And how do you use them?
A single-length dash is called a hyphen. Here are some uses:
You can use it for compound words. Now, what the hell are compound words, you may ask? These are words you pair together (can be more than two) to create a new word with a new meaning.
short-term plan
full-time job
six-pack
well-known author
(Not always, so be sure to check.)
ex-boyfriend
anti-inflammatory
self-loathing
Smash a hyphen between numbers (21–99):
twenty-one
seventy-three
Need to make your blorbo stutter? Shove a hyphen in there. …In between the letter and the word, you dirty-minded fuck.
“I’m s-sorry.”
If you want to read more on hyphens, here’s an excellent article
It’s a slightly longer dash than the hyphen—perhaps we could say double length. Use it to:
Pages 15–32
Monday–Friday
1990–2020
The New York–London flight
The liberal–conservative divide
Finally, the big daddy dash. The triple-length bad boy. The writer’s favorite.
It’s mostly used to create a strong break in a sentence. Use them to:
You can use big boy em dashes to insert extra information or asides in a sentence, with more emphasis than parentheses.
The wizard—Mystra’s Chosen One—wandered into the market.
You can use it to introduce a conclusion in a stronger way than a colon.
She had only one goal—survival.
If you want to show someone being cut off or switching thoughts, throw that em dash in.
“I just thought you should—” “No, you didn’t think at all!”
He turned the corner—and froze. 4. Add emphasis or a final thought
He wasn’t just tired—he was defeated.
Want more? Here's how to use commas. Here's how to use semicolon.
Some characters don’t collapse in a blaze of glory. No, they disintegrate politely, with color-coded planners and a frozen smile that says, "Everything’s fine, Susan, stop asking."
They cling even harder to routines. Morning jog, 5 a.m. journaling, bullet-journaling their dog’s bowel movements. Because if they just keep checking boxes, they can pretend nothing’s crumbling underneath.
They hyperfixate on weird tiny details. The report can be on fire, but by god, they will die on the hill of choosing the right font. ("If I find the perfect serif, maybe my life will stop feeling like it's slipping through my fingers!")
They say "I'm just really busy!" like it’s a badge of honor, when it’s actually a giant red flag made out of calendar invites and suppressed emotions.
They can't finish anything anymore. They start 14 different projects, convinced each new thing will "finally get them back on track"…and end up ghosting every single one like a bad Tinder date.
Their compliments to others are laced with self-hate. "You’re so talented, I could never pull that off" they say, smiling while beating themselves bloody on the inside.
They apologize. For everything. Late by two minutes? "I’m so sorry." Sent an email? "Sorry if that’s annoying!" Existing? "Sorry for breathing the same air!"
They're "fine." Always "fine." It's said with the same energy as someone duct-taping a broken chair and inviting you to sit on it.
They self-medicate with "productive" coping. Organizing their spice rack at midnight? Totally normal. Redesigning their resume for no reason while crying into a box of crackers? Absolutely fine. Nothing to see here.
They get defensive about the dumbest things. “Of course I’m okay! Look at my to-do list!” (Sure, babe. Tell that to your bloodshot eyes and the way you just called your boss "Mom" on Zoom.)
Their version of self-care is making another list titled “How to Fix Myself” and then immediately feeling guilty for needing it.
Edit: Some posts may be deleted
Character Arcs
Making Character Profiles
Character Development
Comic Relief Arc
Internal Conflict
Character Voices
Creating Distinct Characters
Creating Likeable Characters
Writing Strong Female Characters
Writing POC Characters
Building Tension
Writing Grumpy x Sunshine Tropes
Writing Sexuality & Gender
Writing Manipulative Characters
Writing Mature Young Characters
Intrigue in Storytelling
Enemies to Lovers
Alternatives to Killing Characters
Worldbuilding
Misdirection
Things to Consider Before Killing Characters
Foreshadowing
Emphasising the Stakes
Avoid Info-Dumping
Writing Without Dialogue
1st vs. 2nd vs. 3rd Perspective
Fight Scenes (+ More)
Transitions
Pacing
Writing Prologues
Dialogue Tips
Writing War
Writing Cheating
Writing Miscommunication
Writing Unrequited Love
Writing a Slow Burn Btwn Introverts
Writing Smut
Writing Admiration Without Attraction
Writing Dual POVs
Worldbuilding: Questions to Consider
Creating Laws/Rules in Fantasy Worlds
Connected vs. Stand-Alone Series
A & B Stories
Writing YouTube Channels, Podcasts, & Blogs
Online Writing Resources
Outlining/Writing/Editing Software
Translation Software for Writing
Losing Passion/Burnout
Overcoming Writer's Block
How To Name Fantasy Races (Step-by-Step)
Naming Elemental Races
Naming Fire-Related Races
How To Name Fantasy Places
Character Ask Game #1
Character Ask Game #2
Character Ask Game #3
Writing Tips
Writing Fantasy
Miscommunication Prompts
Variety in Sentence Structure (avoiding repetition)
A list of resources to help you with plot twists and foreshadowing.
