Your personal Tumblr library awaits
bla bla bla Aegon II is not the rightful heir!
bla bla bla Rhaenyra is not the rightful heir!
blablabla MY favorite fantasy mass murderers are actually the good guys!
Do you know who was not the rightful heir to shit? Who was very much not "the good guy"?
Aegon The Conqueror. The very reason why there is even all those debates through the series history, between this or that Targaryen, the reason why there is an iron throne in the first place, and for all the wars for it
In a monarchy, the truth of myths regarding divine rights of the royal and the noblemen is that those are nothing but justifications for the upholding of feudalism and it's social order. The only crime one can commit in a war of conquest or succession is losing it. "The rightful monarch" is the one who wins, because outside of that, there is no such thing.
History is told by the winners. Might makes right.
"Power resides where men believe it resides. It is a trick, a shadow on the wall."
Have your favorites, have fun watching, it's entertainment after all. Root for whoever you want, for whatever reason you fancy. But do not fool yourself. They do not actually have the right to shit and you know it, you are not morally above anyone for rooting for this or that character and you know it.
Show Rhaenyra and Alicent: *have secret meetings*
Book Rhaenyra and Alicent:
Alicent: I don’t care that your children have died
Rhaenyra: I will literally cut out your tongue if you don’t shut up
Book Rhaenyra Targaryen Aesthetic
Queen Rhaenyra the Black
~Queen Rhaenyra Targaryen; First of Her Name, Rightful Ruler of the Seven Kingdoms~
FINALLY FINISHED THIS WIP!!! School and family stuff was beating my ass, so I had to put a massive pause on this one, but it's finally done T_T I just had to rep my RIGHTFUL queen Rhae-Rhae, I love her to infinity and beyond!!! I rrly do need to draw her more tho... anyways, I think I'm going to draw more asoiaf portraits and make it a little series. idk who I should draw next tho, maybe Daenerys? Or another character from the dance? I'm open to request lmao
Team Black + wolfpupy tweets
My dragon's humanizations
1. Balerion & Meraxes 🤍🖤
2. Vhagar 💚
3. Tessarion 💙
Alicent Hightower: Artwork by Ertaç Altinöz in TWOIAF, The Princess & The Queen by GRRM, Artwork by Douglas Wheatley in Fire and Blood, The Princess & The Queen by GRRM, Olivia Cooke portraying Alicent Hightower in Season 1 of House of the Dragon, The Princess & The Queen by GRRM, Leo Ashton portraying young Aemond Targaryen in Season 1 of House of the Dragon, Phia Saban portraying Helaena Targaryen in Season 2 of House of the Dragon, The Princess & The Queen by GRRM, Olivia Cooke portraying Alicent Hightower in Season 1 of House of the Dragon.
The city is yours, Princess. But you will not hold it long. The rats play when the cat is gone, but my son Aemond will return with fire and blood. - Alicent Hightower (Fire & Blood)
Rhaenyra rejected her stepmother’s proposal with scorn. “Your sons might have had places of honor at my court if they had kept faith,” Her Grace declared, “but they sought to rob me of my birthright, and the blood of my sweet sons is on their hands.“Bastard blood, shed at war,” Alicent replied. “My son’s sons were innocent boys, cruelly murdered. How many more must die to slake your thirst for vengeance?” - Alicent Hightower (Fire & Blood)
Queen Alicent, beloved of the smallfolk, placed her own crown upon the head of her daughter, Helaena, Aegon’s wife and sister. After kissing her cheeks, the mother knelt before the daughter, bowed her head, and said, “My Queen.” (Fire & Blood)
Alas, the king was not of a forgiving mind. Urged on by his mother, the Queen Dowager Alicent, Aegon II was determined to exact vengeance upon those who had betrayed and deposed him. (Fire & Blood)
Lately, it feels like I’m walking through a fog—one that settles in my bones the second I step into work. I’m usually bright. Thoughtful. A little intense. A little weird. The kind of girl who sees too much, feels too much. A Virgo to the core—structured but soft, always trying to make sense of everything. I dream of harmony, of people who treat each other with care. I crave a kind of calm that lets me breathe.
But at work, I feel like shit.
