Liverpool - Blog Posts

Who’s exited for the spn panel today?!?! I will be attending via tumblr at home while crying because I’m not there

Are Jensen and misha going to do a panel together at the Liverpool comic con at the end of October?? Has this already been shut down or can I remain hopeful?

A bit late- but this is for the day when Lennon and McCartney met!! 💙💚 you two are amazing!!

I made these three moodboards yesterday for the occasion!

http://www.youtube.com/embed/fwux1A5hBdQ

The Star-Spangled Banner America's national anthem offical video🗽🌎⚾🏈🏉🇺🇸🇺🇸👇

0, 1, 2, 3, 4, 5?! 🙈🧠

follow for more

Happy birthday to the GOAT!! #29 ❤️🎂

“You’ll Never Walk Alone” ❤️🎊

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*cough cough*

ignore me

Also things like this frustrate me because whilst I recognise the nature of football is to be the better team I feel you get no credit if you lose regardless. Newcastle was more than likely going to lose. And that’s all people will focus on. Not the fact that for a good portion of that we weren’t losing. That just by losing by one goal and having a fairly tight match we defied expectations - but it doesn’t matter because we didn’t defy them enough

I hate football. I hate it. I hate it. I hate it. I hate it. We were so fucking close.

Just throwing it out there

PSA

If you thought Barcelona was bad @ Liverpool, just wait until you get to Newcastle. Big Christian Atsu will fuck you right up lads

I’m not Liverpool’s biggest fan I’ll be honest but if they for some reason fuck it up and lose to Cardiff I’ll be fucking devistated because Newcastle need them to win. I mean we’re basically safe but need it cemented

Bookstore Fireplace, Liverpool, England

Snowy Night, Liverpool, England

You Will Never Walk Alone Türkçe Şarkı Sözleri - Liverpool anthemoffical video 2025

Who will qualify from ESC SF1 in 2023?

Eurovision is on! Rehearsals are on! We’ve seen most of them performing at the multiple preparties and the first clips (even super shots ones) are in! 

It’s time to predict who will qualify on May 9th from Semifinal 1! These are my predictions based on the reactions, comments, listens and clicks in social media, Youtube and Spotify.

Some I will get right, others I may not - that’s the risk you will take by continuing reading this. 

1. Norway - Alessandra - Queen of Kings

She’s IN. No question. HUUUUUUGE viral hit by now. There was some concern about Alessandra’s vocals (MGP used autotune) when performing live but she’s on point based on the first rehearsal clip. Visually they’re loyal to National Final one but her outfit is a bit different, she’s wearing a crown look a like hair band and there’s more light now on the stage. 

2. Malta - The Busker - Dance (our own party)

This is worst spot in semifinals to perform as second in Eurovision. Lots of good entries have failed because 15 other amazing songs will follow and people tend to forget. However, Malta’s lively and colourful performance does stand a chance. The song stands out with its saxophone sound. If this did go through would I be sad, definitely not but being where it is, second and between two dark songs (Norway, Serbia) I say this is OUT.

3. Serbia - Luke Black -  Samo mi se spava (Само ми се спава)

One of my faves this year but I know a lot of people who’re not warming up to this Hatari II. However, their staging looks improved and Luke’s performing very confident. This kind of dark pop is exciting for many! In Eurovision it doesn’t matter how many haters you have but how many lovers, based on the interest in Spotify / Youtube I’d say this might appeal enough voters to be IN.

4. Latvia - Sudden lights -  Aijā

Indieband with a strong chorus. In the national selection the staging didn’t impress me but this is one of my faves again. Lamps are there though but there’s a good energy in here which I hope will come across to the audience.  This is still boarderline, this can go to either direction. But I have faith so IN. 

5. Portugal - Mimicat -  Ai coração

Portugal has been topping their game in preparties and even though you wouldn’t like this kind cabaree music - this is very authentic, catchy, memorable. And she can sing and perform - true pro! The stage looks a bit empty without the couch but I do have faith in Portuguese staging skills because they have nailed it during the few previous years. I still say IN.