Writing Notes: Plot Twists A helpful guide with advice and suggestions for how to write a plot twist.
How to Hide Plot Twists from Your Readers and Your Characters A helpful guide with advice for how to hide plot twists from both your readers and your characters until the reveal.
Subtle Ways to Include Foreshadowing A list of ideas for how to incorporate foreshadowing into your writing.
How to Write a Plot Twist A short list of ways to write a plot twist.
The Point of Foreshadowing A tumblr thread that explains the point of foreshadowing.
For more resources on writing a story’s plot, check out some others I’ve shared: Writing Your Story’s Plot How to Write a Scene
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I’m a writer, poet, and editor. I share writing resources that I’ve collected over the years and found helpful for my own writing. If you like my blog, follow me for more resources! ♡
Updated 9th September 2024 More writing tips, review tips & writing description notes
Facial Expressions
Masking Emotions
Smiles/Smirks/Grins
Eye Contact/Eye Movements
Blushing
Voice/Tone
Body Language/Idle Movement
Thoughts/Thinking/Focusing/Distracted
Silence
Memories
Happy/Content/Comforted
Love/Romance
Sadness/Crying/Hurt
Confidence/Determination/Hopeful
Surprised/Shocked
Guilt/Regret
Disgusted/Jealous
Uncertain/Doubtful/Worried
Anger/Rage
Laughter
Confused
Speechless/Tongue Tied
Fear/Terrified
Mental Pain
Physical Pain
Tired/Drowsy/Exhausted
Eating
Drinking
Warm/Hot
Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:
1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.
2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.
3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.
4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.
5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.
6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.
7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.
8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.
9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.
10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.
11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.
12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.
13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.
14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.
15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.
16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.
17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.
18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.
19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.
20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.
These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.
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How a Character’s Anger Can Show Up Quietly
Anger doesn’t always slam doors. Sometimes it simmers. Sometimes it cuts.
╰ They go still. Not calm... still. Like something is pulling tight inside them.
╰ They smile, but their eyes? Cold. Flat. Done.
╰ Their voice gets quieter, not louder. Controlled. Measured. Weaponized.
╰ They ask questions they already know the answers to, just to watch someone squirm.
╰ Their words are clipped. Polite. But razor-sharp.
╰ They laugh once. Without humor. You know the one.
╰ They leave the room without explanation, and when they come back? Different energy. Ice where fire was.
(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )
writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?
"he kissed her, pulling her body closer to him."
or this?
"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."
(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)
One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally. (Here is me an year after writing this post, i think, either is amazing, depending on the context. the type of book you're writing, your writing style and preferences!)
express one's sensory feelings, and the readers will automatically know what's happening.
writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".
(edit: once again, hi, it's me. Either is amazing depending on ur writing style. Everything at the end is about taste.)
here are some vocabulary you can introduce in your writing:
whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed
shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,
swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,
nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,
wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees
holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to
some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily
he sighed with pleasure
her skin flushed
he shuddered when her body moved against his
he planted kisses along her jawline
her lips turned red, messy, kissed and flushed.
his hands were on his hair, pulling him.
light touches traveled down his back
words were coiled at his throat, coming out as broken sobs, wanting more
he arched his back, his breath quivering
her legs parted, sinking into the other's body, encircling around their waist.
+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.
+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.
sources to refer to for more:
gesture that gets me on my knees !!
(more to comeee, check out my hot or kisses prompts on my master list!)
Writing toxic characters can be challenging because we often avoid these personality types in real life—they’re socially draining and cause harm wherever they go. However, toxic characters can serve an important purpose in storytelling, adding depth, conflict, and drama to a narrative.
This post was inspired by a personal experience of being falsely accused of creating fake accounts to contact someone who pretended to be a friend. While the accusations are completely untrue and unfounded, I wanted to turn this negativity into positivity by sharing writing tips for creating compelling toxic characters.
Here are some common traits of toxic people that you can incorporate into your characters:
- Playing the Victim: They act as if they’ve done nothing wrong, blaming others for their problems while refusing to take accountability.
- Accusing Others: They enjoy accusing others of things, whether those accusations are true, fabricated, or even projections of their own actions.
- Talking Behind People’s Backs: Gossip and spreading lies are their forte—they share secrets or fabricate stories about others to create drama.
- Telling Lies: They thrive on creating falsehoods to draw people to their side and control the narrative.
- Playing a Fake Version of Themselves: They avoid authenticity, crafting a persona to alienate others and boost their fragile sense of self-worth.
- Turning People Against Each Other: They manipulate conversations, taking words out of context to sow discord between friends or allies.
- Twisting the Truth: They distort reality to craft harmful narratives that suit their agenda.
- Making Themselves Look Better: Toxic characters fabricate achievements or victim stories to elevate themselves and deceive those around them.
- Refusing Responsibility and Accountability: They refuse to accept their wrongdoings, often shifting blame to maintain their self-image.
