Your personal Tumblr library awaits
Double Arch Panorama by Wayne Pinkston Via Flickr: Website, Instagram, Facebook From the archives but I've never posted this here before. This is a panorama of Double Arch in Arches National Park. 12mm fisheye lens, 10 vertical images, f/2.8, 30 seconds, ISO 10,000. This is basically a panorama of the inside of a spherical object. I’ve only done this a few times as there is infrequent need for this, but it is hands down the most fun panorama for me to do. It’s a bit more technically challenging than a standard pano. A panorama was done because I could not fit the entire scene on one frame, even with a 12mm fisheye lens and climbing the back wall (exciting in the dark!). In the past I had tried to do this pano with a 15 mm fisheye lens and still didn’t get as much coverage as I desired from top to bottom, so I returned 2 years later to try it with a new 12mm fisheye. This project took several hours to get the Low Level Lighting and positioning and exposures done. Unfortunately you pretty much need the location all to yourself or you’ll drive other people crazy running in and out of the arch. Anyway, I at least learned 2 new things. First, I could get the whole scene in a 12 mm pano but there was a lot more distortion to correct with the 12 mm fisheye compared with to 15 mm fisheye. Second, the distortion really depends on where you stand and even a few feet of difference can change the whole look of the results. It’s important to get level with the second arch to minimize distortion. So... now I want to go back and try again but it’s getting harder to get this location all to yourself these days.
Park Avenue by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Park Avenue, Wall to Wall: Another location I’ve been wanting to capture is “Park Ave.” in Arches National Park. I’ve wanted to see if I could make an interesting composition in this location. Park Ave. is a trail between large buttes and spires on each side. To include the Milky Way I had to get to the north end of the trail and look south. This is a panorama of approximately 240 degrees, trying to capture the towering walls on each side. I still didn’t capture the feeling of the immense walls on each side, but you can get an idea of the landscape. This is a panorama. The sky was captured at 14 mm, f/2.8, 29 sec., and ISO 4,000. The foreground was captured at 14 mm, f/2.0, 120 sec., and ISO 6400. Images combined in PS. Thanks for looking! Wayne
The Hanging Hoodoo by Wayne Pinkston Via Flickr: Website, Instagram, Facebook “The Hanging Hoodoo”. I’ve been away from Flickr for many months unfortunately. It’s been a busy summer and I have a whole season of photos to process and post, and I’m just finally getting around to it. If anyone is still actually following me, then many thanks. 🙏🙏🙏 I had the opportunity to explore an area in New Mexico that I had not been to before, an area outside of the usual photo locations, and I found this “Hanging Hoodoo”. I was immediately enamored by the photo potential. I was able to return at the next new moon and get this photo. Next year I’ll return and get the scene with the Milky Way to the left of the hoodoo, but it was too late in the year to get it this time. I could just make a composite and paste a MW to the left of the hoodoo, but I try to keep it real. It’s a lot more fun and challenging to make it work out in actuality than just adding a MW. A lot more trouble too, lol. I think this would be a major photo op for photographers if anyone knew about it. I was lucky to find it. There is a 20 image stack for the sky and a 5 minute exposure for the foreground, blended in PS, all taken from the same position, back to back. Thought for the day... “The night is a tunnel, a hole into tomorrow..." ... Frank Herbert Thanks for looking! Wayne Pinkston
Horseshoe Bend of the Little Colorado River by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Horseshoe Bend of the Little Colorado River. There are 4-5 horseshoe bends in the Little Colorado River within the Grand Canyon, and this is one of them. Different bends line up with the Milky Way at different times. This is in the Navajo Nation so you need a permit to go there. The Grand Canyon is not as deep here as it is more west, but is still really impressive, and the river views are excellent. That is the real color of the water. I have not changed it at all, only mildly increased contrast. The sky is a stack processed in Starry Landscape Stacker. This is one frame at 14 mm. Foreground was a long exposure of 5 min, f/2.0, ISO 1600. Sky was a stack of 20 images at f/2.0, 20 sec, ISO 6400. Images blended in PS. There was a LOT of airglow which I find appealing. Cheers, Wayne
Mono Lake by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Blend Sky: 16 images, 20 sec, f/2.8, ISO 6400, 14 mm Foreground: 5 minutes, f/2.8, ISO 1600, 14 mm Mono Lake, California. These are tufas arising out of Mono Lake. They are formed from mineral deposits from springs beneath the lake bed over centuries and are exposed when the water level falls. The water level varies greatly. The paths I recorded 2 years ago during the drought are mostly underwater now. The largest concentration of tufas is along the south shore. When including the Milky Way you are usually facing south, so this makes it more difficult to photograph the tufas, lake, and MW at the same time. There are a few small “peninsulas” that stick out into the lake making it possible (but tricky) to shoot across the water facing S and include both tufas and the MW. There is a stack for the sky and a long exposure for the foreground (5minutes), blended in PS. Cheers, Wayne Pinkston
