Do You Have Any Theories Or Hcs You Don’t Think Others Share 👀

hi everyone just gonna resurrect from my grave for a sec because i thought about having the gumbie trio in just dance

like… what if cats the musical but in just dance??

“the rum tum tugger” ft. his biggest fans

a modified jellicle ball with victoria as the dancer (this would be extreme difficulty)

other ideas that i was too lazy to draw :

- mungo and teazer duet obviously (extreme difficulty)

- macavity vs munkustrap dance battle (like majesty in just dance 2023)

- jellicle songs for jellicle cats quartet dance

- “macavity” duet with demeter and bomba is a must

- skimbleshanks quartet where the p1 is skimble and the rest are kittens who follow him around like a train

- mr mistoffelees solo at hard difficulty

ok see ya

I LOVE YOU TUMBLEBRUTUS YOU’RE MY SILLY BILLY

jellicle ball appreciation posts —

(bonus detail✨) :

if anyone ever feels worried about trying something new, just remember that george was hesitant to join bombalurina’s section in the jellicle ball, even though he wanted to. but with a bit of encouragement from tugger he went for it and ended up having a good time.

george, i hope you know you are an inspiration.

it’s such a little detail and george is such a minor character but they cared enough to put it in. and it makes sense because george is a shy kitten and bomba’s section is full of energy and the centre of attention, so naturally he’d be nervous about stepping out of his comfort zone. AND it shows that tugger cares so much about the little ones that he’d understand how george was feeling, and sling his arm around him like “you got this”.

it’s so adorable!!!!!! 😩😩💖💖💖

(emojis credit to @astrelle)

etcetera & electra ideas

i have been so eager to make this post because honestly? i don’t talk about the queens as much as the toms, which is way less than they deserve. also i really wanted to wait until i could give them some GOOD ideas. originally i was gonna make etcetera a “culinary” cat but that’s BORING and she deserves a better role >:(

i struggled with them a lot because they don’t have much canon at all, largely due to the fact that they weren’t cats that t.s. eliot created, they don’t sing many lines in the show, and i couldn’t draw any inspiration from their ‘98 actors either. all we have is their personalities, so i had to dig a bit deeper in terms of cats production lore and stuff.

these two have been sitting at the back of my mind for too long but no longer!! i finally have some fun ideas for them so let’s dive in!

etcetera :

inspired by broadway cats where “mungojerrie and rumpleteazer” was reimagined as a puppet show and etcetera doubled as teazer, etcetera is a puppeteer. she’s interested in theatre and she loves to show her puppet shows to jellylorum because of jelly’s theatre background. she even tried to recreate “growltiger’s last stand” once (jelly was super impressed).

now, i know there’s a headcanon where electra is a magic cat like misto, cori and tanto, but consider: etcetera is also a magic cat! her magic is more subtle though, as her only main power is flying, which is inspired by her trapeze role in the opening number. this makes her even harder to look after because she gets so hyperactive that she ends up getting zoomies in the AIR.

she learnt to craft puppets and dolls by herself using her magic, and she’s trying to learn how to conjure them out of thin air. she can also use her powers to manipulate her puppets and do ventriloquy, which allows her to do a wide range of eccentric voices and movements.

electra :

electra is a playwright who helps etcetera write her puppet shows. this is inspired by her line in the opening number “familiar with candle, with book and with bell?” because “bell, book and candle” is an actual play. (also i realised that they say “familiar” bc the cat was the witch’s familiar! love a good wordplay)

electra idolises pyewacket from “bell, book and candle” and she has probably watched that play/movie as many times as i’ve watched cats. sometimes she tries to emulate him.

i also like the idea that electra is a magic cat, but she has yet to discover her powers or find a witch or wizard to attend to. if we had to guess, she could have song or voice magic (like sirens for example), and that’s why she doesn’t sing much in the show, cuz her magic voice hasn’t fully developed yet. this is inspired by the fact that electra was originally meant to have a much more prominent singing role, i.e. in the gumbie trio and in bustopher jones.

both :

they are besties OF COURSE, that goes without saying.

they’re both close friends of coricopat and tantomile because of their connections to magic (and also partly inspired by the broadway puppet show, where cori doubled as mungo just like cettie doubled as teazer).

