I’ve Been Thinking A Lot More About George (the Cat Who Plays Rumpus Cat) Lately, And There’s A Really

alonzo, my favourite cat of all time!!!!!

i wanted to experiment with negative space and that sort of thing. i'm also trying to grow out of being overly dependent on lineart. :D

i love him!!!!!!!! x♾️

does anyone else love the slight banter between demeter and bombalurina during “macavity the mystery cat”? like after demeter’s part, bombalurina gets up and sings about how hot macavity is (rosemarie ford KILLS it i love her voice), but i have a different interpretation about this.

so we all know bomba is very honest and frank about what she thinks, even if she doesn’t say it, it’s written all over her face. she mocks grizabella and gives her the singular most dirtiest, judgiest look ever. she also questions and looks greatly concerned about jennyanydots’s interest in bustopher jones. gotta love her.

bomba obviously knows how much of a piece of crap macavity is, and she knows how much he hurt demeter, whom she’s very protective of. it doesn’t really make sense to me that bomba would outright tell demeter and everyone else that she thinks the man who’s literally broken every human law, who terrorises the jellicles, who traumatised the hell out of her beloved demeter, is hot, but it does make sense that demeter used to think so, and would obsess over him so much that she’d actually get with a guy like that.

i bet demeter used to swoon over macavity and give long rants about him to bomba, who’s just sitting there judging demeter’s taste in toms like “girl get a grip”. and now bomba’s getting back at her by singing one of those rants that she had to sit through so many times she’s memorised it. it’s her way of teasing her. i think the tone she uses is the same exaggerated, sarcastic tone that she uses to mock grizabella. it’s like saying to her, “see how ridiculous you sounded?”

but ultimately, she just wants demeter to not let history repeat itself. she points to her and stresses the fact that he’s a fiend in feline shape. she also says the words “like a snake” bitterly, because that’s exactly what she thinks of him.

and then of course demeter stands up and tries to defend herself like, “oh come on, you can’t blame me. he was outwardly respectable, anyone would’ve fallen for him.” and bomba’s quick to retort with “i know right, yeah, he totally is. cheating ‘at cards’ is definitely respectable. he used to do that to you, remember?”

bomba looks at her all smug and demeter shoots her a look like “okay now you’re pushing it”. and then they carry on with their duet.

i’ll admit, demeter’s not my favourite cat in the world, but her relationship with bombalurina makes me love her like the rest.

p.s. this is so incredibly random and i literally just thought of this after i posted but the term “rose gold” is literally them and i won’t elaborate

tumbletoria

ok guys i NEED to talk about tumbletoria, the ship between tumblebrutus and victoria, because it’s one of my favourite ships ever?? like yk when ur thinking about them and all of a sudden ur heart feels kinda heavy like they were written in the stars?? and you listen to every romantic one direction song ever and think about them??

i ship alonzostrap a TON as well but tumbletoria is on a different level in terms of complexity. it also happens to be one of the only hetero ships i care deeply about. yet it’s constantly being overshadowed in favour of other victoria ships, especially platoria, and tumblebrutus is seen as his little sister or just an immature kitten trying to act tough. and it kinda annoys me.

this time i’ll largely base my reasoning on canon evidence rather than things i thought up of, cuz this isn’t just me trying to justify a rarepair with no canon basis. so if you will not entertain the idea of this ship, feel free to skip this post. if you already ship them like me, read on. and, if this ship has never really crossed your mind, or if you have a different perspective, but are willing to hear me out, get ready for a long rant.

(it has been very nerve-wracking posting this bc i know a lot of you guys will disagree, but i really wanted to talk about them cuz i think they’re a super adorable ship, and i also wanted to know if any of you guys ship them.)

