My Current Top 3 Favs In One Piece And Me Forcing Them To Interact Bc That's Super Unlikely To Happen

The irony of so much of the demon slayer fandom arguing about who is the strongest and who "solos" who when two of the most reoccuring themes in the story are a) people all have something different to bring to the table that can contribute in unforseeable ways and b) some enemies can't be defeated alone and every little thing helps either your companions or your successors accomplish what you couldn't by yourself. If you think about it, there was almost no enemy that tanjiro didn't need help taking down because going it alone wasn't the point

The final fight is literally a testament to that with muzan "soloing" everyone and losing to the combined power of every corps member, even the weakest ones. There were low ranking members holding up nearly every hashira as they fought. One guy just straight up drove a car into muzan, an act requiring no specific skill and a lot of nerve! And it all mattered in the end! Everyone came together to change the outcome!

Creativity, willingness, and the importance of connections are literally major themes!!! That the demons couldn't genuinely cooperate with each other was one of their most fatal flaws!!! Lust for individual power was not the great driving force in any of the heros, only the demons. And every time, it was presented as a major flaw that ultimately ruined them.

SPOILERS FOR ONE PIECE CH. 1138

Vibes for this chapter:

Now that my hands have stopped shaking, here are my main take aways. This is gonna be a super long word vomit, so just be prepared:

Shamrock is aware of Shanks (they might have met) and seems disappointed that Shanks likes chilling with ✨the commoners✨

If Shamrock’s sword has the Cerberus-Cerberus Fruit, that means that the theory of Blackbeard having it is debunked

The Shiki-looking figure made a reappearance when Luffy was talking about Shank’s family and seems to be approaching the castle, so we might meet them soon

THE MURAL AND HARLEY

I wonder if there will be a specific character that made the mural, who we’ll be introduced to later. Ripley’s line about “a child’s dream” stood out to me

Due to the “Three Worlds” that Robin reads about, I’m assuming that it’s basically confirmed that there have been 3 holders of the Nika fruit, that coincided with the 3 world-changing events (the first Nika, Joyboy, and now Luffy)

There are 3 demon-like figures, one for each world. I assume they represent the foe that each Nika rose up against, but are they different? Are they the same? Are they all Imu? Only Oda can tell

And here’s everything I took note of on the mural:

The First World

The forbidden sun — power source? Devil Fruits???

Seems like it caused the separation of the earth and the sky/heavens

Lots of factory imagery

Who were the slavers?

The figures (the slaves) carry sun/starburst things. Are these the forbidden sun? Devil fruits? They seem to be throwing them toward the Second World part of the mural, where “embers of war” are mentioned

BIG SNAKE, SERPENT OF HELL, WHO ARE YOU???

The Second World

“The God of the Forest sent forth demons” — is this about devil fruits? Fruits grow on trees (duh) and then obviously demons = devils. And later, it talks about the Sea becoming enraged

Mentions of people belonging to the Half-Moon and the Moon. What is the difference? Is this referencing the Lunarians?

“Humanity killed the Sun, and then ascended to divinity” — they killed Nika or Joyboy? Seems to be about the Celestial Dragons

“The God of the Sea became enraged” — about the rising of the sea levels?

bruh, the boats look like Enel’s ship. If Enel comes back, I’ll lose my mind

The Third World

Where we are now. The final arc. What we should expect. The future.

References the Void Century and how the Elders and Imu remember what happened and what might happen (“the day of promise”)

“They will surely meet again” Who? The reunion of everything that was separated in the First and Second Worlds? The reunion of all the gods that were mentioned?

The mural is amazing and there are so many details throughout, but especially in this section

Obviously there’s Nika/Joyboy (Luffy) leading an army against a figure that’s probably Imu

Under Imu, there’s a boat with figures in white uniforms — Marines/the World Gov

In Nika’s army, there are figures that represent: giants, minks, lunarians, mermaids and fishmen, samurai/ninja/people from Wano, a robot (Emet?), dwarves/tontatta, Sea Kings/Laboon (the whale), and a ship with a flag that looks like the Alabasta kingdom’s flag (@sabo-torao’s post brought my attention to that, shoutout to them)

There are so many details that I probably missed and so many things that Oda probably hasn’t explored yet, but will and I’m so excited

But TLDR: Oda cooked, Lore Piece is real, this chapter was fantastic, and the final war arc is gonna blow my mind

Frobin really looked at Bonney and said "we're your parents now"

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Sometimes we forget how much Kyouka's story and character are fucking heartbreaking 🥲

One Piece 1137 Spoilers

Not a review, just talking about a way Oda often handles characters and how we see that again this chapter.

OK while everyone is busy freaking out and talking about Shamrock and blah blah blah, I'm gonna bring up something way more inconsequential, but like.

