How To Write Toxic Characters Effectively

sometimes you need dialogue tags and don't want to use the same four

Write Rivals With Chemistry So Hot It Hurts

╰ Rivalry isn’t hate — it’s obsession True rivals aren't just like, “ugh, I dislike you.” They’re watching each other. Studying. Matching moves. Thinking about each other when they shouldn’t. Hating how much they notice the other person. Rivalry is two sides of the same coin: hatred’s messy little sibling is fascination.

╰ Let them know exactly where to hit—and hesitate The best rivals know exactly where to stick the knife. Childhood wounds. Secret fears. Insecurities no one else sees. But the most powerful moment isn't when they stab, it's when they hesitate. When they flinch. When the reader sees the care underneath the kill shot.

╰ Make every win personal Every victory between rivals should feel like flirting with a knife’s edge. They don't just beat each other; they get under each other's skin. "I outsmarted you" translates directly to "I'm the only one who really sees you." (And no, they're not ready to talk about why that makes them insane.)

╰ Layer the attraction under everything You don't have to write "he found her hot" every five seconds. (Please don't.) Just lace it into the friction. The way they notice each other’s hands. The way a sarcastic smile feels like a slap and a kiss at the same time. Let it be unspoken, which somehow makes it ten times louder.

╰ Give them one private, honest moment and then destroy them for it That one late-night conversation. That brush of honesty. That accidental partnership in a bar fight. That glimpse of trust that leaves them both raw and feral because now it’s personal. Now it hurts. And guess what? Neither of them is stable enough to handle it like adults.

╰ Let them wound each other in ways no one else can Rivals with chemistry are like: “I know your softest place. I know where you hurt. And maybe I’m the only one who could ever touch it.” Terrifying. Intimate. Sexy. Self-destructive. Delicious.

╰ Don’t make it easy to flip to love If they hook up too soon, it’s cheap. If they confess too soon, it’s fake. They have to fight it. They have to screw it up. They have to almost kiss and almost kill each other in the same breath. The reward is sweeter because it’s hard won.

╰ Make them jealous, but make it messy Not cutesy "oh no I'm jealous" moments. Ugly jealousy. Pride-shredding, shame-inducing jealousy. Watching their rival smile at someone else and feeling like they're drowning in acid and denial. Bonus points if they pretend they’re above it and then spiral anyway.

╰ Tension isn’t just in the fighting—it’s in the silences It’s the stare across the room that says “I hate you and I want you” with zero words. It’s the hand that lingers a second too long after pulling them out of danger. It's the unsent text. It's the "accidental" meeting. Sometimes not speaking burns hotter than the screaming matches.

╰ Remember, they don’t want to ruin each other, they want to matter At the core of a rival/chemistry dynamic is one brutal truth: “I want to matter to you more than anyone else does.” And they’ll deny it. And fight it. And wreck themselves over it. (And we, as the readers, will eat it with a goddamn spoon.)

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How to write smut ?

(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )

writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?

"he kissed her, pulling her body closer to him."

or this?

"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."

(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)

One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally. (Here is me an year after writing this post, i think, either is amazing, depending on the context. the type of book you're writing, your writing style and preferences!)

express one's sensory feelings, and the readers will automatically know what's happening.

writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".

(edit: once again, hi, it's me. Either is amazing depending on ur writing style. Everything at the end is about taste.)

here are some vocabulary you can introduce in your writing:

whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed

shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,

swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,

nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,

wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees

holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to

some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily

he sighed with pleasure

her skin flushed

he shuddered when her body moved against his

he planted kisses along her jawline

her lips turned red, messy, kissed and flushed.

his hands were on his hair, pulling him.

light touches traveled down his back

words were coiled at his throat, coming out as broken sobs, wanting more

he arched his back, his breath quivering

her legs parted, sinking into the other's body, encircling around their waist.

+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.

+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.

sources to refer to for more:

gesture that gets me on my knees !!

