Top Gun - Incorrect Quote 119

Top Gun - Incorrect Quote 119

This is after USNA (Goose) but before TG

Goose: Mav, the cute girl is right there! What should I do?

Maverick: Just tell her "You have beautiful eyes"

*Minutes later*

Goose: *Talking to the cute girl* I have beautiful eyes, they're just like my mother's

Carole (Cute girl): Okay, so they can be our kid eyes too

Goose: *Blushing*

Mav: *In the distance* That work?

More Posts from Sh4rming and Others

2 months ago

I will never forget the day I discovered “wingmen” was already used as a euphemism for gay lovers before the Top Gun fandom got ahold of it.

I Will Never Forget The Day I Discovered “wingmen” Was Already Used As A Euphemism For Gay Lovers

Oh, but hey, it’s probably just a coincidence, it’s not like there’s any proof the cast or filmmakers were aware of this, by all accounts, obscure queer historical aviation romance. It’s not like the top half of the cover art mirrors a famous scene from the fil… wait…

I Will Never Forget The Day I Discovered “wingmen” Was Already Used As A Euphemism For Gay Lovers

“You can be my wingman anytime”

“Bullshit, you can be mine” indeed Tony Scott.


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2 months ago

A Time-Travel idea I can't get out of my head

Before he can think more on it, before he can open his mouth to ask Carol what she would do if she woke up four decades younger-- a tiny voice calls out, clear and eager.

“Unc’a Mav!”

Pete’s heart stops in his chest, his breath catching painfully in his throat. A small form appears at the end of the hallway, sleepy and stumbling, but instantly recognizable. A toddler in his pajamas, with sleepy eyes that snap wide awake when they land on Pete.

Bradley.

Without thinking, Pete’s legs give out beneath him. He falls to his knees in an instant, his hands reaching out, and without hesitation, Bradley throws himself at him. The weight of the little boy in his arms is like a spark to his soul. The way Bradley clings to him, his small arms wrapping around Pete’s neck, is so familiar it nearly knocks the breath out of him.

“Oh, Baby Goose,” Pete chokes out, his voice raw with emotion he hasn’t felt in a long time. “I’ve missed you so much.”

Bradley’s small body wiggles in his embrace, giggling.

Pete holds him so tightly, afraid that if he lets go, this moment will slip away, that this little boy—the one who’s still innocent, still whole—will disappear.

This is a Bradley who he didn’t lose. A Bradley who hadn’t stopped talking to him at 18, who hadn’t shut him out as he grew older. A Bradley who didn’t grow up without him.

Pete kisses the top of his head, his tears wetting the little boy’s messy hair, and he pulls him closer. Bradley doesn’t even notice the tears in his eyes, too busy wrapping his arms tighter around Pete’s neck.

This was it. The one thing he never thought he could have again. The one thing that had slipped through his fingers so painfully—but now, now it’s here. And Pete can’t let it go.

“I’m here, Baby Goose,” Pete whispers, his voice shaking.

Damn it I'm going to write an entire fic on this, aren't I


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3 months ago
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1 month ago

I can't that is amazing ✋😭🤣

Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor
Hangster But Put Them On The Bachelor

Hangster but put them on The Bachelor


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1 month ago

Top Gun - Incorrect Quote 321

Hangman: *Staring at Goose*

Rooster: Why are you staring at my dad?

Hangman: It's just nice to know that you'll age like fine wine

Rooster:

Flyboys: *Laughing*

Goose: *Winks at Jake*

Rooster: DAD NO-


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2 months ago
COCKTAIL (1988) Dir. Roger Donaldson
COCKTAIL (1988) Dir. Roger Donaldson

COCKTAIL (1988) dir. Roger Donaldson


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1 month ago

I was trying to pin-point the place where the narration switches from "Malfoy / Draco Malfoy" to just "Draco"

(because at some point it does, he's 'Draco' in the epilogue.)

And I found some interesting stuff.

~ The book consistently uses 'Draco' during scenes that feature Lucius, or sentences that mention both Draco and Lucius together. This makes sense - up until Book 7 Lucius is "Mr. Malfoy" or "Lucius Malfoy" in the narration... and you don't want a "Malfoy" and a "Mr. Malfoy" in the same scene, that's just confusing.

(this is also probably why Voldemort calls all his Death Eaters by their last names during the graveyard scene... except Lucius. We're still firmly in Children's Lit, and if Voldemort had started addressing one of his Death Eaters as 'Malfoy' ... somebody would have gotten confused and thought that Draco was somehow there.)

~ The first scene that really commits to "Draco" in the narration is the opening of Book 7, where Voldemort is holding court in the Malfoy dining room. It's told in third person omniscient, and even though Lucius isn't doing much... it's a scene about Voldemort taking his wand (and his power) away from him. So there's a fun mis-match between the detached /objective narrator, who calls him "Malfoy" or "Lucius Malfoy," and Voldemort... who calls him "Lucius." The way the scene is written is telling us that he's being disrespected.

