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post-crisis jason loves creating situations that mirror his life and death. in under the hood and brothers in blood he imitates his life as robin, with him sending what looks like a rare book to the manor, making bruce meet him in crime alley where they first met, and stealing another one of dick’s vigilante identities after he’s stopped using it. you can maybe see these as a way to remind alfred, bruce, and dick respectively of who jason truly is- to make them uncomfortably aware of who they are fighting and how much he’s changed. the final confrontation in under the hood, the titans tower incident, and seeing red all recreate the circumstances of his death in differing ways that tries to prove his points to the people he puts in the senario. in uth he recreates the trio of himself, batman (or perhaps a parent with bruce substituting shelia), and the joker with a bomb and tries to get an answer from bruce on if jason’s life is valued more than his murderers, if a parents sense of self is more valuable than their child. in titans tower he catches a robin off guard and beats him until he’s unconscious, having every opportunity to kill him to show how jason wasn’t uniquely a ‘failure’ of the robin mantle or of batman and how although jason was good at combat, it still did not stop him from being uncared for and erased. in seeing red it’s to serve a more general point on child vigilantes and how the dangers they can become victim to are not up to their personal competence, but just a matter of luck and how their mentors refuse to see this and continue to endanger them (with the solution being killing as a means of prevention of these dangers). these parallels with the most extreme focusing on aditf comparisons can show that jason is constantly stuck on his death, trying to contrive meaning in it when it was ultimately meaningless. he’s a spirit that can not rest, constantly stuck in the less than an hour it took for his life to suddenly end and his worldview to completely change. he’s a lawyer trying to constantly prove his innocence in the part of his own victimhood and demand his own justice, trying to erase the blame that everyone puts on him, therefore forcing them to confront the cracks in the worldview that they demeaned him to avoid seeing. it’s only fitting he gets silenced with a blade to the throat and killed by a bomb detonated by the man that destroyed him the first time when his only weapons are his voice and death.