"a healthy fruit is not to eat til' it rots!"
this lyric plagues my nightmares because what in the fuck did trina mean by this in the obc?? and/or am I even getting this lyric right??? or is my brain just demented
-write the thing that critics are calling the greatest thing they’ve ever seen
-get invited to the queen’s castle
-get knighted by her
-get told by her that Shakespeare is Not any good Not any good Not any good Not any good and that his plays make her vomit
-get told by her that nothing is as good as your musical omelette
-boast about this to him while aggressively tap dancing and singing
Hello, tumblr user. Before you is a tumblr post asking you to name a female fictional character. You have unlimited time to tag a female character, NOT a male one.
Begin.
you edit my willrick insanity I'll edit yours
do we have a deal 👁️👄👁️
so many invincible authors on ao3 kill off rick to push canon william and literally any mark variant together but consider
what if a mark variant tried to take william and rick killed the variant?
is this something?? it's one of those shower thoughts you're not fully sure about but you gotta see if anyone agrees just for the hell of it
gonna be totally honest, half the time tom IS a toddler.
why does he hold a mug like a toddler?
@boredsoup , first redraw all done, starting on the next!
guys i love everyone here
and it should've felt good but i can hear the jaws theme song on repeat in the back of my mind
watching waitress for the first time for the sake of the whizzvin '50s diner au me and my friend are making wish me luck
(I'm... making an animatic)
I'm back with more absolutely rabid analyzations!
I've kinda had this circling my mind for a while, but every time I find myself relistening to falsettos (the 2016 revival) I notice a very specific difference in the way marvin/christian borle sings from act one and two.
like, I'm sure it's MEANT to be different, of course, it's a sung-through musical and a difference in the way the actors sing when time passes makes logical sense...
but I've always kinda realized that in certain parts marvin just... has a higher voice, especially in act two.
there's some bits and pieces of it scattered throughout act one, but take ttofl for example, the whole time marvin relies solely on one note, and occasionally shifts up the octave but only when singing alongside or arguing against whizzer─ but technically it can also switch, shone in their fight about their disputes and regular diagreeance.
("won't,"⬆️ "don't"⬇️ "won't" ⬆️ "DON'T." ⬇️⬇️⬇️)
-for another example of them fighting and marvin actually pitching UP his voice to be over whizzer's, see the beginning when they are arguing about how many months they've been together.-
and thus, I have rallied up this info (could I be delusional? probably.) to bring you a headcanon, consisting of:
marvin pitching his voice down to fit the role of the more 'masculine' man.
I COULD BE WRONG. TAKE THIS WITH A GRAIN OF SALT. BUT I HAVE CONVINCED MYSELF THIS IS SOMEWHAT REAL.
also I just thought it would make a good fic / oneshot premise, idk.
anyhow, take this as you will, I might've relistened to this album too many times and now my brain is scrambled.
marvin also just has a higher voice in my head because every other actor opposed to cborle, mostly, has a high /ish voice.
thank you for your time, lol, have fun knowing this exists 😁
THE WILLRICK FIC IS OUT!! AND CAN BE FOUND HERE
to commemorate these goobs I present you with my recent willrick fanart, which I will be linking to the fic aswell!!
I love them sm :,)
a very big thank you to @weirdo-with-a-potato for expertly editing my draft!! eee thankyou <3
I'm back! (to wreak havoc, of course) welcome to my chaos, it's gone un-updated for.. one year? two, mayhaps?anyhow, hello!enjoy my gorgeous insanity
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