(remember that this is in no way trying to disprove or invalidate other ships or personal interpretations. i’m just sharing my thoughts as usual and putting in my two cents on a topic i feel quite strongly about.)

victoria is an adolescent who was sheltered and pampered her whole life, so she’s very well-mannered and poised (she’s the principal ballerina in the show), but she’s still inexperienced and exploring herself. she dances sensually by herself after “the naming of cats”, and during the pas de deux with plato, showing us that she’s growing into womanhood. but because of her inexperience and sheltered upbringing, she’s inhibited, unsure of herself and held back. victoria is a coming-of-age character, this is obvious and a given.

tumblebrutus is an adolescent who’s actively trying to grow out of his “kitten” stage. he’s a spirited and buoyant cat. he’s adventurous, daring and playful (being the main tumbler of the show, his role requires more gymnastic skill than any other). yet, he has an insecure and unconfident side. he feels the need to try and be cool like older cats such as alonzo or tugger. he’s even paired with mistoffelees, an older cat, during the jellicle ball, instead of someone like pouncival who’s more his age and would also have the ability to do misto’s choreography (pounce is the first understudy for misto). he wants to be a part of them, but he’s not quite there, he’s still seen scheming pranks on grizabella with plato and pouncival. tumblebrutus also happens to be, you guessed it, a coming-of-age character!

now, i know i said i would mostly refer to the 1998 version, but i need to talk about the pas de deux in other productions as well. in a lot of productions, especially recent ones, the 1998 film and older versions (like original london) where the character is named admetus, victoria is paired with plato (i refer to plato/admetus as the same character). out of universe, this is probably because plato doubles as macavity and the role requires him to be able to lift well, so he’d naturally be the first choice to lift victoria. though this made everyone and their pollicle ship them.

however, in a bunch of other productions, and important point here, victoria is paired with tumblebrutus, and this is tied to the fact that they are both coming-of-age characters. they both want to explore more about themselves and be more grown up, but are a bit unsure. tumblebrutus’s fearlessness and optimism helps victoria feel braver and let go of her inihibtions, and victoria’s poise and prudence helps tumblebrutus learn to be more mature and therefore confident. they are each other’s comfort and balance. see the dynamic?

victoria’s “mates” were mainly either plato or tumblebrutus, so i don’t understand how platoria is so much more popular while tumbletoria gets kicked under the couch. heck, ships that have less canon basis like victeazer or jemtoria get more attention than this ship. (no offence btw i think these ships are cute too.)

even though it’s not obvious in the ‘98 version, tumble and vic do have a certain dynamic during their parts in the jellicle ball. when misto and tumble do their ballet part after bombalurina’s section, victoria’s at the back with some other girls, and the camera cuts to her doing a little head tilt at the two boys. she’s also between them when they all do the lean and the music swells and stuff. this is super vague but, we know that victoria’s sexuality is a big part of her character, so maybe it represents her considering her relationships with the toms as she’s growing up, struggling to figure out who she sees as a brother, i.e. misto, and who she’s attracted to or wants something more with, i.e. tumble. she is literally and figuratively caught between them. (also i love the little moments where tumble looks at her during this sequence IT’S SO CUTE.)

just imagine all the adorable possibilities for tumbletoria scenarios. secretly admiring each other from afar while they perform ballet/tumbling moves? trying to impress each other with their skill? getting caught in a compromising position by an adult (like alonzo)? reassuring each other when they feel insecure? secretly dancing together? their friend groups teasing them or shipping them? or even trying to set them up?? affectionate moments becoming a little bit awkward because of their feelings???

i think “juvenile delinquent” is a bit unfair for tumblebrutus, and the depth of victoria’s character shouldn’t be forgotten either. i think vic and tumble are good friends who might have something more going on underneath that they’re figuring out together. i think there’s something really special about complex coming-of-age characters and romances that i really really love. (and i think the principal ballerina x main tumbler thing is noteworthy as well.)

i’ve been working on this post for a while. again, not trying to invalidate anyone’s ships. hopefully now some of you can understand my perspective, and if you disagree, that’s ok. if you do like this ship, please respond and tell me your thoughts or headcanons so i know i’m not alone in this 😭.

tumbletoria is a terribly underrated, beautiful ship, and it truly deserves more attention. thank you for listening to my ted talk.

pouncival ideas

before, i never really paid close attention to the ending of the show “the ad-dressing of cats”, there wasn’t much dancing or plot, and i just listened to ken page’s legendary singing. but i recently noticed something. pouncival. he’s front and centre of all the cats, and he even does slightly different poses/choreo than the rest of them. pouncival is also one of those cats that i never paid too much attention to, but he’s been nagging me ever since this discovery.

