alonzo, my favourite cat of all time!!!!!
i wanted to experiment with negative space and that sort of thing. i'm also trying to grow out of being overly dependent on lineart. :D
i love him!!!!!!!! x♾️
etcetera & electra ideas
i have been so eager to make this post because honestly? i don’t talk about the queens as much as the toms, which is way less than they deserve. also i really wanted to wait until i could give them some GOOD ideas. originally i was gonna make etcetera a “culinary” cat but that’s BORING and she deserves a better role >:(
i struggled with them a lot because they don’t have much canon at all, largely due to the fact that they weren’t cats that t.s. eliot created, they don’t sing many lines in the show, and i couldn’t draw any inspiration from their ‘98 actors either. all we have is their personalities, so i had to dig a bit deeper in terms of cats production lore and stuff.
these two have been sitting at the back of my mind for too long but no longer!! i finally have some fun ideas for them so let’s dive in!
etcetera :
inspired by broadway cats where “mungojerrie and rumpleteazer” was reimagined as a puppet show and etcetera doubled as teazer, etcetera is a puppeteer. she’s interested in theatre and she loves to show her puppet shows to jellylorum because of jelly’s theatre background. she even tried to recreate “growltiger’s last stand” once (jelly was super impressed).
now, i know there’s a headcanon where electra is a magic cat like misto, cori and tanto, but consider: etcetera is also a magic cat! her magic is more subtle though, as her only main power is flying, which is inspired by her trapeze role in the opening number. this makes her even harder to look after because she gets so hyperactive that she ends up getting zoomies in the AIR.
she learnt to craft puppets and dolls by herself using her magic, and she’s trying to learn how to conjure them out of thin air. she can also use her powers to manipulate her puppets and do ventriloquy, which allows her to do a wide range of eccentric voices and movements.
electra :
electra is a playwright who helps etcetera write her puppet shows. this is inspired by her line in the opening number “familiar with candle, with book and with bell?” because “bell, book and candle” is an actual play. (also i realised that they say “familiar” bc the cat was the witch’s familiar! love a good wordplay)
electra idolises pyewacket from “bell, book and candle” and she has probably watched that play/movie as many times as i’ve watched cats. sometimes she tries to emulate him.
i also like the idea that electra is a magic cat, but she has yet to discover her powers or find a witch or wizard to attend to. if we had to guess, she could have song or voice magic (like sirens for example), and that’s why she doesn’t sing much in the show, cuz her magic voice hasn’t fully developed yet. this is inspired by the fact that electra was originally meant to have a much more prominent singing role, i.e. in the gumbie trio and in bustopher jones.
both :
they are besties OF COURSE, that goes without saying.
they’re both close friends of coricopat and tantomile because of their connections to magic (and also partly inspired by the broadway puppet show, where cori doubled as mungo just like cettie doubled as teazer).
etcetera’s favourite thing to do with the twins is to go flying with them on their broomstick, while electra is very studious and loves it when they teach her about brewing potions and casting spells.
they’re really living out every girl’s magical powers fantasy </3
the two adorable princesses!! 💖💖
(also why is munkustrap a pencil in this 😭)
so i was listening to one direction and i realised that their song “hey angel” basically sums up how i feel about phyllida crowley smith and her as victoria, so here’s a collage of phylltoria :
her beauty is ineffable. she is the heaviside layer incarnate. she is the epitome of mystical divinity. she shines brighter than the jellicle moon. she is THE victoria.
jo gibb who?? my heart belongs to philly only
(no homo tho. definitely. i think.)
hellooo i’m verdi and i’m a big fan of cats the musical. i’m starting this blog so i can talk about cats and share my ideas.
i love this musical with a PASSION because it’s fun and always manages to bring a smile to my face, even when i’m feeling down. i love the characters, especially the kittens, and i like making up a ton of ideas about all of them. i also love it because i used to do dance and when they dance it resonates with me on such a spiritual level that i can’t explain (i’ve watched the jellicle ball an ungodly amount of times).
my main ships are alonzostrap and tumbletoria, but i also ship demelurina and tuggoffelees. my favourite characters are alonzo, tumblebrutus, george, cassandra, victoria and jemima, but really i love all of them. i consider the 1998 film the definitive version so i’ll mostly be referring to that. i’m also an artist and all of the drawings you see are mine unless i credit others.
i hope you guys like my ideas! :D
i’ve been thinking a lot more about george (the cat who plays rumpus cat) lately, and there’s a really adorable shot during gus’s song where george looks up at old deuteronomy like this
like he’s saying “are you hearing this old deuteronomy?? he actually understudied whittington’s cat??!!”
i have thoughts about this
so george is normally a pretty shy kitten. he’s in the background a lot and hangs around older cats like old deuteronomy and jellylorum, he even flinches when gus looks at him.
but when he’s playing rumpus cat, all of a sudden he’s goofing around and enjoying the spotlight. i like to think acting helps him get out of his shell, and he loves being on stage and performing.
so obviously he admires gus a lot, but after hearing his story he realises that he wants to take acting more seriously, to create a persona that would be worthy of firefrorefiddle, and most of all, make gus proud.