(more to comeee, check out my hot or kisses prompts on my master list!)

Writing Tips Master Post

Edit: Some posts may be deleted

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Writing Grumpy x Sunshine Tropes

Writing Sexuality & Gender

Writing Manipulative Characters

Writing Mature Young Characters

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Things to Consider Before Killing Characters

Foreshadowing

Narrative (+ how to write):

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Writing Miscommunication

Writing Unrequited Love

Writing a Slow Burn Btwn Introverts

Writing Smut

Writing Admiration Without Attraction

Writing Dual POVs

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Translation Software for Writing

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

Writing Tips

Writing Fantasy

Miscommunication Prompts

Variety in Sentence Structure (avoiding repetition)

Write Tension that isn't just Yelling or Guns

Listen, not all tension is someone holding a knife or screaming “I’ve had enough, Derek!” at a dinner party. Real, edge-of-your-seat tension can be quiet, slow, awkward, and still make your reader grip the page like it owes them money. So here are my favorite ways to sneak tension in like a gremlin under the bed...

╰  Unanswered Questions (That the Character is Actively Avoiding)

Tension isn’t always about what’s said—it’s about what’s not said. Let your character dodge questions, interrupt, change subjects. Let readers feel the silence humming between the lines. + Great for: secrets, internal conflict, emotional gut-punches.

╰ Time Pressure Without Action Pressure

A clock ticking doesn’t always mean bombs. Sometimes it means waiting for a test result. A letter. A phone call. A knock on the door. Tension = knowing something’s coming but not knowing when. + Great for: psychological suspense, horror, relationship drama.

╰  Small Talk That’s Not Really Small Talk

When two characters are talking about the weather, but both are secretly screaming inside? That’s tension. Give one character a goal (say the thing, don’t say the thing) and the other a defense mechanism. Now sit back and watch the discomfort bloom. + Great for: slow burns, rivalries, “we’re not talking about that night, are we?”

╰ Two Characters Who Want Opposite Things But Are Pretending They Don’t

Someone wants to leave. Someone wants them to stay. Someone wants to confess. Someone is acting like nothing’s wrong. Make your characters polite when they want to scream. + Great for: emotionally repressed chaos, family drama, enemies-to-lovers.

╰ One Character Realizes Something The Other Doesn’t

A power shift = instant tension. One person knows the truth. The other’s still talking like everything’s fine. Let that dread slow-cook. Readers love being in on the secret. + Great for: betrayal, secrets, foreshadowing plot twists.

╰ Body Language That Contradicts the Dialogue

They say “I’m fine,” but they’re picking their thumbnail raw. They laugh too hard. Their smile doesn’t reach their eyes. Show the cracks forming. Let the reader sense the dissonance. + Great for: all genres. Especially emotionally loaded scenes.

╰  Echoed Phrases or Reused Words That Hit Differently the Second Time

When a character repeats something someone else said—but now it’s laced with bitterness or grief? Chills. Callback dialogue is your best friend for building subtle dread or emotional weight. + Great for: heartbreak scenes, arcs coming full circle, psychological unraveling.

╰ Characters Performing a Role to Keep the Peace

Pretending to be “the good sibling.” Faking confidence in a boardroom. Playing therapist when they’re not okay themselves. Tension thrives when someone’s holding it together with duct tape and fake smiles. + Great for: internal conflict, layered characterization, slow unravelings.

What the hell is the difference between -, –, —?

And how do you use them?

Hyphen -

A single-length dash is called a hyphen. Here are some uses:

1. To connect compound words

You can use it for compound words. Now, what the hell are compound words, you may ask? These are words you pair together (can be more than two) to create a new word with a new meaning.

short-term plan

full-time job

six-pack

well-known author

2. With prefixes

(Not always, so be sure to check.)

ex-boyfriend

anti-inflammatory

self-loathing

3. With numbers

Smash a hyphen between numbers (21–99):

twenty-one

seventy-three

4. For stuttering

Need to make your blorbo stutter? Shove a hyphen in there. …In between the letter and the word, you dirty-minded fuck.

