Being Doomed By The Narrative Is Cool And All But I Like When A Character Is Doomed Just By Being A Fucking

Hal and Ollie being queercoded as fuck but the Tumblr/tiktok/ao3 gays not giving a shit about either of them is the funniest thing ever to me.

Like it is played into so much more than most actually popular DC slash ships, but I borderline hesitate it to call it queerbaiting because they're so unsuccessful at actually baiting shippers. I swear they get more attention when they just have batman and superman stand in the same room.

yet another reason why queer romance in media that is very subtle or more queer-coding than actual explicit rep is so much more compelling than the wealth of straight stories that are out there is bc I think a lot of romance writers forget that you have to like. show not tell. and imply things. and if you hustle things along and put two characters together for the sake of it instead of really working to build their relationship and show how well they work with each other it's not really going to be as interesting to people. and for some reason, a staggering amount of people do not know how to write romance properly so you get a very bland forced dynamic that either feels like an afterthought (he's a boy and she's a girl, hey they could be together because that's what happens!) or the only thing that matters about their characters (see her? she's the Love Interest. that is all she's there for)

however if you're being censored and you literally can't make your characters say "I love you" or kiss or maybe even hold hands you're going to have to come up with more creative ways to tell your audience that they're in love and that usually results in the most poetic beautiful stuff you've ever seen that's SO much more interesting than two characters who make eye contact and go into the slow-mo rose petals scene that's basically screaming at you "hey look at these two. they're in love. you're supposed to be invested in their relationship now. do you get it?" eye contact held for slightly too long in an emotional scene is more compelling. a hand very lightly touching their back is WAY more compelling.

and might I add this is not even impossible to achieve with uncensored straight romances at all like Pride & Prejudice is wildly popular for this exact reason. how many times have I seen people going insane over the hand flex scene. they didn't even kiss in that movie unless you count the extended ending. and everyone loves it. because it's done RIGHT.

tldr; romance is hard to write and you have to put in the effort if you want people to care about your ship. now go forth and imply something

QUICK EDIT TO ADD ALSO when things are more subtle that gives people more space to interpret the dynamic as whatever they want. something might be subtle because that's all they're allowed to show, but something might be subtle because that literally what it's supposed to be. as an aroace person I personally see a LOT of queerplatonic vibes from more subtly played relationships and it's so incredibly exciting and heartwarming for me. and that's a whole new realm of relationship that I think should also be given more attention

"I asked Grok" "I asked ChatGPT" I asked the Oracle and it told me you're going to kill your father and marry your mom

A Jason Todd Animatic- Work In Progress- I Know It’s Over; Jeff Buckley

just imagining telemachus growing up only remembering his father as an idea of a man who is fighting in a war to get back to him. until he’s around 11 and the war is over and his father isn’t back.

the idea of him and penelope slowly becoming resigned to grief but holding out hope because odysseus is the strongest man either of them can think of.

the idea of penelope seeing telemachus, looking so much like her lost husband, become more and more cruel to her out of his insecurity and resentment.

and her knowing that the more telemachus grows up the closer the day is where she promised to remarry. the day she will be forced to forget the memory of odysseus and leave their palace and their son, all to be a prize for a man not much older than telemachus.

the realisation once all is restored that penelope delaying her marriage may have delayed fate because it’s probable athena only made odysseus leave ogygia because penelope’s shroud trick was exposed and she would have had to remarry soon.

The body of a post is where Hamlet talks to Claudius. The tags is where Hamlet talks to the audience

This is your canon reminder for the day that Dick is a nerdy li’l Shakespeare buff. <3

Scans from Batman #216 (1969), Gotham Knights #42 (2003), Teen Titans #36 (1971), and Batman #682 (2009).

basil: henry don't fuck this up for me ok? this guy is special DONT ruin him henry I am begging

henry: loud and clear 👌

dorian after having one conversation with henry:

strange niche of characters who would read frankenstein and cry because they related to the creature

there’s always a focus on jason remembering exactly how he broke out his grave but i think him remembering every step walking 12.5 miles, constantly calling a mixture of ‘bruce’, ‘batman’, and ‘dad’ to the response of nobody before he passes out into a coma and wakes up to no bruce is the more devastating (all with the injuries that killed him). then when reduced to his most instinctive course of action after being batman’s robin and bruce’s son fails him, he goes back to the streets.