It’s not the job—it’s the atmosphere. I clean. It should be simple, even peaceful. But the energy is heavy. Tense. Paranoid. I feel watched, like every step is judged. Like my silence speaks louder than it should. I thought this place would understand—that I’m in school, that I have a family, that I’m doing my best. But no. When I ask for a day off, I’m treated like I’ve done something wrong. Like my life outside of work is an inconvenience to them.
And I hate who I am there.
I shrink. I doubt myself. I flinch at simple questions like “how are you?” I’m too emotional, too soft, too scared of saying the wrong thing. My voice gets caught in my throat, and I become someone I don’t even recognize—someone who watches from the sidelines, instead of standing up.
But that’s not who I want to be.
I want to be clever. I want to be bold. I want to be the girl who raises her head, lifts her sword, and walks into battle like a storm they never saw coming. I want to be brave enough not to care who hates me. I want to stop trying to make everyone comfortable. I want to stop apologizing for being alive, for taking up space, for needing time, for having a voice.
I want to stand on my own two feet and not shake. I want to look people in the eye and not flinch. I want the strength to let people’s opinions bounce off me like arrows off armor. I want to weld my sword up high—my voice, my truth, my presence—and see them coward at the sight of someone who knows who they are.
I want to be the kind of woman doubt doesn’t dare to approach.
But how do I become her?
Right now, I hide in my mind to survive. I drift. I dream. While I clean, I disappear into other worlds—places where I matter, where I fight dragons and win. Places where my softness is power, not weakness. I imagine sunlight through trees, pages turning, hands that build, voices that lift. I lose myself in stories, music, moments that keep me afloat when reality makes me feel like I’m drowning.
Because the stress here—it's thick, like smoke. It taints people. It steals kindness. And I feel it trying to steal me.
But I won’t let it.
Somewhere in me, I know she exists—the girl with the sword. The girl who doesn’t beg to be heard—she commands it. The girl who isn’t afraid to be seen, even if being seen means being misunderstood. I want to become her. I will become her.
This place may try to bury me, but I’m not soil. I am fire. I am wind. I am something they cannot contain.
Further notes:
I've done a combined ASOIAF books vs GOT/HOTD poll before, but I said in the tags then that I was thinking of doing an individual F&B/HOTD poll, so here it is!
I love them and i love this.
Subject: A defense of Harwin Strong and an analysis of his relationship with Rhaenyra.
I want my first real post to be a deep dive into the beautiful relationship that is Rhaenyra x Harwin, a relationship that team green considers shameful, while team black (mostly staunch daemyras), finds it shallow and boring. I believe both interpretations are incorrect, as even with their limited screen time together, Emma and Ryan managed to tell a beautiful love story, even in just the way they looked at one another. With a single look, so much was said without a word being spoken.
One thing that Rhaewin has begun to get criticism for lately, is the idea that Harwin is no better than any other man in Rhaenyra’s life, that he too has groomed and taken advantage of her, that perhaps he is no “saint” as he seems to be treated by the fandom.
The truth is, there is nothing within the canon to suggest this. The first moment we get between them is when we see Harwin giving Rhaenyra an encouraging look after she returns from killing the boar. Nothing here implies he is lusting after her. Instead, Harwin merely just stands out as being the only one at the hunt to look at her with admiration while everyone stares in confusion or judgment.
The next two scenes we are given of them also definitely don’t have any hint of predatory behavior from Harwin. He runs into her after she snuck out with Daemon and presumably decides to keep her secret, and the one after that he carries her away out of the chaos during her wedding after being given permission by his father, the hand.
There is no canon evidence to support Harwin groomed her. Grooming implies a pattern of behavior over time that we do not see from Harwin. He and Rhaenyra have no pre existing relationship before they conceive Jace, Harwin does not even put himself forward for her hand during her marriage tour. Harwin does not commit any predatory actions towards Rhaenyra.
This quote by Sara Hess is the closest we have to an official canonical description of Harwin, and while granted, Hess has said her fair share of questionable things in the past, there is nothing in the canon that disputes what she said.
“He’s one of the more unambiguous characters, he’s just a good dude. You don’t see him off doing morally questionable things, which almost everybody else is doing. They’re so flawed and human and messy. He was able to be a paragon of decency and generosity and handsome strength. He’s one of the guys you could just love and feel great about loving and then he’s ripped from you too soon, before he does anything that could fuck that up for you. He’s our perfect angel.”
