Random Collection Of Found Images.

The unnerving sight of an approaching car in the dark: photos by Henri Prestes.

Nowhere beings: photos by Laura Thompson.

Promotional art by Mark Stutzman for JURASSIC PARK (1993).

Series, THE LONESOME DOLL by photographer, Aline Smithson.

Sony Walkman ad, circa 1980. So high tech.

I had a 1989 Sony Walkman. I remember playing the Twin Peaks Soundtrack cassette on it forever; the batteries would always run out so that everything sounded like a syrupy nightmare.

Anyway, art by Dennis Magdich.

Facehugger concept art by H.R. Giger. ALIEN (1979).

Behind the scenes of A NIGHTMARE ON ELM STREET (1984).

Something off about these houses...

“Laura!”

Vintage publicity images for TWIN PEAKS.

Three things define the early 90s for me: The Simpsons, grunge music, and Twin Peaks.

I was 13: not a kid anymore, not really a teen yet; I mean not the kind of teen you are when you’re 16. I used to ride to school on my bike thinking about Twin Peaks: the music, characters, scenes, the warm visuals, the whispering trees, just the strange, otherworldly sense around it. The suspense was murder. Everything seemed charged with mystery, even traffic lights and ceiling fans. Twin Peaks is the shadow version of America’s can-do optimism.

That’s where my head was for about a year, I was constantly thinking about Twin Peaks. None of the other kids in my class watched the show, so it felt like my own dream world. Nobody knew but me. But then it has been like that for most of my life.

Poster designs for THE SHINING (1980) by Saul Bass.