Abandoned Cathedral by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Abandoned Cathedral in Madagascar. This is the shell of an old abandoned cathedral in Madagascar. This was adjacent to a girls school and the priest was very nice to let us shoot there at night. There was no electricity in this region and the red glow on the horizon originates from multiple fires. The local people burn the fields to clear them and there are always multiple fires in the distance. Also bandits steal the cattle and set the villages on fire to keep the people from chasing them. 😳😬 This is a panorama of multiple vertical images. There is a Goal Zero lantern in the bell tower and a single light panel off to the right to provide Low Level Lighting on the outside. BTW, we had 3 armed guards at all times. Thanks to WorldPix and Ryan for setting up this trip! Thanks for looking! Wayne
Canyonlands National Park by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Panorama Foreground: 16 frames, 30 sec., f/2.5, ISO 2000 (twilight) Sky: 16 frames, 4 exposures each, stacked, f/1.8, 10 sec., ISO 500: All at 35 mm Canyonlands National Park. Panorama with the foreground and sky acquired separately as above. Thanks for looking! Wayne
Madagascar Cathedral by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Panorama 12 frames, 14 mm, f/2.8, 15 sec., ISO 12,800 This is the shell of an abandoned Cathedral in Madagascar. I've added a crop from the center section. The red on the horizon is from fires. The local people burn the field and multiple fires could be seen at any one time. The glow from the fires could be seen from long distances at night. A big thank you to @worldpixorg and @ryanplakonouris for arranging this trip. @worldpixorg is a charity organization using photography to raise money for charitable causes. Hope you enjoy, Wayne Pinkston
From Antiquity by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Arising From a Watery Domain: Tufas emerge from a lake bed in California. The challenge here is find locations where you can get both water and tufas in the same photo. The tufas originally formed beneath the lake bed, but many have been exposed from the lake receding over time. The lake is one of the oldest lakes on earth. Anyway, the tufas are predominately on the south shore and the Milky Way is to the south, so it can be a challenge at times to get tufas with water in front of them. As the water rises and recedes the compositions change over time. ________________________________________________ 18 light frames and 1 dark frame stacked in Starry Landscape Stacker. 14-24 mm lens, 17 mm, 30 sec., ISO 12,800. I would normally use about 20-25 sec. for this focal length so 30 sec is a longer exposure than normal for me. Oops! Still worked out ok. ________________________________________________ Low Level Lightening (LLL) used the light the tufas. I’m this case the LLL was done with a single Goal Zero Micro Lantern gently placed on a small tufa about 30 feet, 10 meters away. I would prefer a more distant light source but the location was constrained by water and tufas.
Messages from the Past by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Messages from the Past: It seems like a basic human urge to communicate our thoughts to the world. Are our ideas likely to be as long lasting as these carved in rock, or will all of our digital wonderings and our paper renderings fade away over the millennia like dust in the wind? There is something to say for permanence. If only we knew what they were saying... ___________________________________________ Full disclosure: This is a composite image. It was cloudy the night I was there so I did a panorama of the foreground and added the sky in later. Note, the Milky Way and sky are aligned in there proper position so this is not a make-believe scene, but reflects what you would see if the sky was not cloudy. ___________________________________________
The Pillars of the Sky by Wayne Pinkston Via Flickr: Website, Instagram, Facebook The Pillars of the Sky: looking up in a borrow canyon in Utah. Low Level Lighting (LLL) used with 2 Cineroid LED light panels turned to low and used at a relatively neutral to slightly warm color temp of 4200K. The rock here is so “red” (actually orange) that if you use a light that is too warm the rock can actually look red and very bizarre. ________________________________________________ This brings up an interesting topic, how the color temperature of your light combines with the color temperature settings in your camera (white balance). I shoot at a relatively neutral camera color temperature (white balance) of 4000-4200K, so a external light temp of 4000K might be neutral to slightly warm in color, and a light temperature of 3000K extremely warm (yellow). If you shoot at a camera color temperature (white balance) of 3200-3800K (very blue sky) then you might need warm light temperatures of 2700-3200k to make your scene look adequately warm (if you want a warm foreground). A light temperature of 2700K is often too warm for me shooting at a camera white balance of 4200K. Have I confused everyone, lol?