With this settled, I want to move on to their actual love story. We know they did not have much time together before they conceived Jace, considering the timeline of events. What we can put together at least, is that Rhaenyra was in a vulnerable position with Laenor. After they tried several times to conceive and failed, she needed to secure her position quickly and found solace in Harwin, who proved himself to be one of the only trusted figures she had in court.
The next time we see Rhaewin is after the time jump. They have already had two beautiful sons together and another has just been born. Despite this implied intimacy, they have to hide their affections, only able to give each other coy smiles and a playful line here and there. Harwin holds their newborn son and Rhaenyra looks at the sight with adoration, yet also a hint of sadness, as if she is thinking of a world where they could be open about their love. In the night, they are in each other’s arms and make sons, princes of the realm. Yet in the day, these stolen moments are all they can afford.
The next time we see Harwin, he points out Criston Cole’s lack of care in his son’s training. He attempts to teach Jace as distantly as he can, and it is very clear he is increasingly frustrated with only being able to go so far in his son’s teachings. In the end, Cole still provokes him, and Harwin unleashes his anger on him. All the pain and frustration of only being able to love Rhaenyra and their children from afar is let out in the form of this beatdown on Cole.
It would not follow without consequence however. Harwin is ordered to leave his position as Commander of the City Watch and go back to Harrenhal, away from Rhaenyra, away from their sons. Ryan Corr does an amazing job in this scene and you can just feel his utter devotion when he says one of my favorite lines from the show “you have your honor, and I have mine”.
In a world where conceiving bastards is considered sinful and shameful, Harwin sees their union as one of love and honor. His sons are not treacherous reminders of sin and lust, but worthy princes born of love.
Rhaenyra and Harwin’s final scene together is one of the most heartbreaking scenes in the show. Rhaenyra is losing one of the only trusted figures she has in court, the man she sought comfort in and who fathered her three sons, and Harwin is losing everything that means the most to him. And once again, despite the privacy, despite the fact that this is their last moment together, they still cannot be open about their love. There is no final kiss goodbye, not even a hug. There is only a single look between them that says all we need to know, and a hopeful promise that Harwin will return.
One of the most tragic things about this scene is that Jacaerys picks up on everything between them. He sees the looks shared between them, the desire for a hug or a kiss, he sees it all and he knows what it means. His mother and father have a love story that they can never tell anyone about, not even their own son.
TL;DR: Rhaewin is a beautiful yet tragic twist on the knight and princess love story trope. Those that see this relationship as shameful have had their brains rotted by team discourse who buy into the “bastardphobia” present in universe (despite the fact that that is constantly criticized by the narrative itself), and wave it away as a “mistake”. There is nothing at all shameful about their relationship, and their sons were not made of sin, but of love. Rhaewin is also far from boring or shallow, to say this is to insult the work done by Emma and Ryan. There is a very beautiful, and rich love story between these two characters for those that have eyes to see it.
You said Corlys in the show doesn’t do well at politics. Care to elaborate? Because I do agree. Something seems off about the show portrayal but I don't know how to describe it. Been a while since I read Fire and Blood but I recall Corlys being a scheming character always at the heart of the politics in the war.
Yeah, Corlys’ characterization in HOTD has been heavily changed from F&B. The show portrays him as more of a rough warrior type whereas the book had him as an intelligent politician. Back when the show first aired, I tried viewing it as a mixed canon because Ryan Condal was saying that HOTD is the true telling of the Dance of the Dragons. But then GRRM came through with his two separate canons statement. Saved me a lot of headache trying to reconcile show!Corlys’ actions with that of book!Corlys. They are just two very different characters at this point. I would say that HOTD has very purposely altered the characterization in order to use Corlys to prop up other characters.
Season two barely gave Corlys any screentime, so I'll just focus on season one moments that I remember off the top of my head.
A statement like “history does not remember blood; it remembers names” is show only. Its purpose is to depict the character as ambitious at the cost of family. But book!Corlys is repeatedly portrayed as a person willing to sacrifice his ambition for the sake of family. As a result, the show gave us a character with great ambition but none of the cunning of his book counterpart.
This scene from episode 5 is a prime example. Season one has a couple different scenes where it looks like the characters around him are talking down to Corlys, and this is one of them. The show makes it look like Corlys has a real say in this matter, but if you watch how the scene is presented (the characters’ mannerisms), it’s Viserys who controls the topic. Whereas, Corlys appears humbled and at a loss.
