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A fish pie for Itzutsumi (doesn't have fish man in).
Flowery pattern, 2023
I’m in pretty confused mood today
Organize myself through expression, no biggie
Day 18, relation
In this artwork I can see classic composition
Or is there another reason why I feel like I’ve already seen it?
Panorama, 2021
I usually don’t carry such artworks, but here is a contexture that feels so canon and right, I couldn’t pass.
Actually it is assembled from three different parts, you may see the seams.
Apples, 2021
I’ve almost gone crazy
Blush, 2021
sunset under the tree
Dance!
New work but feels a bit from past
saturation
Really proud with this one
This was a request and at first I wasn’t sure if I had anything to provide with, but as it turn out it got a little longer than I expected because there were actually things I had to say!! Wow!!
Anyway, this is some guidelines I follow when I try to make the face expressfull, more specifically the mouth! It is often neglected, since it’s actually pretty hard, I’ll admit. But I’m here to help (hopefully…)! A mouth expression tutorial as per request. Enjoy and hopefully it will help some a little. ʕ•ᴥ•ʔ
This is super important. The upper jaw follows the angle of the head, and the lower jaw will depend on how open it is. Make sure you have a rough estimate of where the teeth are, and how much of them you’re going to see!
The lips will VERY roughly follow the same angle as the teeth. It really depends on the character, but it gives you a sense at least.
If you DON’T do this, you’re going to lose so much volume and the mouth is going to end up looking unrelatable. I showed this example in this tutorial:
The cheeks, chin, and tongue play a role too!
Try look at your own mouth or references! I have a very pliable and large mouth, so that’s one reason why my characters have it too lmao.
I cannot emphasize how important asymmetry is when drawing expressions. It applies not only to the eyebrows to achieve the Dreamwork Face™, but also the mouth. Seriously if you draw a symmetric mouth I will deliver myself to your mailbox and then shout at you until you fix it.
Look at the difference between these two for example: which one has more “life”?
I think you get the idea.
Here’s an old drawing I have but it illustrates how I think when I squish the mouth, and use folding and wrinkles to my advantage.
Look at your own face and see where skin bundles up, where it creases the most and when bumps appear on your chin. Subtle details makes all the difference!
One VERY effective detail is illustrated in the first sketch, where I pull upwards on one side, and downwards on the other. That’s a good detail to use when the character is making a skewed expression, or is extremely frustrated. I encourage you to play around with that concept bc it’s ~super effective~!
Happy: Your entire mouth is pushed upwards, not just the corners of your mouth!
I tend to draw a :3 mouth bc I’ve been drawing Lance too much….. You don’t have to but it’s basically imprinted in my motor memory by now.
Pouting/frowning: corners are pushed down, middle pushed slightly up. Sometimes, there’s a slight dip in the middle too. It can give a sense that the character is biting their lips.
Showing frustration/intimidating/is intimidated: basically showing a lot of teeth. The corners are as open as possible and the middle sorta more squished. An extremely important detail here is showing some of the gums, and open space between the cheeks and teeth. That way it looks like the mouth it open to it’s full potential. Here is also where you basically MUST add folds and bumps, or else it’s not going to look relatable.
(Here I am again with the pulling upwards on one side and downwards on the other, as illustrated on the last sketch)
And then again, here’s just another doodle showing how important it is to show the gums. It’s the same face twice, but the second one looks slightly more frustrated doesn’t it?
(from my other tutorial on how to draw facial expressions)
As you can see, this last one is very versatile and I draw it a lot. Play around with the basic shape and see how much subtle details makes a lot of difference!
I hope that cleared some things up and was somewhat helpful! Enjoy drawing ✨
PH has deleted most of its videos for complaints due to a NYT article, most Hentai videos have been deleted, I think their accounts too, but Hentai doesn't hurt somebody, that was a mistake, maybe a fast solution 😭💔▶📱💻⌨🖱🌐 #complaint #videos #deleted #internet #ecchilife #free #expression #anime #newyorktimes (at Guayaquil, Ecuador, Sudamerica) https://www.instagram.com/p/CI1w5xer_Rl/?igshid=19gu0gv219mka
After the older stories by the Grimm Brothers, A Picture of Dorian Gray, and The Lottery in high school--finding the newly written “The Pillowman” was like a breath of fresh air. Another story that twisted your world upside down and had an element of supernatural while also being so accurate about the aspects and attitudes of human nature, just made me feel so at peace.
The Pillowman is fascinating to me as overall it’s a short story, quick read but has so much depth. There is very little filler, you find out what you need and that’s that. Also, there is great complexity and skill to someone who can make you sympathize with someone who should be seen as evil--whether or not they truly are evil or that sympathy is warranted
I think 'This is my last pigeon' should be an exclamation
(source)
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I think one of the greatest realizations I ever made was that I didn't have to choose between masculinity and femininity
Homestuck head shot warm ups. Clicc for full pics.
(Roxys my favorite out of all of these quick sketches tbh.)
ambient d’expressió - Escola Balandrau (Girona). Barcelona. 2015.
Il·lustració per a la col·lecció de cartells de les aules de l'Escola d'educació infantil i primària Balandrau de Girona.
r u capable of finding your voice & speaking it?
r u capable of expressing your true feelings?
to yourself first