“Where are your Matoran, Bahtu? I’ve seen no one on the hike up here.”
The Turaga fiddled idly with his stick. His eyes wandered around the empty village.
“They are…they are gone, old friend.”
“Gone?”
“Yes.”
“Gone where? And why? What happened?”
“They were…broken.”
“Explain! Who did this?”
“Now calm yourself, my friend. My nerves are not what they used to be.”
The Toa stepped forward, lowering his voice.
“Tell me what happened, Bahtu. Was it Zygl–”
The Turaga began to speak gravely:
“It started with small things, you see. Day by day. Small changes. Small…deviations. A lost minute here or there. A construction made slightly different from the Standard. A repair completed with…I don’t have the word…” The Turaga gestured limply, “…a ‘flourish’, maybe, as the Great Beings might have said. Maybe that.”
“I don’t underst–”
“–All still workable, to be sure,” the Turaga continued unbothered. “Still workable, but…but deviant, you see. Not according to the Great Standard. The Saa Nui is very demanding if us, as you know. And to stray would be disastrous.”
“So you say. And what then?”
“Oh, what then…let me see. Well, then came other strange things. The Matoran would…would talk to each other. Have you ever heard of such a thing? Not simply transmitting information, I mean, but…but talking for its own sake. I would catch them sometimes, coming around a corner, speaking about something or other that was clearly beyond the scope of that moment’s Duty. And though I corrected them, still they persisted. Even worse: they whispered instead. So many whispers. The village was full of whispering, day and night. I could not stop them all.”
“Go on.”
“Oh yes, yes, and then there were questions.”
“Questions are not out of the ordinary.”
“Of course not, no…but these questions were different. They began to ask all manner of things, inane things, like ‘Why do the sky-stars burn out at night?’ or ‘Where does the Great Spirit live?’ Once, one even asked me ‘Why should we work to fulfill our Duty?’”
The Turaga shook his head, “I was aghast, as you may imagine. I did not know what to say! I sent that Matoran away to work on the mountainside, away from the others, for a time, lest they…lest they ‘talk’ about it.”
“I still do not see what–”
“–And that’s not even the worst of it! Oh, my friend, one day…One day, they asked me for names. New names. Can you imagine it? Each and every one of them I named when they were brought forth from the eles raliska–gave them the embodiment of their Duty, their place in our world, and they thought they knew better! I could not bear it then. So…I sent them…away.”
“Where? To work on the mountainside?” The Toa looked up, scanning the hills in the distance, “Where did you send them?”
“No…to be mended.”
A light breeze made the thorn-trees rattle on the edge of the village. The shadows of the crumbling huts crept longer. The Turaga stopped fidgeting.
“You sent them to–”
“–To Him, yes! It was the only thing to be done.”
The Turaga began to gesture agitatedly, his words pouring out faster: “I put forth the summons, you see, and the Great Crabs came up from the sea, and–”
The Toa stepped closer, cutting him off:
“You know that few have ever returned from His Land. You know this.”
“Oh…I know. But it was right. They were too far gone. It would have been a disaster if I hadn’t. And if they do not return, then…well, more can be called up, if Mata wills it, and I will give them their names, and…”
“How long ago.”
“I…oh…perhaps some days–”
“–all of them?–”
“–…or years?” the Turaga mused. “My timing is all off now, you see, without the rhythm of their work. But it will soon be put right. Soon. Do not worry.”
“Years…” The Toa shook his head, “So you have been here alone, all this time. Doing nothing.”
“Waiting! Preparing! It will all be put right soon. Soon! You’ll see.”
“I cannot see that. The village is…”
The Toa looked around at the ruins of the village once more, lapsing into silence.
“They were broken, old friend. I could not let them suffer in that way. It was not right.”
“Did they fail in their work?”
“They deviated. It was necessary.”
A long silence followed.
“I see now,” the Toa said at last, in a quiet voice.
“Ah, that is good. You are a Toa, after all! Of all beings, you would understand. It had to be done, to keep the order of the world. It is what we are made for, you and I.”
Lesovikk’s hands closed slowly, slowly into fists, clenching until the armor of his gauntlets creaked. His gaze narrowed to a point, fixed upon the small, pathetic being before him. The wind died.
“I am not a Toa anymore.”
Ok wait let her speak
foam loam loom boom boot bolt molt malt male gale game tame tome tone tune tube lube lobe robe rote mote moth mosh posh pooh pool cool :)
choosing to allocate spoons to hanging out and having a good time at the cost of perfectly completing all your work is not a failing it is in fact an act of survival. “too sick to work = too sick to play” is in fact ableist bullshit that you don’t have to buy into. and the fact that leisure time is treated like a privilege is a fucking travesty
oh no , the dog is drinking the wave equation
hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
Bionicle sketches
(Only have two more left to draw)
i dread having to negotiate a salary or a major purchase, or do any kind of haggling.
there's a real person right there in front of me and they do not want what is best for me. they are going to try to harm me, even if it's only financial harm. i care about other people, right? i don't want to hurt them by making them accept a bad deal. i want to surrender, to let them have whatever they want, but i’m not allowed to. i’m punished if i do.
above all, i loathe the fact that i'm supposed to be nice and pretend that we're friendly when money is turning us into enemies.
it's only one sample because the sample taken is an Atomic Thing. you can't separate it into the samples it was made of and use each of those in different ways from the first sampler without failing to sample the first sampler.
(context for this one: I'm talking mostly about long medleys that sample or quote a couple dozen different songs, a genre where it's normal to indicate precisely how many songs have been sampled, and to assign a number to each sample used. see ryuupekosi for an example of this in my own work.)