Draco is called "Draco" in this scene so we don't confuse him with his father... but maybe there's also a little implication that "Draco" is the most neutral thing to call him, and he's only "Malfoy" through Harry's eyes (ie the "Harry filter.") Still, using his first name like this during such an emotionally charged scene does have the side effect of bringing us a little emotionally closer to the character - especially during Charity Burbage's death, which is a beat that doesn't have anything to do with Lucius.

“And you, Draco?” asked Voldemort, stroking the snake’s snout with his wand-free hand. Draco shook his head jerkily. Now that the woman had woken, he seemed unable to look at her anymore. (...) “Avada Kedavra.” The flash of green light illuminated every corner of the room. Charity fell, with a resounding crash, onto the table below, which trembled and creaked. Several of the Death Eaters leapt back in their chairs. Draco fell out of his onto the floor.

~ The bit where Draco tortures Rowle is the first time when Harry's narration uses "Draco" (in a scene that has nothing to do with Lucius.) We actually watch the switch happen:

A log fell in the fire: Flames reared, their light darting across a terrified, pointed white face — with a sense of emerging from deep water, Harry drew heaving breaths and opened his eyes. (...) Malfoy’s gaunt, petrified face seemed branded on the inside of his eyes. Harry felt sickened by what he had seen, by the use to which Draco was now being put by Voldemort.

~ He's "Draco" all through the scene in Malfoy Manor... and of course he is, Lucius Malfoy is massively important to that scene. But since by now we've had a little moment of "Draco" from Harry, and from the narration (and he's "Draco" during the whole bit with the prisoners in the cellar, which Lucius isn't there for...) I think that this writing choice (unintentionally?) implies... an emotional connection from Harry, that wouldn't be there if his narration stuck to "Malfoy." Like here are two sentences that I think would read very differently if Harry's narration used "Malfoy" instead of "Draco."

Harry did not dare look directly at Draco, but saw him obliquely: a figure slightly taller than he was, rising from an armchair, his face a pale and pointed blur beneath white-blond hair.

Harry saw Draco’s face up close now, right beside his father’s. They were extraordinarily alike, except that while his father looked beside himself with excitement, Draco’s expression was full of reluctance, even fear.

~ Harry calls the wand he uses to defeat Voldemort "the hawthorn wand" a couple of times... but MOSTLy he thinks of it as "Draco's Wand." Including at like, the moment he's actually defeating Voldemort:

Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco’s wand: “Avada Kedavra!” “Expelliarmus!”

I think the Doylist reason for this is to help the reader understand the (pretty confusing) chain of events that leads to Harry being the master of the Elder Wand.... but in the moment, that's a ton of emotional weight for Harry to be giving the name "Draco."

~ There is this interesting little moment where Harry calls Draco "Malfoy" out loud... but "Draco" in his head:

“Not [your wand] anymore,” panted Harry, tightening his grip on the hawthorn wand. “Winners, keepers, Malfoy. Who’s lent you theirs?” “My mother,” said Draco.

So maybe we've got a little conflict going. Harry doesn't have the same relationship with Draco that he used too... but is a little uncomfortable letting Draco know that. Actually, the only time Harry just calls him "Draco" in dialogue is when... he's talking to Voldemort.

“I got there first. I overpowered Draco weeks ago. I took this wand from him.”

(draco behind a pillar having an out-of-body experience because really potter? did you HAVE to phrase it like THAT?)

~ Interestingly, Harry's narration switches back to "Malfoy" during the Fiendfyre scene. This might be to make Draco more of an intentional pair with Crabbe and Goyle ('Malfoy, Crabbe, and Goyle' is a construction the books love.) Or maybe it's to reflect Ron and Hermione's perspective? Backpedal a bit on the implied Harry/Draco emotional closeness? Because... lemme just show you what this scene looks like if I swap out "Malfoy" with "Draco"

Draco saw him coming and raised one arm, but even as Harry grasped it he knew at once that it was no good. “Don’t kill him! DON’T KILL HIM!” Draco yelled at Crabbe and Goyle, who were both aiming at Harry [Ron] and Hermione dragged Goyle onto their broom and rose, rolling and pitching, into the air once more as Draco clambered up behind Harry. Draco was screaming and holding Harry so tightly it hurt.

~ And then, in their last real interaction, the names are all over the place:

Draco was on the upper landing, pleading with another masked Death Eater. Harry Stunned the Death Eater as they passed: Malfoy looked around, beaming, for his savior, and Ron punched him from under the Cloak. Malfoy fell backward on top of the Death Eater, his mouth bleeding, utterly bemused. “And that’s the second time we’ve saved your life tonight, you two-faced bastard!” Ron yelled.

All I can think here is that it's "Draco" when the narration is focusing on Harry's experience... and "Malfoy" when it's focusing on Ron's.


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2 months ago

Top Gun Masterlist

Natasha 'Phoenix' Trace x wife!reader

I have a wife!?

One, three or six more...


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sh4rming - Sh4rming
Sh4rming

I write stuffs about ships I'm obssessed with🤷‍♀️sh4rming on AO3Enemies/Rivals to Lovers = my roman empire

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