Carpe Diem by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Carpe Diem: Sometimes it’s best to just stop and enjoy the moment. In our pursuit of beautiful photos we often get distracted with the chase itself, and them after we are there we get caught up in the technicalities of capturing the photograph. You you ever just stop and enjoy the scene or night sky? Some of my most enjoyable moments at night are when a few clouds roll in and I just lay down and watch the sky waiting for them to pass. The quiet solitude and beautiful sky are like a magic tonic erasing the cares of the day. Carpe Diem! ___________________________________________ Best wishes to all in this holiday season, and good shooting in the upcoming year! Wayne
The Baobab by Wayne Pinkston Via Flickr: Website, Instagram, Facebook This is a huge, majestic Baobab Tree. It can be hard to capture the enormity of very large objects in a single image. We had several people with us that posed in front of the tree for reference, but they were dressed in camouflage clothing and pretty much disappeared in those photos. (Note to self: Camouflage clothing is not good for photos at night in the brush 😂). Anyway, I tried this vertical panorama, multiple horizontal photos moving upwards. That helped a little. There is Low Level Lighting (LLL) with 2 Cineroid LED light panels, set on a relatively neutral color temperature of around 4000-4200K. One is a primary light and one is a fill light. 14-24 mm lens, 14 mm, f/2.8, 15 seconds, ISO 6400. A big thanks to @worldpix for arranging the tour. WorldPix is a charity organization that used photography to raise money for charitable causes.
Perspective! by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Location, location, location! This is an example of how different a foreground structure can look from different perspectives. This is a huge cavernous double arch within the Navajo Nation in northern Arizona, USA. These 2 photos are the same arch taken about 20-25 meters, 50-75 feet, apart. There are 2 openings in the “roof”. The opening on the right (looking out) is much larger than the left. In the first photo I am far to the left within the arch, making the left opening look larger than it really is. This gives an “empty skull” appearance. In the second photo I am far to the right making the right opening look much larger (which it actually is). It’s remarkable how different the results are by just moving yourself a short distance. This arch is located in the Navajo Nation. If you are interested in in a tour to the location then contact @quanah_photography here on IG. Both photos are panoramas with multiple vertical images stitched together. 14-24 mm lens, 14 mm, 25 second, ISO 12,800. A big thank you for your support over the last year! Wayne Pinkston
Utah’s Canyon Country by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Utah’s Canyon Country Panorama. Sometimes there are good surprises, especially at night. I shot another location first, so it was dark by the time I got to this location. The clouds were rolling in and I couldn’t see anything. Since this is a panorama I could only see fractions of the scene at one time on the camera LCD. I didn’t have much hope for a decent result, and I didn’t see the final results until months later when I finally had a chance to sit down and combine the images. I was pleasantly surprised and this turned out to be one of my favorites from the summer. Even the clouds worked out ok. The sky and foreground were shot separately. Rokinon 35 mm f/1.4 lens. The sky panorama was shot at 35 mm, f/1.8, 10 sec., and ISO 5000. The foreground panorama was shot with long exposures, 240 seconds, f/1.8, 35 mm, ISO 2500. _________________________________________Happy New Year and great shooting to everyone in the coming year! ________________________________________
Mountain Lake by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Mountain Lake in the Sierra Nevada mountains. Stacked image in Starry Landscape Stacker, 16 light frames, 1 dark frame.
Where the Hoodoos Have No Names by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Where the Hoodoos Have No Names. Sometimes the Low Level Lighting (LLL) works out just the way you desire. My goal is typically to have the light come in at an angle to accentuate the surface features, and in this case it brought out the texture well. The location was constrained by rock on both sides so I bounced the light off a rock wall to the left. This usually makes the night less harsh and diffuses the light more. The LLL was done with a single Cineroid LED light panel. Stacked image, 18 light frames, 14-24 mm lens at 23 mm, 15 seconds, f/2.8, ISO 10,000.