6. Ireland - Wild Youth - We are one

Why the producers put this at 6th? If this had been an opener for this semi Wild Youth could have had a chance. However, they’re going all the way with the staging, using every inch of that stage: we have golden body, pyros, stairs - we know the guy can sing but the song is a bit generetic and forgettable. This breaks my heart but OUT. 

7. Croatia - Let 3 -  Mama ŠČ!

A big fan favourite. Huge interest before going in to Eurovision, they also did well in the preparties. We saw some aspects from the pics and Tik Tok clip that we saw before (same LED screen, cannons). Not my personal favourite but a lot of people love this kind of quirky performance so IN.

8. Switzerland - Remo Forrer - Watergun

One of my personal faves this year but again - a lot of people don’t agree with me though. The anti-war song was actually written two years ago which I kind of hope would push some buttons among the voters. However, Switzerland was one of those unfortunate countries last year who went to Final with Jury votes only and received 0 points from audience. This time around Semifinals have only audience voting so I’m afraid there might be payback and especially since it’s another Swiss ballad. 

Staging like this can be strong but the clip didn’t convince me yet. Pretty dark and they have similar strings attached to the dancers as Finland had in UMK (why are you coping??). I love this but I say OUT. 

9. Israel - Noa Kirel - Unicorn

She’s IN. This is not my favourites to be honest, just because it’s so messy genre like. Israel was a bit of mystery to everyone because they didn’t participate to any preparties and they kept all their plans as a secret. But she sounds amazing and the Tik Tok clip and the photos promise us a spectacle. The seem to have a running unicorn in the LED screen, she’s in this bright box, upside down and in the end she’s making Chanel style break dance. This will please many for sure and high chances of becoming a top5 in the final. 

10. Moldova - Pasha Parfeni -  Soarele și luna

This is one of the most ethnic entries this year and Pasha Parfeni is no stranger to Eurovision as he represented Moldova also back in 2012. The song is memorable, it does stand out and the live performance even just from the pictures doesn’t disappoint. Moldova is a master of creating memorable performances even with a smaller budget and there’s no way that this didn’t go through. So IN.

11. Sweden - Loreen - Tattoo

Do I need to say this? IN. The LED sandwich so called what they used in Sweden was a lot bigger(16 m² ) but I don’t think the current size (6,25 m² ) will cause actual problems because the camera work will make it look larger. This is copy paste from Melodiefestivalen so pretty epic. A lot of people do complain however that Loreen is not bringing anything new to ESC as this does remind her victorious song Euphoria from decade ago. However, potential winning song for sure! 

12. Azerbaijan -  TuralTuranX -  Tell Me More

One of the indie entries we have this year. I quite like it but... this is not a crowd pleaser unfortunately and in Eurovision you kind of have to be. This is such a good feel song but no. Stating isn’t doing much either, they’re standing on the platform of spaped by the heart playing their quitars. Unless there is something major happening what wasn’t revealed in the Tik Tok clips. I’m sorry, OUT. 

13.  Czechia -  Vesna -  My Sister's Crown

There’s so much love for this entry but at the same time there’s talk that this might be the shock non-qualifier. They didn’t perform as well and confidently as people were expecting them to during the preparties. However, in their live rehearsals we see them wearing rose coloured outfits, they have long braids - there’s a message of we’re not your dolls combined with some doll movements so very strong female empowerment thing going on. This can get too messy but hard to say from the Tik Tok clip itself. I still belive this would be IN. 

14.  Netherlands -  Mia Nicolai & Dion Cooper -  Burning Daylight

Another sleepy ballad. I don’t hate it. And to be honest this has the strongest ballad staging I’ve seen so far. Mia and Dion are standing on this moving platform and walking towards, around, from each other. This can be a moment, beautiful one. Their voices go nicely together. BUT this comes after a strong Czechia and before Finland. I don’t see this year being very kind to the ballads, people are clearly having more reactions (clicks, listens etc) towards the quirky songs of ESC 2023. I say OUT. 

