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Sword Fighting - Blog Posts

1 year ago

I'm googling how to sword fight for my medieval incursion tomorrow- those idiots won't know what hit them. (it's me. I'm hitting them)


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11 months ago

Gonna hold onto this

Writing Weapons (1): Swords

Writing Weapons (1): Swords

The Thrusting Sword

Type of fight scene: entertaining, duels, non-lethal fights, non-gory deaths, swashbuckling adventure

Mostly used in: Europe, including Renaissance and Regency periods

Typical User: silm, male or female, good aerobic fitness

Main action: thrust, pierce, stab

Main motion: horizontal with the tip forward

Shape: straight, often thin, may be lightweight

Typical Injury: seeping blood, blood stains spreading

Strategy: target gaps in the armous, pierce a vital organ

Disadvantage: cannot slice through bone or armour

Examples: foil, epee, rapier, gladius

The Cleaving Sword

Type of fight scene: gritty, brutal, battles, cutting through armour

Typical user: tall brawny male with broad shulders and bulging biceps

Mostly used in: Medieval Europe

Main action: cleave, hack, chop, cut, split

Main motion: downwards

Shape: broad, straight, heavy, solid, sometime huge, sometimes need to be held in both hands, both sides sharpened

Typical Injury: severed large limbs

Strategy: hack off a leg, them decapitate; or split the skull

Disadvantage: too big to carry concealed, too heavy to carry in daily lifem too slow to draw for spontaneous action

Examples: Medieval greatsword, Scottish claymore, machete, falchion

The Slashing Sword

Type of fight scene: gritty or entertaining, executions, cavalry charge, on board a ship

Mostly used in: Asia, Middle East

Typical user: male (female is plausible), any body shape, Arab, Asian, mounted warrior, cavalryman, sailor, pirate

Main action: slash, cut, slice

Main motion: fluid, continuous, curving, eg.figure-eight

Shape: curved, often slender, extremely sharp on the outer edge

Typical Injury: severed limbs, lots of spurting blood

Strategy: first disable opponent's sword hand (cut it off or slice into tendons inside the elbow)

Disadvantage: unable to cut thorugh hard objects (e.g. metal armor)

Examples: scimitar, sabre, saif, shamshir, cutlass, katana

Blunders to Avoid:

Weapons performing what they shouldn't be able to do (e.g. a foil slashing metal armour)

Protagonists fighting with weapons for which they don't have the strength or build to handle

The hero carrying a huge sword all the time as if it's a wallet

Drawing a big sword form a sheath on the back (a physical impossiblity, unless your hero is a giant...)

Generic sword which can slash, stab, cleave, slash, block, pierce, thrust, whirl through the air, cut a few limbs, etc...as if that's plausible

adapted from <Writer's Craft> by Rayne Hall


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Had a friend show up to swordfighting last week and when I went up to face her and some of her allies she pointed her spear at me. I had never seen this spear and it had a pink end with... Kirby's face on it? So I double blink and go "Kirby?" and then she stabs me


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8 years ago

Landscape source: @hannahkemp

Comic source:  ᕕ( ᐛ )ᕗ

absolute---nonsense - Absolute Nonsense

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As a swordfighter

I'd say the best are the Lonsword, any saberand the rapier

Fuck zodiac signs, what’s your favourite type of sword ?

Fuck Zodiac Signs, What’s Your Favourite Type Of Sword ?

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6 months ago

hero has a fencing sword. villain has a fencing sword.

hop to it

The swords were real. Not just for practice, even though that was what they were being used for. They could cut skin like paper. Paper like air.

Alive was not the right word they'd use to describe the hero. But alive they looked. Overwhelmingly so. The sweat-matted hair sticking to their face. The warm puffs of air let out with every exhale. The sun burning red into their cheeks. Overwhelmingly alive and there and existing.

(But they were not alive, they were very much dead. Dead and revived and more alive than they'd ever been actually alive.)

So alive was the hero, so painfully alive that they felt like a second sun burning the villain's eyes, that they wondered what would happen if they plunged the fencing sword into the hero's chest.

The villain managed to get the hero down on the practice ground, sword fallen away, staring up at them shadowed.

The hero glared up at them. The blazing sun made their eyes squint into narrow crescents.

The villain tipped the hero's chin up by the end of their sword. "Déjà vu much?"

"Not really," said the hero. Their breath came hotter than the air around them like it was winter. The villain hadn't touched them once, since the resurrection. "I'm rather hurt you're not treating me gently."

"I figured you needed something fresh."

"I do. Believe me, I do. I'm rather sick and tired of everyone treating me like I'll die again with one wrong shove. But I hoped that tough exterior would come apart. It's like you don't care about me after all."

The villain gripped their sword tight, and tipped the hero's chin up further so they could see their throat. Their sword left a red line up, but that was the only mark on their neck, and it was so painfully human and alive that the villain's grip on the sword threatened to go slack.

"How did you do it?" the villain asked, because their throat was as smooth as marble.

They'd found them with their throat slit, already dead. Too late to do anything. Hell-bent on revenge. Then they'd found them again, cleaning up the days-old blood on the same spot. They called it fucking social work.

"Like I'd let you know. Like you won't use the info to try and become immortal. Wreak havoc for ever and ever."

The villain twisted their sword, daring them to keep talking. But they didn't dig it in. Didn't dare push further. All that they were was morbid curiosity and no bite.

The hero grinned and threw sand at them. The villain shouted and dropped their sword, too, and felt hands roughly twist into their shirt, dragging them back and slamming them against the wall so fast and so hard that the villain had the wind knocked out of them.

The villain's eyes flew open as they felt the hero's chuckle inches away from their neck.

The hero leaned back, alive and well and overwhelming on the senses. A playful grin tugged at their lip. "Déjà vu?"

Anything else the hero said got snuffed out by the villain's ears as their gaze landed on the little cut on the hero's neck. They darted forward as if on instinct, pressing their lips against the wound.

(And they were so, so, warm and so, so mortal still. Their blood ran hotter than ever and the villain wanted for it to never go cold.)

The wound healed in seconds, moments. It healed with such force that the hero gasped and shook.

The villain drew back to the hero wide-eyed, breathing hard. They looked so rejuvenated and so shocked that there was no doubt that the villain's power had rippled through their entire body.

The villain tensed up against the wall.

"I see," the hero said breathlessly.

"You see nothing," hissed the villain, then choked on air as the hero darted forward and pressed their lips hard against the villain's neck. Stiffening up like a cat.

The hero held them there for a long moment, impossibly warm, burning hot. Then they let go and shifted to nuzzle at the underside of their jaw kittenishly.

"It's sweet that you care." The villain could hear the grin in their words. They tried not to shiver at the hot breath brushing at all their sensitive nerve endings. "That fear in your eyes was frankly delectable. I still won't tell you how I did it."

"I wish you'd stayed dead," they managed to croak out.

"You love me." The hero leaned back to tuck two fingers underneath the villain's chin and make them look. "It's sweet. Really. But don't let it affect practice, hm? We have a mission to complete, after all." They took the sword, threw it for the villain to catch, and picked up their own. In the heat, they looked like a godsent soldier.

They resumed practice.

The embarrassment never left the villain. Ever.


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