From a Watery Origin by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Tufas arising from their watery origins. These tufas are composed of calcium carbonate which precipitates out of the water from springs lying along the lake bed over millennia. Some are seen arising from the lake while others are now exposed on land after the shoreline has receded. Stacked image for the sky, long exposure for the foreground (3 minutes at ISO 1600).
Utah’s Canyon Country by Wayne Pinkston Via Flickr: Website, Instagram, Facebook The Colorado River passes through the canyons of Utah. This is a breathtaking vista and one of my favorite spots to visit in central Utah. This is a panorama of multiple vertical images with the long exposure foreground images and separate images for the sky (from the same location consecutively), blended in PS. FG: 35 mm, 240 sec, f/1.8, ISO 2000. Sky: 24 mm, 15 sec, f/2.8, ISO 8000.
Reflections by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Reflections: The Greater and Lesser Magellanic Clouds are reflected in the shallow waters of the Great Barrier Island in New Zealand. The Magellanic Clouds are irregular dwarf galaxies that orbit the Milky Way. They do have a “bar” of stars or brightness centrally but are not classic spiral galaxies. Observation and theoretical evidence suggests that the clouds have been greatly distorted by tidal interactions with the Milky Way as they travel close to it (Astronomy.com). ___________________________________________ As an observer from the Northern Hemisphere it was fun to see the features of the Southern Hemisphere sky, like the Magellanic Clouds. These lie near the “southern arm” of the Milky Way and are not visible in the Northern Hemisphere. ___________________________________________ Usually we just have to coordinate the position on the Milky Way, the moon cycles, landscape location, and weather to get the desired shot. Here there was one more factors, the tides, which I was not used to considering. At low tide there is a very thin layer of water along the shore which was perfect for capturing reflections. Luckily this occurred around 1 - 2 a.m. when the stars were in excellent position. Stacked image, 14-24 mm lens, 14 mm, f/2.8, 20 sec., ISO 12,800. ___________________________________________ If you want an excellent guide to good shooting spots on the Great Barrier Island contact Carol @darkskysanctuary on IG.
The Castle Gate by Wayne Pinkston Via Flickr: Website, Instagram, Facebook The Castle Gate: There is Low Level Lighting (LLL) from 2 sources. There is a small Goal Zero Micro Lantern just behind the tunnel turned down low, and a Ceneroid LED light Panel on a light stand behind me and to the left, also turned down low. The Cineroid has a variable color temperature and is set to about 4000-4200K. The rock here is very red-orange, and if you use a light temperature much lower (warmer) that this then the rock turns very unnaturally red. Stacked image, 19 mm, f/2.8, 15 sec., ISO 10,000.
Window to the Stars by Wayne Pinkston Via Flickr: Spectacular alcove in Utah with a “window” in the roof. There are petroglyphs far to the left and the alcove opens into a ravine with vegetation and a couple of small temporary or intermittent pools of water. There are 5 photographers in the photo. They look very small, can you spot them? There is also a small pool of water within the alcove with reflections. Very cool spot! Panorama, 20 sec., f/3.2, 17 mm, ISO 12,800.
