (The actual words are âtill her claws come out.â)
I just wanted to include Benji but that is not what this post is about I just love himđ«¶đ»