the more i thought about it, the more i realised that he doesn’t really have a proper “role” in the tribe other than being a troublemaker, which doesn’t help anyone. when i searched for inspiration on tumblr, there were hardly any pouncival hcs that were exclusively him. and even then, it was just things we already know about him.

i NEEDED to know him better. he would not let go of my brain for the past three days. but i’d like to thank him for giving me something to think real hard about. here’s my ideas for him!

this next part is a review of pouncival. feel free to skip to “finally, my ideas” below the screenshot of pounce —

what we know :

- pouncival is the youngest tom cat in the tribe

- he’s a mischievous and childish kitten with a knack for troublemaking

- he’s carefree and playful, just a happy kitten, sometimes callously so

- his alternate is carbucketty, a name invented by t.s. eliot for a “knockabout” cat

what we can infer :

- he loves his friends! (he pranks grizabella at tumble and plato’s idea, and he lets victoria snuggle up to him at the start of “mister mistoffelees”)

- he’s a comedic kitten who loves making people laugh, even at his own expense

- he’s the type of kid to roll in the mud and eat dirt (affectionate)

- he’s the class clown who’s lowkey an icon

• in my personal list of the cats and their three words (or more specifically “three adjectives describing their personality”), i gave him childish, blithe, and puckish.

his main character moments :

- causing trouble, and being the first “cockroach” to appear, during “the old gumbie cat”

- pranking grizabella twice

- getting reprimanded by jellylorum and electra during the jellicle ball “chant”

- being the pollicle who leads the march (it goes wrong, naturally)

- falling over a bunch, the little rascal (he’s very good at it too. top job, karl morgan /srs)

finally, my ideas :

other than the “boys group”, pouncival is also close friends with electra (and therefore etcetera). electra is something of a fussy and uptight kitten, like the type of girl who always wants to be the “boss” of the friend group and twist the story so she wins during roleplays. pouncival gives her the perfect excuse for someone to yell at as a frustration outlet. his carefree and playful attitude means that, not only does he not mind, he plays along and sometimes does cheeky things on purpose to rile her up or lift her spirits (electra is secretly very grateful).

pouncival’s childishness also means that he has a vivid imagination, and this lead to him being very inventive. also, as previously established, he has no qualms with being unhygienic, so he is very resourceful in digging through the trash, no matter for food, supplies or props for electra’s roleplays. as such, he was actually the one to make the costumes and props during jennyanydots’s number and for munkustrap’s play…

once, electra got really upset during a group roleplay, so as an apology and also to cheer her up, pouncival made mice and cockroach costumes, and along with the rest of the kittens, they performed a hilarious, modified to comedic version of the nutcracker for her. the costumes ended up being reused for jenny’s number.

another version of this could be: once, electra was scolded by jenny, and being especially sensitive to the disapproval of the older cats, especially one she admired, she got really upset. so pouncival and etcetera “took revenge” for her by sneakily asking demeter and bombalurina to help them write a musical number about jenny. pouncival made the costumes and they secretly performed it for electra, twisting the meaning to make fun of the old gumbie cat instead. normally electra wouldn’t be too happy about this, but she was still upset at jenny at the time and it gave her the catharsis she needed.

both were more than successful.

pouncival also made the notorious candy cane bagpipes. plato, being tugger’s other biggest fan, begged pounce to help him create a special birthday gift for him to give to tugger. pounce isn’t sure what tugger’s response was, but it left plato smiling for days.

during the production of “the pekes and the pollicles”, an extremely stressed out munkustrap gave pouncival the job of costume design, collaborating with mungojerrie and rumpleteazer. with the help of their smart looting skills, the three made exceptional costumes for all four breeds of dog as well as rumpus cat, earning them lead roles (though munkustrap might have regretted that) and a pat on the head.

pouncival the knockabout cat lives!!! or maybe pouncival the invention cat?