15. Finland - Käärijä - Cha Cha Cha 

A big fan favourite when going in for the rehearsals. Many didn’t expect Käärijä’s team to change the stating at all actually because it was pretty damn good already at the UMK. However, they have upgraded it. They have this big wooden box on the stage, according to photos and the Tik Tok clip he’s in it at some point and also the dancers where they emerge at one point. The silhouette is awesome! Great add and super powerful! There’s pyro at the end also, colours of the rainbow - the human snake has movement. This is so good! If Finland doesn’t win the ESC alltogether I do belive this will make the televotes to explode at the semi for sure! IN! 

What do you think of the songs in Semifinal 1 and who do you think will qualify? Talk to me in the comments below! 

Top 5 Non-English ESC23 songs

Eurovision is just a couple weeks away so let’s talk about different entries this year! 

Nine songs that are completely not in English are competing this year at the Eurovision. I ranked my top 5 below.

5. SPAIN -  Blanca Paloma: Eaea

No one can deny her talent. Her presence and interpretation is captivating, almost hypnotic. This is dramatic, load, theatrical, this is art, this has a soul, authencity. I’m a big fan of her live peformance which I hope will make Europe vote for her. However, after all these weeks I still haven’t downloaded this to any of my ESC playlists which make me scared that this might the most painful flops of ESC23. 

4. SLOVENIA -  Joker Out:  Carpe Diem

This is fun! Catchy and the music video is well fitting of the spirit of the song. You don’t need to understand the language or the lyrics to dance to this one. There’s a true disco, retro beat here I enjoy. I hope they’ll get the staging right for this one in Liverpool. 

3. FRANCE -  La Zarra:  Évidemment

This didn’t knock me out at first listen to be honest. But it has grown on me. It has a nice structure, that builds up nicely and in my opinion could have gone even higher, more edgier. I like the beginning of French chanson which then turns into a this groovy pop tune. I kind of expected a revamp but this definitely the direction France needs to go. Well produced, professionally performed and character owned songs! 

2. ITALY - Marco Mengoni: Due Vite

Each year I vote for Italy. Even when I think I don’t like them. Every year the songs grow. I cannot resist the quality, emotion, professionalism, talent that has gone into these Italian tunes. A lot of people say that we don’t need another Italian ballad this year but when it’s this good... there’s always room for one more. 

Marco Mengoni is no stranger to Eurovision as represented Italy already a decade ago in Malmö. 

1. FINLAND - Käärijä: Cha Cha Cha

Maybe I’m a bit bias as a Finn but even if I wasn’t... this is good and even though I wouldn’t find my cup of tea no one can deny the effect and reaction this song will surely cause in the viewer. Either it’s hate or love people will feel Cha Cha Cha will leave no one cold. The agressive cocktail of multiple genres (rap, pop, rock sounds and effects) will reach out majority of Europeans’ tastes. We’re potentially talking about a winner of Eurovision 2023 and for sure the best Finnish result since Lordi in 2006. 

What do you think about the Non-English tracks competing ESC this year? What’s your favourite??

UMK 2023 Song review - Portion Boys

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with glam rock anthem!

Portion Boys - Samaa taivasta katsotaan

Portion Boys have been around for a while. They originally started from Youtube back in 2010 and by releasing regurarly singles slowly but surely made theirselves a name in Finland. Especially the few last years have been succesful for them. They’ve become known as a positive dance-pop group with a lots of personality. 

Samaa taivasta katsotaan represents quite well the band’s musical repertoire and style. It offers a great ending to UMK23 series (as it was released as the seventh and the last track) and also to UMK23 show on February 25th. This is a very rich song, we have several elements and genres mixed in this one and it is the thing that might keep the viewer hooked for the entire 3 minutes but it might also be the thing that breaks charm.

I get the feeling of the song trying too hard. It’s trying to please everyone - we have the rock rap, anthem like instrumental parts, heavy metalish screaming going on. Even the lyrics mention several countries and make references in foreign languages. It’s a mess and it’s up to one’s personal taste whether it’s a mess for your taste. 

The song reminds a bit of Eurovision Movie: Fire Saga by its vibes and with its to be honest Eurovision clichés. Even reference to Latvian Pirates in 2008 has been made in social media. There’s a certain sillyness in here but also the spirit of becoming one despite all our differences. Usually these kind of entries haven’t done very well in ESC.