“I’m s-sorry.”

If you want to read more on hyphens, here’s an excellent article

En Dash –

It’s a slightly longer dash than the hyphen—perhaps we could say double length. Use it to:

1. Show a range (meaning "to" or "through")

Pages 15–32

Monday–Friday

1990–2020

2. Show a connection or contrast between paired items

The New York–London flight

The liberal–conservative divide

Em dash —

Finally, the big daddy dash. The triple-length bad boy. The writer’s favorite.

It’s mostly used to create a strong break in a sentence. Use them to:

1. Replace parentheses for emphasis

You can use big boy em dashes to insert extra information or asides in a sentence, with more emphasis than parentheses.

The wizard—Mystra’s Chosen One—wandered into the market.

2. Replace a colon for dramatic effect

You can use it to introduce a conclusion in a stronger way than a colon.

She had only one goal—survival.

3. Show interruption or sudden change

If you want to show someone being cut off or switching thoughts, throw that em dash in.

“I just thought you should—” “No, you didn’t think at all!”

He turned the corner—and froze. 4. Add emphasis or a final thought

He wasn’t just tired—he was defeated.

Want more? Here's how to use commas. Here's how to use semicolon.

Ways I Show a Character Is Secretly Lonely (Even When Surrounded by People)

I love writing characters who insist they’re “fine” while clearly radiating the desperate energy of a dog left home alone for eight hours with no enrichment activities.

They laugh too loud at jokes that aren’t funny. And not just a chuckle—like full-blown sitcom audience laughter. Because if they laugh hard enough, maybe no one will notice the hollow echo inside.

They overshare weirdly fast. First conversation? Congrats, you now know about their third-grade trauma and their mom’s weird obsession with Tupperware. It’s like emotional diarrhea: uncontrollable, messy, and a cry for connection they don’t even realize they’re making.

They get way too invested in minor social interactions. The barista remembered their name? That’s the emotional highlight of their month now. They’re writing about it in their journal tonight.

They cling to any group or friend who gives them an ounce of attention. Book club? Bowling league? Interpretive dance class for introverts? They’re signing up just to hear someone say, “See you next week.”

They’re the ultimate “life of the party” but go home feeling like they were never actually seen. Because if you're entertaining enough, nobody looks too closely at the emptiness.

Their texts are weirdly enthusiastic at 2 a.m. "OMG WE HAVE TO HANG OUT!!!!" followed by weeks of silence. It’s not flakiness, it’s a tidal wave of loneliness crashing into a wall of shame.

They constantly post selfies, group photos, “Having so much fun!!” posts… and yet, somehow, you can smell the loneliness through the screen. (If you could bottle that vibe, it would smell like stale wine and unsent texts.)

They stay in bad relationships just to not feel alone. Red flags? They’ve knitted a full quilt out of them. Because someone is better than no one, right? (It’s not.)

They sabotage good relationships because vulnerability is scarier than loneliness. "If I push them away first, they can’t hurt me!" - them, crying alone on a Friday night, claiming they're just "enjoying some me-time."

They have this glazed look when people talk about “close friends.” Like they know what it’s supposed to feel like, but they’re running on Google Image results and secondhand memories from coming-of-age movies.

𝗦im𝗯𝗼𝗹os 𝗽ar𝗮 𝘂sa𝗿 𝗲m 𝗯io𝘀 𝘀oft𝘀

- symbols to use in bios softs ♡

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↻ ◃◁ II ▷▹ ⇄

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🅐🅑🅒🅓🅔🅕🅖🅗🅘🅙🅚🅛🅜🅝🅞🅟🅠🅡🅢🅣🅤🅥🅦🅧🅨🅩

🄰🄱🄲🄳🄴🄵🄶🄷🄸🄹🄺🄻🄼🄽🄾🄿🅀🅁🅂🅃🅄🅅🅆🅇🅈🅉

ᵃᵇᶜᵈᵉᶠᵍʰⁱʲᵏˡᵐⁿᵒᵖᵠʳˢᵗᵘᵛʷˣʸᶻ

ᴀʙᴄᴅᴇғɢʜɪᴊᴋʟᴍɴᴏᴘϙʀsᴛᴜᴡxʏᴢ

Romance List Prompts

Forced Proximity “Oops, There’s Only One Bed” & Other Nightmares (aka: trapped together, forced to talk, and now I’m noticing your eyelashes??)

