Heard This Song A Few Days Ago And Locked Tf In And Drew This In 2 Days

yet another reason why queer romance in media that is very subtle or more queer-coding than actual explicit rep is so much more compelling than the wealth of straight stories that are out there is bc I think a lot of romance writers forget that you have to like. show not tell. and imply things. and if you hustle things along and put two characters together for the sake of it instead of really working to build their relationship and show how well they work with each other it's not really going to be as interesting to people. and for some reason, a staggering amount of people do not know how to write romance properly so you get a very bland forced dynamic that either feels like an afterthought (he's a boy and she's a girl, hey they could be together because that's what happens!) or the only thing that matters about their characters (see her? she's the Love Interest. that is all she's there for)

however if you're being censored and you literally can't make your characters say "I love you" or kiss or maybe even hold hands you're going to have to come up with more creative ways to tell your audience that they're in love and that usually results in the most poetic beautiful stuff you've ever seen that's SO much more interesting than two characters who make eye contact and go into the slow-mo rose petals scene that's basically screaming at you "hey look at these two. they're in love. you're supposed to be invested in their relationship now. do you get it?" eye contact held for slightly too long in an emotional scene is more compelling. a hand very lightly touching their back is WAY more compelling.

and might I add this is not even impossible to achieve with uncensored straight romances at all like Pride & Prejudice is wildly popular for this exact reason. how many times have I seen people going insane over the hand flex scene. they didn't even kiss in that movie unless you count the extended ending. and everyone loves it. because it's done RIGHT.

tldr; romance is hard to write and you have to put in the effort if you want people to care about your ship. now go forth and imply something

QUICK EDIT TO ADD ALSO when things are more subtle that gives people more space to interpret the dynamic as whatever they want. something might be subtle because that's all they're allowed to show, but something might be subtle because that literally what it's supposed to be. as an aroace person I personally see a LOT of queerplatonic vibes from more subtly played relationships and it's so incredibly exciting and heartwarming for me. and that's a whole new realm of relationship that I think should also be given more attention

basil: henry don't fuck this up for me ok? this guy is special DONT ruin him henry I am begging

henry: loud and clear 👌

dorian after having one conversation with henry:

i feel like jason needs to brag to tim about meeting sherlock holmes, i fear tim would never recover

happy 46 years since the release of Unknown Pleasures!!

nothing shows a character is evil quite like a good cooking montage

the birthday is birthdaying today, most of the problems i’ve been stressing about for at least the past month have been resolved 🙏🙏🙏

so the diomedes server told me to post this... im not sorry

the minimal amount of context below the cut

courtesy of @ithacantrickster and @jewishdainix

oh and this is in context of Jorge mentioning Diomedes in his potential Trojan War musical themes

just imagining telemachus growing up only remembering his father as an idea of a man who is fighting in a war to get back to him. until he’s around 11 and the war is over and his father isn’t back.

the idea of him and penelope slowly becoming resigned to grief but holding out hope because odysseus is the strongest man either of them can think of.

the idea of penelope seeing telemachus, looking so much like her lost husband, become more and more cruel to her out of his insecurity and resentment.

and her knowing that the more telemachus grows up the closer the day is where she promised to remarry. the day she will be forced to forget the memory of odysseus and leave their palace and their son, all to be a prize for a man not much older than telemachus.

the realisation once all is restored that penelope delaying her marriage may have delayed fate because it’s probable athena only made odysseus leave ogygia because penelope’s shroud trick was exposed and she would have had to remarry soon.

Not Bruce standing in Dick's room because he's lonely