However,  this might be one of the rare UMK23 entries that I do not wish to advance to ESC. On another year yes but not in 2023 when we have better options. However, I have to admit it does hold the strongest hook in UMK23. This might go against the lovers of Cha Cha Cha as it musically and spiritually stands completely on the other side of the edge. However, I can see this becoming a true Finnhit classic and bringing people together on the dancefloor.

What do you think of the seventh UMK23 track and would you vote for Portion Boys’ Samaa taivasta katsotaan to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 Song Review - Kuumaa

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with another nostalgic retro banger! 

Kuumaa - Ylivoimainen

Kuumaa had their breakthrough back in 2016 and their debut album came out three years later. They’ve also released several radio hit singles regurarly over the years and today they’re described as “most interesting pop group in Finland” Quite recently they also won Emma Award (Finnish Grammy) for being the best group so they’re surely becoming hot in the Finnish music scene (their name actually means hot!) Again another entry that has a full package and vision ready even before entering to UMK. 

Ylivoimainen is another retro entry in UMK this year and it’s being seen competing directly with Benjamin’s Hoida Mut. However, this perhaps gives more indie pop vibes and it reminds me a bit of A-ha’s Take on me actually. This sounds very Kuumaa and this kind of contemporary nostalgic tunes are what they do the best. I cannot praise the chorus enough - it’s catchy, it’s warm, irresistable, probably the strongest chorus in UMK23, 

Ylivoimainen is super easy to listen, easy to sing and dance along and it actually invites you to do so. It’s an embrace that will instantly make you feel safe. Ylivoimainen is a crowd pleaser and well produced radio hit (reached number one in Finnish Spotify already!) but it still has authentic sound without being too slick (Robin - Girls like you). BUT as we saw last year’s with Bess’s entry Ram Pam Pam, becoming a hit is not enough to get you a ticket to Liverpool - you need to get the Finns to vote also. However, they do have a solid fan base in Finland who might be showing their loyalty on February 25th. 

As a package - this might be the best UMK23 entry. The song ticks all the right boxes and we have a band that we know can deliver energetic live performance. However, if this did advance to ESC - we already have several more or less nostalgic boy band entries (Slovenia, Latvia, Ireland) which Kuumaa would go against and to be honest I’d worry if we’d stand out enough as we could do perhaps with another artist (let’s say Käärijä?) 

What do you think of the sixth UMK23 track and would you vote for Kuumaa’s Ylivoimainen to go all the way to Liverpool? UMK final takes place on February 25th!

UMK 2023 song review - Keira

The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool kicked off with a banger! 

Keira - No Business on the Dancefloor 

The 18-year-old Keira became known to Finnish audience in Voice of Finland where she did fairly well becoming third on the final last year. Since then while waiting and searching for her momentum UMK came up in the discussions quite early on but finding “her hit song” took its time. 

This is her first single and what a hit indeed it has become! Currently it’s in top 10 most listened tracks in Finland on Spotify and on Youtube it’s the second most watched UMK23 clip with over 440 000 views! But as we saw last year becoming a hit song is not enough to win the ticket to ESC! 

No Business on the Dancefloor was written actually by Finnish ESC representative from 2011 Axel “Oskar Paradise” Ehnström  (can you believe it?). The Finns will probably also recognize the other songwriter Teemu Brunila (Jenni Vartiainen, Anna Abreu) and how the song definitely has some familiar Brunila vibes. 

Keira herself tells her song that she wants people to liberate their “inner party animals”. I’m not quite sure if it manages to do that but this still ticks all the right boxes for a catchy dance entry and it’s completely stage and Eurovision ready. Well done UMK and Finland! 

Some compare her to Rihanna - I can recognize some resemblence there also. Vocally this is a safe effort, they could have gone further with her vocal range but maybe she will surprise us in the live show of UMK on February 25th? 

Track like, this is strong. The beat is memorable, the flute gives an ethnic vibe to it and sets the song apart from other dance tracks of UMK. Lyrics are cheeky and full of pop references which some find them corny but for me they add personality instead. However, would I have added some volume, some power to this - yes I would and I’m really hoping the live performance gives to it its much needed extra spice! 

