if you make that female character less goth as a sign of her ~healing~ or ~improving her life~ I will kill you
make her MORE gloriously dark and over-the-top. she's growing into herself. she's getting comfortable being who she wants to be. do you see the vision. I am crying and throwing things
just imagining telemachus growing up only remembering his father as an idea of a man who is fighting in a war to get back to him. until he’s around 11 and the war is over and his father isn’t back.
the idea of him and penelope slowly becoming resigned to grief but holding out hope because odysseus is the strongest man either of them can think of.
the idea of penelope seeing telemachus, looking so much like her lost husband, become more and more cruel to her out of his insecurity and resentment.
and her knowing that the more telemachus grows up the closer the day is where she promised to remarry. the day she will be forced to forget the memory of odysseus and leave their palace and their son, all to be a prize for a man not much older than telemachus.
the realisation once all is restored that penelope delaying her marriage may have delayed fate because it’s probable athena only made odysseus leave ogygia because penelope’s shroud trick was exposed and she would have had to remarry soon.
considering jason’s relationship with vengeance, its apparent that bruce just made it worse at every stage.
when bruce first found jason, he didn’t have any inclination towards vengeance because he didn’t know about the death of his father by the hands of two face, and he may never have found out if bruce had not investigated and put it in the batcomputer.
and jason’s first reaction to finding out about the death of his father was NOT to sneak out and find two face, it was to sleep all day and give an attitude to bruce. the reason why jason wasn’t open to talking to bruce about the death of willis was because bruce hid it from him!! for 6 months!! also when jason did go out and attempt to kill two face he did so with batman and as robin. bruce facilitated his vengeance by giving him the means to try through robin when jason probably wouldn’t otherwise. and by the end of #411 jason proves that he isn’t driven by revenge and won’t be in the future because he’s easily snapped out of it (it’s later shown to be not that simple in the detective comics but overall it’s not the main motivator for jason). you can give bruce credit here and say it’s because jason had robin and bruce’s influence but jason changed his mind after bruce said it was very difficult to ‘temper revenge into justice’ which i don’t think was the greatest inspiration speech.
there’s batman #425 where jason is blamed for the revenge of felipe garzonas father which implies that vengeance of the father is an unavoidable reaction to the death of a son (which yeah you can see that lesson was learnt by jason later on).
then comes death in the family which is not about vengeance but leads to jason wanting it in its aftermath. whilst death in the family is a contrived series of coincidences for quite a bit of its plot, bruce definitely caused the set up of it. if bruce wasn’t an insufficient parent jason wouldn’t have been so eager to find his mother or would have at least talked to bruce about it first. but because bruce took away robin without actually discussing it with jason first, jason obviously acted like he didn’t have anyone to emotionally support him, especially considering that bruce is shown to rely on batman and robin to parent his children and he just took that away. bruce continues to give more evidence in jason’s belief that he can’t be relied on by prioritising stopping the joker over helping jason when first finding him, he later fixes this by deciding to help and giving robin back but that was only after first deciding the joker was more important twice before.
and all of this leads to hush and under the hood where jason is forged by vengeance, even finding the only meaning in his life to be it as said in lost days. he lives and even dies by the hand of bruce for ‘vengeance.’
when seeing the purpose of batman and robin as a way to transform the desire for revenge into justice, it’s a devastating subversion to see what happened to jason because bruce needed to justify adopting the next child he saw who looked a little bit like the son he drove away by firing him.
“It’s impossible to figure out comic book timelines” - people who are not me and who I cannot relate to. I have crafted this, a coherent, canon-compliant timeline. A quick preface:
This is all for the Post-Crisis (i.e. New Earth/1986-2011/Pre-Flashpoint/pre-reboot/“preboot”/best) continuity.
My main principle here is diegetic evidence from comics >>>> evidence from supplemental materiel (like calendars, timelines from secret files & origins, character encyclopedias, etc)
Second principle is that mentions of ages, birthdays > mentions of time passed > non-birthday month placements (e.g. the start of school years).
We’re going to go youngest to oldest, because it actually makes more sense that way.
Damian is 10-11 at the end of preboot.
Damian’s birthday is not given in Post-Crisis.
Damian is 10 when he becomes Robin, per Batman and Robin vol 1 #1. He is still 10 in Batgirl vol 3 #17. That is the last time I am aware of where his age is said, so he may or may not have turned 11 in the short remaining time before Flashpoint.
Tim is about 7 years older than Damian. He is 17 at the end of preboot.
Tim’s birthday is July 19th (Robin #116).
Tim turned 16 in R#116, before the One Year Later event (where, as you may guess, a year passed), meaning he is at least 17 after OYL. Tim is still 17 in Red Robin #25. Damian becomes Robins between these events, meaning Tim is 17 when Damian is 10, and they are ~7 years apart.
RR#25 is the penultimate issue of Red Robin. Coupled with the significance of an 18th birthday and the fact that we never see one, there is virtually no chance that Tim turned 18 before Flashpoint. He’s 17.
Stephanie is <1 year older than Tim. Steph is 18 at the end of preboot.
Stephanie’s birthday is not given in Post-Crisis.
Stephanie was 15 when she first became Spoiler, per her recounting the story in Secret Origins 80-Page Giant. She is still 15 in Robin #59. In between these events, Tim is stated as 14 in Robin #43. Therefore, Stephanie is older. Stephanie “died” when she is 16, per the last story in Batman Allies Secret Files and Origins, between R#116 and OYL, meaning Tim was also 16. That makes her less than a year older.