✧ They hate each other. Of course they do. But now they’re snowed in at the same remote cabin. One bed. No signal. Nowhere to run from each other or their feelings. ✧ They barely know each other, just enough to be annoyed in passing. Then they get stuck between floors, in the dark, and suddenly all the things they don’t say become impossible to ignore. ✧ They agree to a long-haul drive for mutual convenience. Cue broken-down car, sketchy motel, and sharing snacks like it’s an act of war. By night two, they’re sleeping back-to-back and trying not to notice how quiet it gets when the other person isn’t talking. ✧ They’re both responsible for watching someone else's pet/kid/home. They bicker like divorced parents. They bond over chaos. And somewhere between late-night takeout and arguing over dishes, they accidentally become something like a couple.

Forbidden Romance “We Shouldn’t, But God We Want To” (aka: slow burn with a side of inner turmoil)

✧ They were raised to hate each other. But then they meet, outside the context, outside the war, and start to realize they’re not what they were taught. And it wrecks them both. ✧ They’re assigned to protect someone who is completely off limits. Flirting is forbidden. Feelings are dangerous. And yet? Every glance feels like a confession they can’t afford to say out loud. ✧ Teacher/Instructor x Student, but make it ethical and age-appropriate. It’s a short-term class, a writing retreat, a combat training course. The power dynamic is there, but so is the connection. They try to keep it professional. They fail. Beautifully. ✧ Best Friend’s Sibling... They’re off limits. Point blank. But the tension? The tension is screaming. Especially when the best friend keeps leaving them alone together, completely unaware.

 Grumpy x Sunshine “Why Are You Like This?” (aka: emotionally constipated x aggressively full of feelings)

✧ Roommates from Opposite Vibes... One’s all color-coded calendars and 7AM smoothies. The other hasn’t done laundry in three weeks and growls before coffee. They clash. But one rainy day, the sunshine one leaves soup on the grump’s desk with a dumb little smiley note. It breaks them. ✧ Coffee Shop Owner x Frequent Customer... Grump runs the quiet, broody café. Sunshine comes in every morning with messy hair and too much enthusiasm. The barista rolls their eyes, but they always remember their order. Always. ✧ Hired for the Same Job. Grump is practical. Sunshine is chaotic. They’re forced to collaborate. The tension is delicious. Especially when the sunshine one starts to get under the grump’s skin and into their heart. ✧ They're on a team. The world is ending. The sunshine one makes jokes to stay sane. The grump one acts like they don’t care, until the sunshine one gets hurt. Then suddenly they’re soft, scared, and furious about it.

 Extra Angst & Emotional Damage For the Writers Who Like to Hurt (and Heal)

✧ “You Remembered?” They thought the other didn’t care. They’re used to being forgotten. But then, in the quiet, the other person says something, something small, something specific, and it hits like a train. ✧ “I Would’ve Picked You Every Time” They lost each other once. Circumstances. Timing. Fear. Years later, they meet again. And this time? This time the truth comes out. And it’s raw, and ugly, and healing. ✧ “Don’t Look at Me Like That” They’re breaking. Mid-fight. Mid-confession. One of them cracks and says the thing they swore they wouldn’t say. The other just looks at them soft, wide-eyed and it’s too much. ✧ “I Never Stopped Loving You” Classic. Heart-shattering. Should only be used when you want your readers to cry at 2AM while whispering “why did you do this to me”.