I cannot BELIEVE Oda said "let's give Rodo, the comic-relief horrible creep, a tiny and extremely brief moment of genuinely humane characterization" lmao. Also let's use that as a chance to reflect on Zoro's role once more lol.

He has a habit of doing this -it reminds me a lot of how Helmeppo was nothing but a comic-relief bastard at first, but when you least expected it he somehow got a bunch of characterization and development. Oda loooves writing even the most unlikable characters to still feel like people. And honestly, it takes skill, even it it's in really small ways. And he does it in a way where they're not like, forgiven for their bad elements or anything, just expanded upon. Like, Rodo is still an asshole and creep, but even a joke of a character like him can have selfless motivations, and that's very interesting and hard to pull off as a writer.

I am now most curious to see more of Hajrudin and where his story takes him after this! Yeah yeah God Knights, whatever, that's cool too. But honestly, my attention was fully held by the Ancient Giant lore and potential Royal Family Drama instead! I neeeeed those Harald, Loki & Hajrudin flashbacks stat.

Elbaph has been showing a lot of thematic signs of like... weird behavior around Outcasts, actually. Between Harald ripping his own horns off becuase he considers the blood of ancient giants "barbaric" (how does this affect those still born with them?), Loki being branded as cursed and destined to be evil BEFORE his was even born, Hajrudin being seen as "not pure-blooded" due to his mother being from another giant tribe, even Rodo having only one friend (even though that's his fault honestly), and of course Collun being a branded a "wild child" and mocked by his peers... yeah. I see a Theme a bit.

It’s interesting how Punk Hazard, Dressrosa, Zou and Wano all spill into each other with actions in one arc directly leading to motivations and consequences in another. Like all three of those arcs are essentially set up for Wano when you look at the big picture. They’re all explaining how exactly it is that all these characters ended up her fighting these two menaces. And that makes sense given that Wano is kind of the biggest deal we’ve ever gotten in terms of over arching storyline in One Piece and what is revealed there forever changes the story.

But yeah I just thought it was interesting because outside of Sagas like Water seven and we’ve never really gotten that tipping over feeling before. But while water seven feels just like one big arc with individual pieces. All those arcs are distinct from each other and it’s only when you get to Wano and see the bigger picture can you really fit together just how we all ended up here. It also doesn’t help that Wano’s where they’ve been trying to go from the start.

It’s also the first time they Straw hats actually have a plan to go out of their way and antagonize somebody. Like they are actively trying to antagonize Kaido before they got to Wano. They’ve never done that before they’ve always just kind of tripped and fell into trouble trying to help a friend. Which is kind of how the kaido thing starts but it snowballs into much more than that. The closest to anything like it is Vivi and alabasta. It really helps post time skip feel distinct from pre time and really sets you up with out even knowing it to prepare for something big to go down. It’s almost like a visceral shift from One piece as a serialized story to an a connected one.

PLEASE tell me more about emily dickinson. she looks so rad.

Ah, ofc!

My process for her was basically this:

I wanted Chuuya to have another foil, one that functioned similarly to Dostoyevsky being a foil for Dazai. I wanted Chuuya to have his own Fyodor character, someone who can rival his prowess in battle while having polar opposite ways of handling the way they live.

I needed a poet, and I needed one that had similar vibes to Nakahara Chuuya's poetry, from what I've seen of it. And this is a hot take, but I think Emily Dickinson deals with a lot of the same themes? They both deal with grief and beauty and a lot of their poems are melancholic in nature. There's also some similarity in their biographies. Both of them were pretty obscure before their death (though Dickinson published even less). Both had an antagonistic relationship with education. Dickinson is also sometimes classified as a "transcendentalist" (though a lot of scholars don't agree on that front, and that her verse is a lot more innovative for the time).

I'm sure there's probably another poet who is more similar, but I was also a big fan of Emily Dickinson before this so...yeah.

I'm rearranging a lot of my ideas for this character, especially when it comes to her power. Lets just say I was deliberately avoiding an obvious choice for her power, but then I was like "Why, when that poem is rad". So, maybe I'll reveal more later?

Mihawk and his spotlights

kunikida had the most wild time in dazai’s entrance exam like imagine being under the stress of working at a dangerous detective agency AND doing math tutoring at the tender sensitive age of 20 years old and suddenly your boss throws a guy at you who is the BIGGEST walking red flag and has no recorded background or history and just happened to meet a really important government guy at a bar and land a job at your workplace and is obsessed with suicide and tries to kill himself at work and has detailed knowledge of the human organ trafficking business and your boss is like “well, he’s your problem now, if he gives you bad vibes just shoot him in the head if not I want to know if you’d recommend him as our newest employee. okay bye”