etcetera’s favourite thing to do with the twins is to go flying with them on their broomstick, while electra is very studious and loves it when they teach her about brewing potions and casting spells.

they’re really living out every girl’s magical powers fantasy </3

the two adorable princesses!! 💖💖

(also why is munkustrap a pencil in this 😭)

hello everyone!! happy feburary and welcome to my “jellicle ball appreciation posts” series where i discuss my favourite part of the whole musical! specifically about the 1998 version because, oh boy, my love for this recording of a 10 minute dance break knows no bounds. refer to this video for the names of the different sections of the jellicle ball aaaand let’s begin!!!

jellicle ball appreciation posts :

perfect timing

anyone who’s danced before knows that doing all those moves, especially for more fast paced dances, takes exceptional strength and control to execute them well. in order to have that control, and of course because moving your limbs and getting from one place to another takes time, you sometimes have to sacrifice one extra second to perform the last move before moving on to the next one. for example, watch bombalurina after “arabesque” as she’s getting into place for “warsaw (ecstasy)”. unlike most others, she raises her arms a little late because she has to run into position from the back. although it’s a pretty minor issue, when this happens your performance can appear delayed and you often end up rushing the following move.

so one of the most satisfying things for me to watch as an ex-dancer (besides straight up satisfying dancing which we will talk about in the future) is someone hitting their mark on a dance move perfectly or even a little early. one example of this is, during “slow paws” jemima’s arm movements are completely in time with the music, and she raises her arms perfectly on cue during “arabesque”.

but absolutely nothing scratches this itch more than watching tumblebrutus, or fergus logan, dance. seriously, who gave this man the right to be THAT graceful???? i cannot even express how euphoric it is to watch him during the jellicle ball and i sometimes open the film just to watch him. i genuinely love the “boys ballet” section so much because of him and fergus logan has become one of my favourite dancers in the show, or ever, if not my favourite. and for the same reason (but not the only one) tumblebrutus is also one of my top favourite cats.

when tumble and misto stand up and do their windmill thing during “spikey”, fergus is completely focused on dancing. you can see it on his face. as a result, tumble is eager and ready to do the next move, and it shows because he hits the mark perfectly and my gosh, i hope you guys know how much i wish i could absorb that moment into my soul. and the way he “windmills” is just like, he swings his arms so freely and effortlessly and elegantly and so in time with the music, it’s just so pleasing to watch. compared to jacob brent, who’s more focused on staying in character, which i absolutely don’t blame him for since he has a very important role, but as a result he ends up windmilling a little bit late and rushes the next one. mistoffelees’ dancing has more of his flavour and spark, but tumblebrutus’s movements are just so freaking refined and graceful and everything, and i highly doubt this will be the last time i talk about fergus logan in these posts.

as much as i love these “perfect timing” moments though, i also happen to care a lot about the moments like i mentioned in the first paragraph, because there’s something beautiful about seeing the humanity behind a piece of art, especially in the case of dance and professional dancers. it shows that no matter how fantastical this world is or how impressive the cats’ feats are, these are still actors, human beings, and they make mistakes on stage sometimes too and that’s ok. it just shows how much effort is needed to pull this off and put on a successful show. cats the musical is one of the only pieces of media that i know of, where it can break the immersion in a serious manner (or even unintentionally) and have it make the experience even more magical.

part 2~~

i’ve been thinking a lot more about george (the cat who plays rumpus cat) lately, and there’s a really adorable shot during gus’s song where george looks up at old deuteronomy like this

like he’s saying “are you hearing this old deuteronomy?? he actually understudied whittington’s cat??!!”

i have thoughts about this

so george is normally a pretty shy kitten. he’s in the background a lot and hangs around older cats like old deuteronomy and jellylorum, he even flinches when gus looks at him.

but when he’s playing rumpus cat, all of a sudden he’s goofing around and enjoying the spotlight. i like to think acting helps him get out of his shell, and he loves being on stage and performing.

so obviously he admires gus a lot, but after hearing his story he realises that he wants to take acting more seriously, to create a persona that would be worthy of firefrorefiddle, and most of all, make gus proud.