Toxic characters can play crucial roles in storytelling, serving as instigators of conflict or catalysts for growth in other characters. While they can be exhausting to write, they offer valuable lessons about the consequences of toxic behavior and its impact on those around them.
However, I recommend using these characters sparingly, unless your story revolves around the specific theme of toxicity and its repercussions. When approached thoughtfully, toxic characters can add depth and complexity to your narrative.
Happy writing!
(A.K.A. Before You Even Touch That Shiny Blank Page)
↳ What You’re Actually Obsessed With Stop trying to write what’s trendy. What do you spiral about at 2 a.m.? What ideas make you grin like a gremlin and mutter, “Ohhh, that’s juicy”? That’s your story. Chase that weird, niche, can’t-let-it-go stuff. Your obsession will be the fuel that drags you through chapter 27 when everything sucks and you kind of want to fake your own death.
↳ Your Story’s “Why the Hell Should Anyone Care?” Not in a mean way. But genuinely—why should a stranger give up sleep to read this? What itch does it scratch? What feeling does it deliver? Figure that out early and let it guide you like a tiny emotional compass. If you can’t answer it yet, cool. But keep poking at it until you can.
↳ A Character With Big, Messy Feelings Don’t start with a plot. Start with a person. A disaster with a wound and a want. Someone who wants something so badly it makes them do unwise things. Get to know them like a nosy therapist. Let them tell you what kind of story they want to be in.
↳ Conflict That Isn’t Just Vibes Mood boards are fun. But conflict is what makes a story move. Make sure you’ve got some stakes, emotional, relational, existential, literal. If your idea doesn’t have anything to push against, it’s not a story yet. It’s an inspiration board.
↳ A Rough Emotional Shape Not an outline. Not yet. Just… the feeling. Where does it start (lonely)? Where does it go (rage)? Where does it end (hopeful)? Think of your book like a rollercoaster. You need the high points, low points, and those slow creaky climbs that make people scream. If it’s all flat? Snoozefest.
↳ The One Vibe You Want to Nail Every great book has a thing. An atmosphere. A flavor. Your job during brainstorming is to catch the scent of it. Is it spooky and tender? Funny and tragic? Cozy but secretly brutal? Whatever it is, write it down. Tattoo it on your brain. Let it infect every scene.
↳ Something You’re Scared to Write About You don’t have to go here. But if something in your gut says, “Oh god, I could never write about that”… maybe poke it. Maybe there’s gold in there. Maybe the story wants to heal something. You don’t have to bleed for your art—but if it makes you uncomfortable in a thrilling way? That’s your fire.
➤ Real Estate Listings (Yes, Seriously)
Looking up local listings in a place similar to your fictional town or city gives you surprising insight—average home styles, neighborhood layouts, what “affordable” means in that region, even local slang in the listings. + Great for, grounding your setting in subtle realism without hitting readers over the head with exposition.
➤ Google Street View (Time to Creep Around Like a Setting Spy)
Drop into a random street in a town that resembles your fictional setting. Walk around virtually. Notice what's boring.Trash cans, streetlights, sidewalk cracks, old ads. + Great for: figuring out what makes a setting feel “normal” instead of movie-set polished.
➤ Local Newspapers or Small Town Reddit Threads
Want voice? Culture? Weird local drama? This is where it lives. What’s in the classifieds? What’s pissing people off at town hall? + Great for: authentic small-town flavor, conflict inspiration, and the kind of gossip that fuels subplot gold.
➤ Fantasy Map Generator Sites (Even for Contemporary Settings!)
Not just for epic quests. Generating a map, even a basic one, can help you stop mentally teleporting your characters between places without any sense of space or distance.+ Great for: figuring out how long it takes to get from the protagonist’s house to that cursed gas station.
➤ Music from or Inspired by the Region/Culture
Even fictional cities deserve a soundtrack. Listen to regional or cultural playlists and let the vibe soak into your setting. What kind of music would be playing in your character’s world? + Great for: writing atmospherically and getting in the right emotional headspace.
➤ Online Menus from Local Diners, Restaurants, or Cafés
You want a setting that tastes real? Look at what people are actually eating. + Great for: writing scenes with meals that aren’t just “some soup” or “generic coffee.” (Also, bonus points for fictionalizing weird specials: “Tuesday Fish Waffle Night” is canon now.)
➤ Yelp Reviews (Especially the One-Star Ones)
Looking for a spark of chaos? One-star Yelp reviews will tell you what your characters complain about and where the best petty drama lives. + Great for: worldbuilding quirks, local tensions, and giving your town character.
➤ Real Estate “Before/After” Renovation Blogs
You’ll find the bones of houses, historical details, and how people preserve or erase the past. + Great for: backstory-laced settings, haunted houses, or any structure that’s more than just a place, it’s a story.
➤ Old Travel Books or Tourism Brochures
Especially the outdated ones. What used to be considered “the pride of the town”? What’s still standing? What was erased? + Great for: layering a setting with history, especially for second-generation characters or stories rooted in change.