Totem Pole Panorama by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Panorama of the Totem Pole in Monument Valley, Utah. 11 images, 24 mm vertically, f 2.8, 15 sec., ISO 12,800. Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
Starstruck by Wayne Pinkston Via Flickr: Website, Instagram, Facebook This is taken in Arches National Park in the Arch called "North Window", with 2 friends from Moab. I had been wanting to shoot some photos of people silhouetted within the arch for a while, but did not get the opportunity until Sept. Thanks Dustin and Kelsey! This is a blend of 2 photos, one for the sky and one for the people, taken at the same focal length and f stop but different focus and shutter speed. Low Level Lighting used, with 2 small Goal Zero lantern within the arch and a Ceneroid Light Panel outside the arch on the right. Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
Among the Hoodoos by Wayne Pinkston Via Flickr: Website, Instagram, Facebook This was taken in the badlands in northern New Mexico. There are multiple areas you can visit outside of the better known Bisti Badlands. In this photo I was using Low Level Lighting to try and create a sense of depth to the field of hoodoos in the foreground. If you want a guide to the area consider contacting Kialo Winters at Navajo Tours USA. To all Night Photographers - There will be a large Nightscaper Conference in Moab May 1-3, 2019. There will be multiple speakers over 3 days and nightly excursions. You can find more information here: intothenightphoto.blogspot.com/ Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
The Great Kiva at Chetro Ketl by Wayne Pinkston Via Flickr: Website, Instagram, Facebook The Great Kiva at Chetro Ketl in Chaco Canyon, New Mexico. The Ancient Puebloan Ruins in Chaco Canyon are fascinating in the day, even more interesting at night. The kivas are monumental structures thought to have religious significance. They were roofed over with beams and packed dirt, creating a gathering place on the roof. You entered vertically from the roof by a ladder. The structures within this kiva are particularly intact. There were fire boxes, floor pits, and a hole in the floor called a Sipapu, that symbolised the opening in the Third World through which the people emerged into the world. This is a panorama or 8 vertical images with a Nikon D850 and Sigma 14 mm f/1.8 lens, at f 2.5, 25 sec., and ISO 8000. The sky is more complex than usual with the clouds, airglow, and light pollution. There is relatively little light pollution in this area, but the clouds magnify it. Low Level Lighting used. You need a Special Use Permit to go into the park at night, and it is time consuming and costly to get one. A big thank you to @jocksphotos for letting me accompany him. Thanks Jock! Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
Stardust Dreams by Wayne Pinkston Via Flickr: Website, Instagram, Facebook That’s Anastasia flying in the North Window at Arches National Park. Wandering around at Delicate Arch in Arches NP I saw two people posing in front of the arch in ways that regular people just cannot do, like bending over backwards, or standing on your hands bending backwards. 😳 We eventually got to talking and I mentioned I take photos at night and they offered to participate. It turns out that they are incredible athletes specializing in Acrobatics. Check out Daniel at @acro_climber or @acro_shoots and Anastasia @baikalstorm on Instagram. These amazing acrobats posed that night in North Window in a number of poses that would be difficult in the daytime, but even harder at night. They were posing on the edge of a rock face, on hard uneven ground, in the dark, and holding each other up. Remember, the photo is lightened, it is nearly completely dark out there! So a big thank you to Daniel and Anastasia! In this photo Danial is holding Anastasia up in the air with his feet. The person on top is called the “flier”, so I erased Daniel and moved her up a bit to make her really “fly”. Sorry Daniel! There is one photo for the sky, and then another photo of the acrobats taken at the same focal length and ISO, but with a flash on the acrobats. The 2 photos were combined. Sigma 14-24 mm lens, 24 mm, f 2.8, 20 sec. (sky), 2 sec. (people), ISO 12,800. Hope you enjoy! Wayne Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
A Whale of a View by Wayne Pinkston Via Flickr: Website, Instagram, Facebook This is an arch called “Eye of the Whale” in Arches National Park. It is one of the more obscure and less visited arches. You have to take a dirt road for a couple of miles, or several kms, to get to the arch. The road alternates with rocky areas and deep sand, so a high clearance 4WD vehicle is required. It’s a fun spot off the beaten path. This is a panorama of 6 vertical images taken with a Sigma 14 mm f/1.8 lens at f 2.8, 30 sec, and ISO 12,800, with a Nikon 850 camera. The Arch is deeper than most, almost like a short tunnel. My first thought when hearing the name was “why would someone name an arch that”? Anyway, when you approach the arch from the path it really doses look like a giant eye, and even photos from inside the arch look like you are viewing from inside a giant eye. Hope you enjoy! Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
Moccasin Arch by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Panorama, 4 images, 14 mm, f/2.8, 25 sec., ISO 8000 Moccasin Arch in Monument Valley. The Arch is a huge cavernous alcove with an opening in the side of the "roof". This is a photo of some of my fellow photographers taking photos within Moccasin Arch. I was taking photos of them while they were photographing the arch. It turned out that I liked this one more than my views looking straight outward from the arch. The photographers in the photo give you a sense of scale. The Arch is huge! A big thank you to Quanah from Majestic Monument Valley Tours for taking us there. Thank you! He is highly recommend if you want to take a night tour in Monument Valley (day tours also). Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!
Hoodoos and Bones by Wayne Pinkston Via Flickr: Website, Instagram, Facebook Oh, if the land could only speak, what a tale it could tell... For tours to this area contact Kialo Winters at Navajo Tours USA. Thanks for all the kind support over the last year, it is much appreciated! A big thank you to the wonderful Flickr family!