“george the theatre cat”. has a nice ring to it!

p.s. george is literally one of the most underrated cats. like he’s so adorable!! and he has the biggest smile in the world!!

jellicle cats are green and young

jellicle cats lived sheltered lives

jellicles dream of growing up

but jellicles are afraid sometimes

house cat ideas

victoria & tumblebrutus :

victoria was bred to be a birthday gift. she was given to the daughter of a rich family, a high school girl (who i call helen), once they decided she was old and responsible enough for a pet. they lived in the penthouse of an apartment building, and because helen was named after a queen she decided to name the kitten after one too. helen cared for victoria with the utmost precision and love, and the family’s fanciness and etiquette rubbed off on victoria, making her the pampered and reserved cat we know in the show.

tumblebrutus was adopted from the shelter by another high school girl who took pity on him (i call her bethany). bethany took the alliteration route and named him bill bailey. she lived in the same apartment building. tumblebrutus loves to jump around and leap from shelf to shelf, or play on bethany’s bunk bed like a cat tree, or zooming back and forth along the corridor. bethany’s bubbly personality and her optimism during hard times passed onto tumble, making him the cheerful and fearless cat we know in the show.

helen and bethany go to the same school and have been best friends since childhood. they bonded over their love for animals, enthusiasm for life and their homes being so close. they have frequent playdates in either apartment, and always bring their cats along to play together as well (the kittens get along better than either of them expected).

rate her loaf :3 (anyone else had a lot of these polaroids with the customised edges??)

i love love LOVE them. tumble is my favourite kitten.

previous post here, and the jellicle ball section names here. and also for this post the 1998 film jellicle ball & white cat solo. (i wanted to add the audios here individually but tumblr doesn’t allow that so sorry 🥲. if you can, speed the video up to 1.05x for the original speed.)

—

jellicle ball appreciation posts :

character themes

i love how you can tell what kind of cats the cats are just by listening to the music that plays when they’re the subject of a dance. it’s like you can HEAR their characters. and we get the most of this during the jellicle ball, so i’ll list the tune and then how their character traits correlate with the music. exhibits below :

before we talk about the ball, we have the white cat solo for victoria’s theme.

victoria’s solo : simple, sweet, sincere high notes. delicate and unassuming. elegant; not needing to be elaborate.

now, listen to the “ricochet” section of the jellicle ball. you can hear traces of her in the music as she dances! it reflects how the white cat is always peeking out and catching your eye through the crowd.

now let’s look at the fugue section. unlike the second part of the ball, where they’re all basically considered ensemble cats, here we get the most individual characterisation through the different portions and their subjects. (hence, fugue.) starting from “fugue” itself all the way down to “bombalurina’s section”.

listen to the contrast between the two monochromatics —

mistoffelees begins “fugue” : soft, lower and duller notes that evoke the sense of fluffy paws creeping along the floor. has an air of mischief and mystery.

alonzo’s entrance : loud, sharp, brighter brass that only gets more and more intense, a testament to his bravado; a theme designed to impress and intimidate.

and if you listen for a bit longer you can hear them playing in tandem with each other as they dance, especially when alonzo does his hand thing at misto during what’s supposed to be “tours”. this isn’t just an orchestra, it’s the cats themselves.

now the queens —

cassandra cartwheels in : a solitary tune that chimes high and proud, and doesn’t stoop down for anyone. clearly a cat of high status and prestige.

bombalurina interrupts : jazzy, passionate and warm woodwinds. a bold and vibrant melody that goes straight to the point and screams “life of the party”.

moving on to the “boys ballet” - “sways” section, there are actually three subjects, mistoffelees, tumblebrutus, and victoria, and there’s kind of a call and response going on (which i love). as we already discussed victoria and mistoffelees, we can infer that the strings heard here are tumblebrutus, while the brass is misto, and if you listen very closely, the even higher pitched “whistles” (woodwind i think) are victoria. tumble is the call, while misto and vic respond.

the cats talk with each other through the music! how magical is that? and if you listen closer to moments like bomba and tugger, you can hear even more of these conversations! (you can hear a bit of tugger’s rock during “slithers”. also i love how tugger’s electric guitar comes back whenever he leads.) there are also moments where you can hear what the cats are saying, doing or feeling like with tumble and alonzo, or alonzo and bomba or cassandra. it’s one of the reasons that the jellicle ball is so memorable.

music is truly magic.

anyone who hates on cats just because of cats needs to realise there’s more to this show than meets the eye, or ear.