“george the theatre cat”. has a nice ring to it!
p.s. george is literally one of the most underrated cats. like he’s so adorable!! and he has the biggest smile in the world!!
been obsessed with “promise items” especially in fiction. e.g. in real life we have promise rings, in palia there’s romance pins, in ninjago there’s the yin-yang medallion… ahhh they’re so cute and makes my heart so happy 🥲🥲💖💖
if cats had a promise item what do you think it would be? maybe they wear a glove or some kind of other accessory like on their neck or tail?
maybe some of the collars that the cats wear symbolise commitment, for example demeter and bombalurina wear collars, and perhaps it means they’re promised to each other!
i’m very interested to know what you guys think 🥹
house cat ideas
jemima :
she was actually found by old deuteronomy shortly after she was born. jemima was barely surviving so her mother abandoned her, and he brought her to be taken care of by the oldest inhabitant of the village mentioned in his song, an old man with an affinity for flowers. (is old deuteronomy actually the cat distribution system???)
to the old man’s delight, jemima accompanied him for the final few weeks of his life. after he passed, she was old enough to live amongst the jellicles in the junkyard, but she still keeps her collar on. his influence shaped her into an observant, empathetic and compassionate kitten, who inherited his wistfulness in the form of daydreaming. and although she wouldn’t remember much of him, the stories he told rooted an innate wisdom within her, waiting to be unearthed.
a paper-mache mask i did in art class inspired by jemima + sunflowers! 🌻 (daylight is one of my favourite songs in the whole show!!)
more serious aspects of rum tum tugger
admittedly, i watch act 1 of cats wayyyyyy more than act 2. i’m not sure why, but it means i listen to “mr mistoffelees” a lot less, so it kinda slipped my mind that… rum tum tugger sings “mr mistoffelees”… 😬 but seriously watching and listening to it after a while of detox made me, weirdly, appreciate tugger’s character so much more than before.
if you don’t think tugger is a very complex character or someone worth delving into, let me offer this: we talk about john partridge being THE tugger, that he’s yet to have been surpassed or lived up to, and it’s true, but from what i’ve seen, i don’t think us fans get him quite right either. (not anyone specifically, just in a general sense.) and from what i’ve heard, other productions are great, but there’s just nothing quite like his 1998 film portrayal. i don’t just mean the swagger, but also the gravitas that he gives off. it was really lightning in a bottle. that’s how difficult it is to get his character truly right. (such is the case for a lot of cats in my opinion, but i’m being picky.)
(p.s. i meant this as in “it’s insanely difficult to capture john partridge’s essence”.)
…… yes, i know tugger is meant to be vain and rebellious and a sexy, indecisive flirt, and i do realise that the three words are just “in general” to help actors perform better, BUT, you cannot tell me that this description doesn’t water him down to a puddle :
his three words are apparently “vain, perverse, inconsequent”. “vain”? you mean the one whose first instinct was to call upon someone else more competent to help when old deut was in danger? the one who pleaded for the jellicles to listen to him, and gladly gave reasoning while hyping up misto, instead of just saying trust me bro? the one who is clearly extremely grateful and proud to be old deut’s son? and “perverse” is only true if they mean “contrary”. otherwise, his whole song shows him rejecting all the hot girls who all want him. “inconsequent”? firstly, i’m pretty sure that they’re using this word wrong. second, if they mean “not caring about consequences”, then tell that to the cat who stopped his entire party instantly just to alert the tribe of grizabella’s appearance. (and he clearly looks very disappointed when nobody liked his bagpipes gag!)
tugger is attractive, admired by many, influential, high-status and charismatic. yet, he only ever uses his prominence to do what’s best for the jellicles or what would make them happy, both individually and as a whole. in misto’s number, he steps up completely soberly when the jellicles need him the most. he hypes up misto because he knows his influence will make the cats believe in him. he gives the cats some much needed levity during times of crisis. he entertains etcetera, his biggest fan, like a singer inviting a child on stage and it shows that he cares.
i wanna talk about tugger’s design as well in terms of his character. tugger’s presence is the perfect balance of cool and warm. he is stylish and impressive, a self-assured and level-headed cat with an assertive aura, who easily keeps his composure, but at the same time, he’s inviting and open, a dutiful and shrewd cat with an incredible sense of humour, who is able to lift the hearts of those around him. this is reflected in his design, as his top half has a huge fluffy mane, but the rest of him is sleek black, yet done in a way that’s complimentary and not conflicting.
beneath the show-off, the swagger, and the sex appeal, he’s a mellow and mature tom cat who just loves to put on a good show and give the crowd exactly what they want. he’s just as serious and responsible and caring and full of love for his tribe as munkustrap is, while still being able to retain his thrilling and unruly side (which somehow makes him seem even more responsible, since he has the capacity to balance levity and soberness to the fullest extent).
people try to give him sad backstories or make him seem softer and that’s fine, but it’s a rare thing that we get such an ineffably complex and nuanced character without needing things like a drastic arc or sympathetic traits. through tugger, i’ve gained a newfound admiration for this sort of adamantine character, and this qualia of his shines through, however subtly, in every number he’s in.
i did my best, but my words probably don’t do him justice either. maybe during your next watch of cats, try to search for this feeling!
