Franco Grignani, Dissociazione Al Bordo (n. 145), (mixed Media On Scholler Cardboard On Masonite), 1967

Recuerdo que este Varo se usó para la portada de un libro de texto de psicología que mi madre usaba en sus días de universitaria. Cuando era niño me intrigaban siempre esas mariposas y ojos incorpóreos.

Remedios Varo 1908-1963

Spain/México

"Insomnia" 1947

Emily Ferguson (American,b. 1998)

Strings, 2023

Oil on canvas

simonenoa

Passing through Times Square by Mareen Fischinger

Marcel Duchamp. Hommage à Caïssa, 1966

Victor Vasarely (Hungarian-French, 1906-1997)

Capella, 1970

Tapestry

Edoardo Landi. Struttura visuale 63, 1966

“Sharits suggests how the limitations of the mortal body inform a profound castration that afflicts all subjects regardless of their gender. When images of female genitals appear in Sharits’s film, it is not then as a symbol of the dreaded mutilation of the penis, but of a world over-determined by lack.” —Ara Osterweil

T,O,U,C,H,I,N,G di Paul Sharits

Students at a party, 2005 by Martin Parr

Hanna Kim