F&B does have instances where the naming of the grandsons is decided (it’s first name discussed there not last name like in the show). It’s a very subtle change but it sends a very different message. The book presents Corlys as the one who holds the authority of deciding the names of his grandsons.
The fireside conversation between Corlys and Rhaenys in episode 7 has both of them not understanding politics. There’s talk of making Laena’s daughter heirs, but since Laena was younger in the show, the only way this could be done is by disinheriting the older brother, Laenor. Somehow, neither of them think of just betrothing the children to each other (even though that’s often the solution to 80% of these Westerosi nobles’ problems). We get the line about Corlys saying “history does not remember blood; it remembers names” in reference to the succession of the Driftwood Throne. But previously in episode 5, it was discussed that Jace would change his name to Targaryen instead of Velaryon upon becoming King. So it’s not even the ‘Velaryon’ name that will be remembered (and no the first name being Velaryon doesn’t count/eg. Daeron the Young Dragon has a Velaryon first name from his Velaryon grandfather but he is still viewed as a Targaryen because of his last name). In Westeros, there are examples of characters changing their last name to that of the ruling family if they come into a leading position but were part of a different family originally. So Corlys’ granddaughters would simply use the Velaryon last name upon ascension to the Driftwood Throne. Knowing something basic like this would probably be part of highborn’s education. Even the relatively lowborn Littlefinger in the main series knows this, as evidence by his suggestion of Harrold Hardyng changing his name to Harrold Arryn upon becoming Lord of the Eyrie. In the show, Corlys apparently doesn’t know this.
This specific scene between Luke & Corlys in episode in 7 is based off a book scene between Jace & Viserys.
While show!Corlys can be considered a person acting in order to protect the children, so was book!Corlys and he was very politically competent about it too. This change is not too terrible because Corlys does eventually come around to the idea of Luke as heir, but his acceptance was not so openhanded that he's left with nothing. The context in book vs show is very different. Since the grandchildren are not betrothed to each other until much later in the show canon, it does make you wonder "what is Corlys getting out of this?" His name won't succeed him on the Iron Throne. His blood won't follow him on the Driftwood Throne. What even is it all for??? "History does not remember blood; it remembers names" is actually a very empty phrase. It's almost as if the HOTD writers coined it as a catchy saying to put on sweaters and mugs. It has no deeper meaning beyond that. Also, the betrothal in the book wasn't even a full solution apparently since we get no acknowledgement of Luke as heir when he was younger.
Episode 8 is peak for this show erasing Corlys' political role. There's a whole petition happening behind Corlys' back to alter the Driftmark succession. F&B had Corlys bedridden, nearly at death's door, but he still remained the authority figure in his family. Rhaenyra turned to her father-in-law, Corlys, in order to have Luke formally named heir (he was 11 years old at the time yet never formally acknowledged which says a lot about Corlys' feelings on the matter). HOTD changed this to Rhaenyra begging her father for support.
It seems to be a very carefully done change that makes Corlys appear like a very different character in the show than he was in the book. His influential role in his own family is reduced to a great extent. HOTD writers know exactly what they're doing.
Then in episode 10, Corlys shows up at Dragonstone, informs Rhaenyra that he has sent his fleet forth to secure the Gullet and also starts making battle plans for her. She has not offered him anything for his support. He also believes she killed his son. I know I say this every time so I'm basically beating a dead horse at this point, but when book!Corlys was angered with Rhaenyra for INDIRECTLY causing his wife's death, he was only brought around after political concessions were made in his favor. Show!Corlys DIRECTLY blames Rhaenyra for his son's death, grumbles about it, and then bends over backwards for her. In the second season, he quietly accepts the position of Hand without voicing a single complaint to Rhaenyra's face as his book counterpart would have done. At this point, I can't see HOTD writers ever allowing Corlys to air out his grievances against Rhaenyra to her face, unless they were trying to double down on the "men are evil, women are victims" central theme of the show.
“ I am longing to be with you, and by the sea, where we can talk together freely and build our castles in the air.”
Bram Stoker, Dracula
I so badly wanted someone to write the story of these two sailing at least for a while! Rhaenys both on board and flying Meleys who will obviously accompany them! An adventure where they met with pirates, where she can visit other ports with him... something so she can feed her adventurous side before her children are born, before she is stuck on the Driftnark like a bird with a broken wing!