pouncival ideas

before, i never really paid close attention to the ending of the show “the ad-dressing of cats”, there wasn’t much dancing or plot, and i just listened to ken page’s legendary singing. but i recently noticed something. pouncival. he’s front and centre of all the cats, and he even does slightly different poses/choreo than the rest of them. pouncival is also one of those cats that i never paid too much attention to, but he’s been nagging me ever since this discovery.

the more i thought about it, the more i realised that he doesn’t really have a proper “role” in the tribe other than being a troublemaker, which doesn’t help anyone. when i searched for inspiration on tumblr, there were hardly any pouncival hcs that were exclusively him. and even then, it was just things we already know about him.

i NEEDED to know him better. he would not let go of my brain for the past three days. but i’d like to thank him for giving me something to think real hard about. here’s my ideas for him!

this next part is a review of pouncival. feel free to skip to “finally, my ideas” below the screenshot of pounce —

what we know :

- pouncival is the youngest tom cat in the tribe

- he’s a mischievous and childish kitten with a knack for troublemaking

- he’s carefree and playful, just a happy kitten, sometimes callously so

- his alternate is carbucketty, a name invented by t.s. eliot for a “knockabout” cat

what we can infer :

- he loves his friends! (he pranks grizabella at tumble and plato’s idea, and he lets victoria snuggle up to him at the start of “mister mistoffelees”)

- he’s a comedic kitten who loves making people laugh, even at his own expense

- he’s the type of kid to roll in the mud and eat dirt (affectionate)

- he’s the class clown who’s lowkey an icon

• in my personal list of the cats and their three words (or more specifically “three adjectives describing their personality”), i gave him childish, blithe, and puckish.

his main character moments :

- causing trouble, and being the first “cockroach” to appear, during “the old gumbie cat”

- pranking grizabella twice

- getting reprimanded by jellylorum and electra during the jellicle ball “chant”

- being the pollicle who leads the march (it goes wrong, naturally)

- falling over a bunch, the little rascal (he’s very good at it too. top job, karl morgan /srs)

finally, my ideas :

other than the “boys group”, pouncival is also close friends with electra (and therefore etcetera). electra is something of a fussy and uptight kitten, like the type of girl who always wants to be the “boss” of the friend group and twist the story so she wins during roleplays. pouncival gives her the perfect excuse for someone to yell at as a frustration outlet. his carefree and playful attitude means that, not only does he not mind, he plays along and sometimes does cheeky things on purpose to rile her up or lift her spirits (electra is secretly very grateful).

pouncival’s childishness also means that he has a vivid imagination, and this lead to him being very inventive. also, as previously established, he has no qualms with being unhygienic, so he is very resourceful in digging through the trash, no matter for food, supplies or props for electra’s roleplays. as such, he was actually the one to make the costumes and props during jennyanydots’s number and for munkustrap’s play…

once, electra got really upset during a group roleplay, so as an apology and also to cheer her up, pouncival made mice and cockroach costumes, and along with the rest of the kittens, they performed a hilarious, modified to comedic version of the nutcracker for her. the costumes ended up being reused for jenny’s number.

another version of this could be: once, electra was scolded by jenny, and being especially sensitive to the disapproval of the older cats, especially one she admired, she got really upset. so pouncival and etcetera “took revenge” for her by sneakily asking demeter and bombalurina to help them write a musical number about jenny. pouncival made the costumes and they secretly performed it for electra, twisting the meaning to make fun of the old gumbie cat instead. normally electra wouldn’t be too happy about this, but she was still upset at jenny at the time and it gave her the catharsis she needed.

both were more than successful.

pouncival also made the notorious candy cane bagpipes. plato, being tugger’s other biggest fan, begged pounce to help him create a special birthday gift for him to give to tugger. pounce isn’t sure what tugger’s response was, but it left plato smiling for days.

during the production of “the pekes and the pollicles”, an extremely stressed out munkustrap gave pouncival the job of costume design, collaborating with mungojerrie and rumpleteazer. with the help of their smart looting skills, the three made exceptional costumes for all four breeds of dog as well as rumpus cat, earning them lead roles (though munkustrap might have regretted that) and a pat on the head.

pouncival the knockabout cat lives!!! or maybe pouncival the invention cat?

(also why are his eyes lowkey so beautiful)