The Umbrella On Its Way To The Academy Idk I Didn’t Watch The Show

the Moon in “The Goldfinch”, part 1

It seems the moon plays a great part in “The Goldfinch”. Boris’s Arabic name is Badr al-Dine which means “The full moon of Faith”; according to Theo’s father Theo’s zodiac sign is Cancer, and the ruling planet of Cancer is the moon; Theo’s mother tells him her childhood story about being homesick and cured by the presence of the moon... Pure coincidence? Let’s run through the book and do some research.

The very first time we meet the moon on the pages is right after the explosion when Theo explains to the reader what he sees.

An image of a damaged, ruined world with a boy inside looking at the moonscape of rubble, trying to orient himself and figure the best way to go.

Then Mr.Barbour, Andy’s father obsessed with the sea and yachting, mentions the moon. Why here? Cause if Barbours had had Theo with them that summer everything would have changed for him, he would have been the part of their family, they would have been his new home. However, as we are aware that never happened. The mist in the description...

The next time the moon appears again it’s an object, a moon dial clock at Hobie’s. Theo’s attached to many things in his house: smell of beeswax and wood, furniture, dense, almost touchable foggy, autumnal, a mild and welcoming micro-climate. It’s the very sense of home for Theo. No surprise something moon shaped emerges just after the formal greetings between Hobie and Theo.

With Larry even this vague sense of home is gone again. Theo feels uncomfortable around him and wishes he was anywhere else (Tibet, Lake Tahoe, the moon). Besides, the last time Theo and his mother went out for a meal happened to be in a place called Moondance Diner.

In Vegas Theo’s room is bare and lonely, no one cares that he never changes his clothes or isn’t in therapy. He pokes around the house and finds random stuff like real estates leaflets, new wine glasses still in the box and other things including a cardboard box of beat-up trade paperbacks such as Your Moon Signs. But all these things aren’t on their places, that’s why it still doesn’t feel like home at all. But the chapter isn’t named Badr al-Dine for nothing.

So basically Boris is an embodiment of the moon, faith and home. Boris answers Theo’s question whether the moon is the same everywhere with a bold confidence “of course it is, you idiot”. There’s a very significant part of Theo’s doubtfulness about that. He doesn’t want to accept all this as his home though he has no alternative cause even in his dream there’s no solitude and his mother’s image is faulty.

The next time we see a crescent moon which enlightens the thrilling scene in the swimming pool.

What’s this all about? Boris sings a polish song about two smalls kittens, and the boys are them indeed. Lost, scared, laughing and grieving, alone and together at the same time, covered in blood (Boris’s mostly). It seems unreal but the next day breaks into this inexistence bringing the bright sun. And nothing happens, the spell isn’t broken: they’re here together and alive.

Badr al-Dine chapter ends with Christmas celebration (Boris’s praznyky, праздники :) and Larry saying these very words:

The whole thing is so magical that after Boris’s toast Theo accepts happiness doesn’t seem quite such a doomed or fatal idea.

Wind, Sand and Stars starts with Boris’s girlfriend Kotku and a half a year time gap in Theo’s storytelling canvas. The main things have to be mentioned: 1. firstly, Theo’s not on good terms with Kotku’s assumptions of ownership of Boris 2. Secondly, he becomes closer to his father. However, this situation proves to be a double betrayal when Larry freaks out and beats Theo trying to make him get the money immediately. Just after that Boris comes and tells Theo he’s forced to leave the country because of his father’s job. Everything seemes frozen, like the planet has stopped. However, the moon is still there. In spite of being a disturbingly unreliable narrator Theo reveals he’s overwhelmed with feelings he’s troubled to explain.

After departing ways we won’t see the proper moon for a significant amount of time. And when we finally meet it again (with an appearance of Boris, of course) it’ll be a completely different moon according to Theo.

every show about teenage girls:

derry girls (while taking place in a war zone):

S01E06 - Grand Prix in Paris S01E07 - The Moscow Invitational

I made these at 1 AM please enjoy

Merlin + never quite believing that Arthur can get dressed by himself.

+ Bonus. Arthur the other 99% of the time:

warts and all

Bojack Horseman starts out as a show about a writer trying to write a nuanced portrait of a very fucked up guy, warts and all.

In truth, that biography ends up being nothing more than the beginning of Bojack’s story. In the first season, Bojack is a washed-up sitcom star who didn’t know how to move on from that. The entire first season of the show is just setting up the world and the characters of the show. I think the first season is great, and there are some really powerful episodes, that show that it’s a lot more than just some family guy type thing about some pathetic dude who revels in his own self-destructive behavior.

By season 6, we see the real nuanced portrait of this character. In a lot of ways, I enjoyed the first half of season 6 better than the second, because the first half gave me what I wanted to see. I like Bojack as a character. He is smart, and he’s witty, and he is blunt in the best way possible. He calls bullshit when he sees it, which is something I can respect, and he does care deep down about the people in his life. Mr. Peanutbutter is a great example of this. He is constantly annoyed by the guy and really doesn’t agree with lots of what he says or does, but there are plenty of scenes throughout the series where the two of them just,,,,, talk, and he’s real and honest and seems like a good friend.

At the same time, we all know the horrible things he does; getting a bunch of teens drunk, leaving them when one gets alcohol poisoning; attempting to sleep with a 17-year-old girl despite knowing how messed up that is; ruining the first project he has ever seen his friend be passionate about; being constantly petty; going on a bender with an addict who’s been sober for 9 months; being a constant enabler to people who need him; always covering his own tracks before helping people who need him; strangling his girlfriend; the list goes on. at his core though, the issues most of Bojack’s friends have with him are that he is self-centered, unreliable, and hurts everyone around him by knowingly self-sabotaging instead of doing what he knows the right thing is.

Bojack is not a good person because he generally isn’t a good influence on the people around him. Bojack going to prison is how he finally, for the first time ever, fully accepts responsibility for his actions. When he tells Mr. Peanutbutter that his prison sentence was about more than just the breaking and entering, it tells us as an audience that he finally understands that this is not an isolated instance. He has always given a half-hearted apology for a single thing for which he is criticized. I’m glad to have seen him finally accept responsibility for who he is as a person.

I guess my main point here is this; Bojack Horseman promised a nuanced portrait of a troubled man in his book “One Trick Pony”. It took 6 seasons to actually get this portrait, and I am so so so thankful for that. The ending paralleled the season one ending. Diane tells Bojack that she doesn’t believe in deep down and that all you are are the things that you do. Bojack finally understands that. No more excuses. The end of Bojack Horseman shows that Bojack finally accepts who he is, warts and all.