(and i think, in this way, he really embodies rock music so well. so fun and exciting and rebellious, but still able to sound so classic, solemn and heavy.)
house cat ideas
victoria & tumblebrutus :
victoria was bred to be a birthday gift. she was given to the daughter of a rich family, a high school girl (who i call helen), once they decided she was old and responsible enough for a pet. they lived in the penthouse of an apartment building, and because helen was named after a queen she decided to name the kitten after one too. helen cared for victoria with the utmost precision and love, and the family’s fanciness and etiquette rubbed off on victoria, making her the pampered and reserved cat we know in the show.
tumblebrutus was adopted from the shelter by another high school girl who took pity on him (i call her bethany). bethany took the alliteration route and named him bill bailey. she lived in the same apartment building. tumblebrutus loves to jump around and leap from shelf to shelf, or play on bethany’s bunk bed like a cat tree, or zooming back and forth along the corridor. bethany’s bubbly personality and her optimism during hard times passed onto tumble, making him the cheerful and fearless cat we know in the show.
helen and bethany go to the same school and have been best friends since childhood. they bonded over their love for animals, enthusiasm for life and their homes being so close. they have frequent playdates in either apartment, and always bring their cats along to play together as well (the kittens get along better than either of them expected).
rate her loaf :3 (anyone else had a lot of these polaroids with the customised edges??)
i love love LOVE them. tumble is my favourite kitten.
in honour of may 11th, the day that cats the musical premiered, i have sewed these two lovely cat plushes of victoria and tumblebrutus using socks
if you want to make some as well, i followed this tutorial, and crocheted the tails for the braided effect. i used regular markers for the colouring but if you’ve got fabric markers you should do it better than me 😅 also i didn’t have the materials and was too lazy to make their collars so shhhh
i’m planning to wear them on my shoulders when i go to see cats live for the first time in june! ahhh so excited 😸
happy 44th anniversary!! 💖 🐈🎶🎤🩰🪩🐈⬛
previous post here, and the jellicle ball section names here. and also for this post the 1998 film jellicle ball & white cat solo. (i wanted to add the audios here individually but tumblr doesn’t allow that so sorry 🥲. if you can, speed the video up to 1.05x for the original speed.)
—
jellicle ball appreciation posts :
character themes
i love how you can tell what kind of cats the cats are just by listening to the music that plays when they’re the subject of a dance. it’s like you can HEAR their characters. and we get the most of this during the jellicle ball, so i’ll list the tune and then how their character traits correlate with the music. exhibits below :
before we talk about the ball, we have the white cat solo for victoria’s theme.
victoria’s solo : simple, sweet, sincere high notes. delicate and unassuming. elegant; not needing to be elaborate.
now, listen to the “ricochet” section of the jellicle ball. you can hear traces of her in the music as she dances! it reflects how the white cat is always peeking out and catching your eye through the crowd.
now let’s look at the fugue section. unlike the second part of the ball, where they’re all basically considered ensemble cats, here we get the most individual characterisation through the different portions and their subjects. (hence, fugue.) starting from “fugue” itself all the way down to “bombalurina’s section”.
listen to the contrast between the two monochromatics —
mistoffelees begins “fugue” : soft, lower and duller notes that evoke the sense of fluffy paws creeping along the floor. has an air of mischief and mystery.
alonzo’s entrance : loud, sharp, brighter brass that only gets more and more intense, a testament to his bravado; a theme designed to impress and intimidate.
and if you listen for a bit longer you can hear them playing in tandem with each other as they dance, especially when alonzo does his hand thing at misto during what’s supposed to be “tours”. this isn’t just an orchestra, it’s the cats themselves.
now the queens —
cassandra cartwheels in : a solitary tune that chimes high and proud, and doesn’t stoop down for anyone. clearly a cat of high status and prestige.
bombalurina interrupts : jazzy, passionate and warm woodwinds. a bold and vibrant melody that goes straight to the point and screams “life of the party”.
moving on to the “boys ballet” - “sways” section, there are actually three subjects, mistoffelees, tumblebrutus, and victoria, and there’s kind of a call and response going on (which i love). as we already discussed victoria and mistoffelees, we can infer that the strings heard here are tumblebrutus, while the brass is misto, and if you listen very closely, the even higher pitched “whistles” (woodwind i think) are victoria. tumble is the call, while misto and vic respond.
the cats talk with each other through the music! how magical is that? and if you listen closer to moments like bomba and tugger, you can hear even more of these conversations! (you can hear a bit of tugger’s rock during “slithers”. also i love how tugger’s electric guitar comes back whenever he leads.) there are also moments where you can hear what the cats are saying, doing or feeling like with tumble and alonzo, or alonzo and bomba or cassandra. it’s one of the reasons that the jellicle ball is so memorable.
music is truly magic.
anyone who hates on cats just because of cats needs to realise there’s more to this show than meets the eye, or ear.
cats the musical ideas! • • jellicle ball enthusiasttumbletoria advocate •
28 posts