What do you think of the first UMK23 track and would you vote this to go all the way to Liverpool? UMK final takes place on February 25th! 

10 things I DON’T wanna see in ESC 2023

The new Eurovision season is slowly kicking in and first countries are already releasing their national selection contents! And it’s time to set things straight with the passed season and things I’d hope would be improved for ESC 2023! 

10. Tik Tok exclusive 

ESC did a different approach in 2022 with sharing the media content from the rehearsals instead through Youtube but via Tik Tok. I understand the clips being more secretive because the public feedback is brutal towards the product that is not finished and especially when it’s the artist’s first rehearsal on ESC stage. 

However, I’d keep Youtube as equal social media channel and avoid favoring anyone over another. I know EBU wants to expand the viewer age range towards more younger and keep up with its time but this just didn’t feel right. 

9. No zero points

This is a real crime each year. From the audience side more difficult to predict and prevent but from professional juries... Switzerland, Azerbaijan and Germany were the 0 point countries and I find this so hard to believe that no one appreciated the singing, originality, staging in any of these three performers. 

8. Green room interviews back please

Italy did ESC in their own way and that was their prerogative but it was obvious the country doesn’t have the experience and connection with the show. Lacking Green Room interviews almost entirely and not having their own host as in previous years was a void that wasn’t filled. 

7. No hosts mistakes!

In the same breath I could say that ... the hosts’ script wasn’t the best. The chemistry between Alessandro, Laura and Mika didn’t come across. I knew it was there. I love Laura but her personality and sense of humour didn’t get to shine. There were clear hiccups along the show which the biggest were hosts getting confused with the country names. There’s no excuse for that. This is the biggest music TV show in the world, you’ll learn the 40 countries names and flags. Period. 

6. The winner of previous year not giving the trophy to the new one

This is a tradition in ESC as it is in many other contests. This gives such a wrong image about the previous winner’s relationship towards the contest and I do see it as part of carrying through your “ESC winner duty” to pass the title to the next one. 

This didn’t happen this year. And it looked bad in every way. 

5. The previous year’s winner not singing their winning song at ESC 2023

As in the previous, there are certain traditions that shouldn’t be broken. This seemed like Måneskin didn’t want to bother with ESC this year and they used it to promote their new song. They didn’t want to remember the winning moment or even the song. Be present and part of ESC 2022. I repeat: this felt bad. 

4. Fan community media being excluded! 

Obviously being an active follower of several fan community web sites and bloggers I was dying to know my favourite ESC bloggers opinions on the rehearsals, on the site, how everything was... 

This didn’t happen. Not in the way as in previous years. They didn’t have the right to produce the content freely in the premises of the contest, limiting live content and their access to it. This was EBU decision and not so much RAI (Italian broadcaster).

3. Have a back up plan for technical hiccups

Okay the sun which was the major element of the ESC 2022 stage.. not working as it should be wasn’t exactly a small hiccup. However, not having a a proper back up plan was beyond disappointing to viewers and telegations and to be honest a complete lack of professionalism by the event organizers. 

It was just there - this big black hole. The black sun expression was very on point

2.  Semi-final 2 voting scandal among jurers

It was really hard to choose between number 1 and two as they were both very severe crimes we saw in ESC this year. I believe in juries. I don’t always agree with them but I don’t find the 100% public vote simple and the best and that’s why the PROFESSIONAL juries are there. To appreciate good singing, songwriting, staging - efforst being made that the audience might miss or not vote for. 

Having jury votes being tampered like this was unforgiveable and no wonder the ESC voting has been changed (probably due to this). 

1. No online bullying of the artist

Ronela said it, no one comes for this contest to be bullied. Everyone believes in their performance and does their best and it’s a question of personal taste often what you think of the result.

This is obviously part of bigger problem how people treat each other online and especially people they don’t know hiding behind the anonymous usernames. I wish the community would grow to become more loving and respectful when commenting someone’s work. 

What do you want to or don’t want to see in ESC 2023? 

CHAMPIONS ❤❤❤ 6 times

I miss this father and son

father and son

cute