Harvey giving off a little bit of the nerdy theatre kid energy without actually ever being one with all pop culture references and his best friend and wife being an actress and a totally such a theatre nerd too.
Funny thing is a lot of people would be surprised about the amount lawyers that are former theatre and the amount of entertainment professionals were/are into fandom culture.
His parents literally being professional artists for the living, a painter and musician and might have actually supported him if he did it as a kid and maybe adult.
But it also seems like they struggled to keep a roof over their heads and food on the table at times and might not have wanted that for him too.
đź’Ż
John: The results are in, I’m afraid you have updog… Bucky: What’s updog? John: Ava! Get in here, I told you I could do it!
me every time i get to a jon chapter
I think some people are reading too much into the Zava/Jamie dynamic, not in the sense that it’s not weird or condescending but in the sense that I think y’all are giving Zava too much credit. I simply don’t think he cared enough about Richmond to know that much about who was their “best player” because once he was there it would be him. What he does care about is the fact that only one person in that locker room was clearly not worshipping him. Dani and Jamie were both strikers and both aces but the way Zava treats them is very different, because Dani worships the ground he walks on and Jamie doesn’t. And let’s be real, Jamie doesn’t have the locker room influence that he used to. In S1, sure, he was the king, but he lost that cred after returning to Man City, and when he came back to Richmond, he wasn’t able to claw it back until the Dubai Air protest. Even after that, his influence is enough to have a good camaraderie and be respected as a teammate and leader, but it’s not the “bully the kitman because it makes me laugh” influence that he had before. If anyone has that influence after S1, it’s Isaac, Sam, and Dani, but Zava sees no need to condescend to them because they’re already on his side. The way Zava acts toward Jamie doesn’t read to me as “I took your spot, what are you gonna do about it,” it reads much more as “they all love me, you should get with the program.” It’s in no way a fight for dominance, mainly because Jamie isn’t really fighting back. It’s more like a cult leader trying to force an unwilling sheep into the flock. (And Rebecca, the only other person that doesn’t like him, is spared this treatment because A she’s a woman and B she sits in a position of power external to the dynamics of the team and coaching staff.)
a little something i made lmao
things ppl say to harvey
Harvey Specter is one of the most bi coded male characters I have ever seen, he is right up there with Buck from 9-1-1.
"harvey specter is so cool" wrong. he's actually a loser. he cries and has panic attacks at the idea of people leaving him and he has mommy issues and abandonment issues and claims he doesn't care (and winds up caring a lot). his boytoy associate gets a girlfriend and he actively glares at her like he's twelve years old or something. he won't give up on his crooked, corrupted mentor because he was my mentor he was my mentor he was my mentor. he has all these basketballs and baseballs in his office and he also boxes. he boxes. (kinda gay to box. why do u want to get in the ring with a sweaty man, harvey.) he wears a fucking vest. he wears a fucking vest. he uses fucking hair gel. hair gel. hair gel. he rent his ex's friend's mike's old apartment in the hopes that he'll finally come back. he looks like he's about to cry whenever someone mentions that mike might not be around. like come on. his middle name is fucking REGINALD
there’s something so special to me about the casual intimacy (both physical and emotional) of the stark family. robb carrying bran to his horse. bran holding robb’s hand to comfort him. jon ruffling arya’s hair and pushing her around and her laughing and pushing him right back. ned hugging sansa and arya in front of the entire king’s court. they’re always thinking about each other and missing each other. the kids cry and fight and play and are kids, and ned and catelyn are kind to one another, and it’s beautiful. it’s so warm, so human, in contrast with the coldness of other familial relationships in the book.
scientist!ned
Bringing back something I wrote seven years ago back on Reddit:
I have an appreciation for Jon's ability to manipulate and scheme. From his first scene in AGOT he showed a gift at manoeuvring a situation into his favor, but the baby switch cements this ability the best I think.
First, its important to note that Jon doesn't rush into his lie and swap out of nowhere, he lays the groundwork and plans meticulously.
“Sire, some claim that you mean to grant lands and castles to Rattleshirt and the Magnar of Thenn.”
“Who told you that?”
*The talk was all over Castle Black*. “If you must know, I had the tale from Gilly.” - Jon I ADWD
He says something of which he'd heard rumors of, but he assigns the blame to Gilly so as to alienate Stannis further from her. By doing this, he deliberately leads Stannis into the conversation where he can mention sending Gilly off without drawing any attention or reprimand from the king who practically controls Wildling lives on the Wall.
“The wet nurse,” said Lady Melisandre. “Your Grace gave her freedom of the castle.”
“Not for running tales. She’s wanted for her teats, not for her tongue. I’ll have more milk from her, and fewer messages.”
“Castle Black needs no useless mouths,” Jon agreed. “I am sending Gilly south on the next ship out of Eastwatch.”
Jon is very good at reading people, and he uses that to his advantage by associating Gilly more and more with the things he knows Stannis dislikes and he does it covertly.
The king was confused. “I thought the wet nurse was this man Craster’s daughter?”
“Wife and daughter both, Your Grace. Craster married all his daughters. Gilly’s boy was the fruit of their union.”
“Her own father got this child on her?” Stannis sounded shocked. “We are well rid of her, then. I will not suffer such abominations here. This is not King’s Landing.”
He plays on Stannis' prejudice to achieve his goal.
Finally-
Melisandre : “Gilly is giving suck to Dalla’s son as well as her own. It seems cruel of you to part our little prince from his milk brother, my lord.”
Careful now, careful. “Mother’s milk is all they share. Gilly’s son is larger and more robust. He kicks the prince and pinches him, and shoves him from the breast. Craster was his father, a cruel man and greedy, and blood tells.” - Jon I ADWD
The above is what he says but in the next chapter this is what he thinks:
Gilly’s boy was older, Dalla’s more robust, but they were close enough in age and size so that no one who did not know them well would be able to easily tell one from the other. - JON II ADWD
He will die at sea, he thought, despairing. He is too old to survive such a voyage. Gilly's little son may die as well, he's not as large and strong as Dalla's boy. Does Jon mean to kill us all? - SAM I AFFC
Jon even swaps the physiques of the babies when describing them to Stannis in order to confuse him further and eliminate a chance of them being identified correctly. He further uses that incorrect physique to push the rhetoric of Gilly's babe being an "abomination" covertly to Stannis. Jon hammers out the details of the lie meticulously, not leaving any scope for failure by being vague. He goes all the way.
I think its an aspect of Jon's character people don't notice or credit much because it isn't at the forefront the way it is for Tyrion, but he too is capable of playing the game. I don't understand when people dismiss Jon's abilities in manipulation or write him off. He's often navigated such situations masterfully and shows himself great at reading people and what moves them from the very first book.