(also why are his eyes lowkey so beautiful)

in honour of may 11th, the day that cats the musical premiered, i have sewed these two lovely cat plushes of victoria and tumblebrutus using socks

if you want to make some as well, i followed this tutorial, and crocheted the tails for the braided effect. i used regular markers for the colouring but if you’ve got fabric markers you should do it better than me 😅 also i didn’t have the materials and was too lazy to make their collars so shhhh

i’m planning to wear them on my shoulders when i go to see cats live for the first time in june! ahhh so excited 😸

happy 44th anniversary!! 💖 🐈🎶🎤🩰🪩🐈‍⬛

so i was listening to one direction and i realised that their song “hey angel” basically sums up how i feel about phyllida crowley smith and her as victoria, so here’s a collage of phylltoria :

her beauty is ineffable. she is the heaviside layer incarnate. she is the epitome of mystical divinity. she shines brighter than the jellicle moon. she is THE victoria.

jo gibb who?? my heart belongs to philly only

(no homo tho. definitely. i think.)

jellicle cats are green and young

jellicle cats lived sheltered lives

jellicles dream of growing up

but jellicles are afraid sometimes

been obsessed with “promise items” especially in fiction. e.g. in real life we have promise rings, in palia there’s romance pins, in ninjago there’s the yin-yang medallion… ahhh they’re so cute and makes my heart so happy 🥲🥲💖💖

if cats had a promise item what do you think it would be? maybe they wear a glove or some kind of other accessory like on their neck or tail?

maybe some of the collars that the cats wear symbolise commitment, for example demeter and bombalurina wear collars, and perhaps it means they’re promised to each other!

i’m very interested to know what you guys think 🥹

I LOVE YOU TUMBLEBRUTUS YOU’RE MY SILLY BILLY

etcetera & electra ideas

i have been so eager to make this post because honestly? i don’t talk about the queens as much as the toms, which is way less than they deserve. also i really wanted to wait until i could give them some GOOD ideas. originally i was gonna make etcetera a “culinary” cat but that’s BORING and she deserves a better role >:(

i struggled with them a lot because they don’t have much canon at all, largely due to the fact that they weren’t cats that t.s. eliot created, they don’t sing many lines in the show, and i couldn’t draw any inspiration from their ‘98 actors either. all we have is their personalities, so i had to dig a bit deeper in terms of cats production lore and stuff.

these two have been sitting at the back of my mind for too long but no longer!! i finally have some fun ideas for them so let’s dive in!

etcetera :

inspired by broadway cats where “mungojerrie and rumpleteazer” was reimagined as a puppet show and etcetera doubled as teazer, etcetera is a puppeteer. she’s interested in theatre and she loves to show her puppet shows to jellylorum because of jelly’s theatre background. she even tried to recreate “growltiger’s last stand” once (jelly was super impressed).

now, i know there’s a headcanon where electra is a magic cat like misto, cori and tanto, but consider: etcetera is also a magic cat! her magic is more subtle though, as her only main power is flying, which is inspired by her trapeze role in the opening number. this makes her even harder to look after because she gets so hyperactive that she ends up getting zoomies in the AIR.

she learnt to craft puppets and dolls by herself using her magic, and she’s trying to learn how to conjure them out of thin air. she can also use her powers to manipulate her puppets and do ventriloquy, which allows her to do a wide range of eccentric voices and movements.

electra :

electra is a playwright who helps etcetera write her puppet shows. this is inspired by her line in the opening number “familiar with candle, with book and with bell?” because “bell, book and candle” is an actual play. (also i realised that they say “familiar” bc the cat was the witch’s familiar! love a good wordplay)

electra idolises pyewacket from “bell, book and candle” and she has probably watched that play/movie as many times as i’ve watched cats. sometimes she tries to emulate him.

i also like the idea that electra is a magic cat, but she has yet to discover her powers or find a witch or wizard to attend to. if we had to guess, she could have song or voice magic (like sirens for example), and that’s why she doesn’t sing much in the show, cuz her magic voice hasn’t fully developed yet. this is inspired by the fact that electra was originally meant to have a much more prominent singing role, i.e. in the gumbie trio and in bustopher jones.

both :

they are besties OF COURSE, that goes without saying.

they’re both close friends of coricopat and tantomile because of their connections to magic (and also partly inspired by the broadway puppet show, where cori doubled as mungo just like cettie doubled as teazer).

etcetera’s favourite thing to do with the twins is to go flying with them on their broomstick, while electra is very studious and loves it when they teach her about brewing potions and casting spells.

they’re really living out every girl’s magical powers fantasy </3

the two adorable princesses!! 💖💖

(also why is munkustrap a pencil in this 😭)