She is also one grade above Tim, starting college in Batgirl vol 3 #1, shortly before it’s confirmed by Red Robin #17 that Tim (had he not dropped out) should be a senior in high school.
Stephanie starts college in Batgirl vol 3 #1, and we have every reason to believe she is starting at the "normal” time, making her 18. Since Tim is 17 at the end of Post-Crisis, and Steph is less than a year older, she can’t be any older than 18.
Jason is 1 year, 11 months, 3 days older than Tim. Jason is 19 at the end of preboot.
Jason’s birthday is on August 16th (Detective Comics #790).
No ambiguity here! Tim and Jason are exactly 702 days apart, unless Tim was born on or right after a leap year, making it 703. We know this because Jason’s 18th birthday is on August 16th in DC#790, which occurs after R#116 and Tim’s 16th birthday, but before OYL where Tim turns 17. This means Jason must have turned 18 when Tim was 16.
Jason’s age is never explicitly said after his return. But because his birthday comes after Tim’s, and Tim is still 17 at the end of preboot, we can be completely confident that Jason is still 19.
Cass is 6 months, 21 days older than Jason. Cass is 19-20 at the end of preboot.
Cassandra’s birthday is on January 26th (Batgirl vol 1 #33).
Cass turned 18 in Batgirl #37, shortly before both R#116 and DC#790, meaning before Tim turned 16 and Jason 18. This is well after No Man’s Land, so we can be certain Tim is long-since 15 (see below cut), and since her birthday is in January, we can also be certain Jason is long-since 17. This means Cass is less than a year older than Jason.
Cass’s age is also never said towards the end of preboot, but can be estimated via Jason (via Tim). Knowing Jason is 19 and Cass is 7 months older, we know she must be 19-20 at the end of preboot. However, since her birthday is before Tim’s, we cannot say if it’s passed to be more specific than that.
Dick is probably 6 years, 4 months, 26 days older than Jason (5 years, 10 months, 6 days older than Cass). He is 25-26 at the end of preboot.
Dick’s birthday is complicated, but imo the best bet for Post-Crisis is March 20th (see below cut).
Dick’s age is extremely messy, but here goes. Dick is 19 when Bruce fires him (Batman #419) and Jason is at most 12 when Bruce finds him shortly after (see below). Dick turns 20 while Jason is Robin (Secret Origins vol 2 #13 and New Teen Titans vol 2 #18). Dick is at most 21 in Deathstroke vol 1 Annual #1, after Tim is introduced. This means Dick is 20-21 when Tim is introduced at 13. The ONLY possible way to make all those ages work is for Dick to be ~6.5 years older than Jason, ~8.5 years older than Tim.
Dick’s age is not really said after that, except the vague mention in Nightwing vol 2 #134 that the time around his 17th birthday was “almost ten years” ago. This fits with what his age should logically be based on the difference to Tim, and we can confidently put him at 25-26 at the end of preboot.
A detailed timeline, references, and explanations of what was included or had to be ignored under the cut:
Keep reading
i respect people's right to trash on red hood BUT I DRAW THE LINE AT BEING RUDE ABOUT JAYBIN. he did nothing wrong ever he was two apples tall and baby
Cass' love language is indeed tactile and touch and it particularly manifests in hugging and embraces - thinking of how touchy Steph is in her death visions, the way Cass touches Bruce after their fight, Bruce's hug when he adopts her, the various Babs-Cass hugs and the way Cass touches her when they reconcile after their fight (which is very similar to the Bruce post-fight touch as well). Even in New 52, Cass sees two people hugging and tries to replicate it. Hugging represents love and connection in every iteration of her character. But at the beginning of it all is a little girl who has just killed for the first time, staring at the person she loves most in the world waiting with open, welcoming arms - and she runs away.
ophelia represents who hamlet truly is whereas laertes represents who he desperately aspires to be.
at the beginning of the play, laertes is able to return to normal life after the funeral/wedding with the approval of both a loving father and claudius, an obvious contrast to the mourning, trapped, and isolated hamlet. ophelia is then shown to be similarly trapped but due to patriarchal forces, with hamlet contributing to her conflict of family, freedom, and love.
when it comes to love caused madness and duty driven vengeance as responses to grief, hamlet chooses the former whilst desperately searching the will to commit the latter. and ophelia and laertes act as personifications of this conflict with the way they naturally embody these ideas respectively. madness is therefore the feminine weakness and vengeance the masculine triumph, right? but no, things only go downhill once hamlet’s desires for revenge cause him to become impulsive in the killing of polonius, and the play’s end can be seen as laertes’ fatal error in letting his rage cloud his judgement on claudius’ scheming. because at the end of the day, whilst ophelia may die before laertes, they all succumb to their ailments of grief.
hamlet was always doomed, not because he was foolish, but because he was trapped between two false representations of mourning, the madness of remembering and the indiscriminately destructive force of revenge. and thus he infects ophelia, laertes, and, in a very shakespearean manner, makes the whole of denmark “rotten”
A Jason Todd Animatic- Work In Progress- I Know It’s Over; Jeff Buckley
the birthday is birthdaying today, most of the problems i’ve been stressing about for at least the past month have been resolved 🙏🙏🙏
nothing shows a character is evil quite like a good cooking montage
being doomed by the narrative is cool and all but i like when a character is doomed just by being a fucking idiot. sorry that happened to you but it is entirely your own fault and you could have just chosen to not do all that