Writing Tips Master Post

What to Give a Sh*t About While Brainstorming Your Book

(A.K.A. Before You Even Touch That Shiny Blank Page)

↳ What You’re Actually Obsessed With Stop trying to write what’s trendy. What do you spiral about at 2 a.m.? What ideas make you grin like a gremlin and mutter, “Ohhh, that’s juicy”? That’s your story. Chase that weird, niche, can’t-let-it-go stuff. Your obsession will be the fuel that drags you through chapter 27 when everything sucks and you kind of want to fake your own death.

↳ Your Story’s “Why the Hell Should Anyone Care?” Not in a mean way. But genuinely—why should a stranger give up sleep to read this? What itch does it scratch? What feeling does it deliver? Figure that out early and let it guide you like a tiny emotional compass. If you can’t answer it yet, cool. But keep poking at it until you can.

↳ A Character With Big, Messy Feelings Don’t start with a plot. Start with a person. A disaster with a wound and a want. Someone who wants something so badly it makes them do unwise things. Get to know them like a nosy therapist. Let them tell you what kind of story they want to be in.

↳ Conflict That Isn’t Just Vibes Mood boards are fun. But conflict is what makes a story move. Make sure you’ve got some stakes, emotional, relational, existential, literal. If your idea doesn’t have anything to push against, it’s not a story yet. It’s an inspiration board.

↳ A Rough Emotional Shape Not an outline. Not yet. Just… the feeling. Where does it start (lonely)? Where does it go (rage)? Where does it end (hopeful)? Think of your book like a rollercoaster. You need the high points, low points, and those slow creaky climbs that make people scream. If it’s all flat? Snoozefest.

↳ The One Vibe You Want to Nail Every great book has a thing. An atmosphere. A flavor. Your job during brainstorming is to catch the scent of it. Is it spooky and tender? Funny and tragic? Cozy but secretly brutal? Whatever it is, write it down. Tattoo it on your brain. Let it infect every scene.

↳ Something You’re Scared to Write About You don’t have to go here. But if something in your gut says, “Oh god, I could never write about that”… maybe poke it. Maybe there’s gold in there. Maybe the story wants to heal something. You don’t have to bleed for your art—but if it makes you uncomfortable in a thrilling way? That’s your fire.

𝐂𝐇𝐈𝐀𝐑𝐎𝐒𝐂𝐔𝐑𝐎   is   a   text   generator   designed   specifically   for   roleplayers   using   discord.   It   helps   you   format   your   text   with   ease,   ready   to   be   used   in   Discord,   making   your   roleplay   posts   stand   out.   This   is   my   first   attempt   at   a   generator.   If   it   has   any   bugs   feel   free   to   dm   or   inbox   me.   Please, like or reblog if it helps with your interactions.

›    𝐅𝐄𝐀𝐓𝐔𝐑𝐄𝐒    :  

Bold,   Italic,   Strikethrough,   and   Underline    ›    Want   to   make   something   bold   or   italic?   You   can   click   the   B,   I,   S,   or   U   buttons   to   quickly   format   your   text   while   typing   in   the   editor.

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Markdown-Ready   Text    ›    Once   you're   done   typing   and   formatting   your   text,   click   the   Generate   Discord   Format   button.   Your   text   will   be   converted   into   Discord's   markdown   syntax,   ready   to   copy   and   paste   into   your   chat!

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This   tool   uses   some   simple   coding   magic   behind   the   scenes.   Built   using   Quill.js,   a   text   editor   library,   and   some   custom   JavaScript,   it   allows   you   to   format   text   in   real   time.   When   you   apply   styles   (like   bold   or   italic),   it   changes   the   text   instantly,   and   when   you   hit   Generate,   it   converts   it   into   the   markdown   format   used   in   Discord.

Romance List Prompts

Forced Proximity “Oops, There’s Only One Bed” & Other Nightmares (aka: trapped together, forced to talk, and now I’m noticing your eyelashes??)

✧ They hate each other. Of course they do. But now they’re snowed in at the same remote cabin. One bed. No signal. Nowhere to run from each other or their feelings. ✧ They barely know each other, just enough to be annoyed in passing. Then they get stuck between floors, in the dark, and suddenly all the things they don’t say become impossible to ignore. ✧ They agree to a long-haul drive for mutual convenience. Cue broken-down car, sketchy motel, and sharing snacks like it’s an act of war. By night two, they’re sleeping back-to-back and trying not to notice how quiet it gets when the other person isn’t talking. ✧ They’re both responsible for watching someone else's pet/kid/home. They bicker like divorced parents. They bond over chaos. And somewhere between late-night takeout and arguing over dishes, they accidentally become something like a couple.

Forbidden Romance “We Shouldn’t, But God We Want To” (aka: slow burn with a side of inner turmoil)

✧ They were raised to hate each other. But then they meet, outside the context, outside the war, and start to realize they’re not what they were taught. And it wrecks them both. ✧ They’re assigned to protect someone who is completely off limits. Flirting is forbidden. Feelings are dangerous. And yet? Every glance feels like a confession they can’t afford to say out loud. ✧ Teacher/Instructor x Student, but make it ethical and age-appropriate. It’s a short-term class, a writing retreat, a combat training course. The power dynamic is there, but so is the connection. They try to keep it professional. They fail. Beautifully. ✧ Best Friend’s Sibling... They’re off limits. Point blank. But the tension? The tension is screaming. Especially when the best friend keeps leaving them alone together, completely unaware.

 Grumpy x Sunshine “Why Are You Like This?” (aka: emotionally constipated x aggressively full of feelings)

✧ Roommates from Opposite Vibes... One’s all color-coded calendars and 7AM smoothies. The other hasn’t done laundry in three weeks and growls before coffee. They clash. But one rainy day, the sunshine one leaves soup on the grump’s desk with a dumb little smiley note. It breaks them. ✧ Coffee Shop Owner x Frequent Customer... Grump runs the quiet, broody café. Sunshine comes in every morning with messy hair and too much enthusiasm. The barista rolls their eyes, but they always remember their order. Always. ✧ Hired for the Same Job. Grump is practical. Sunshine is chaotic. They’re forced to collaborate. The tension is delicious. Especially when the sunshine one starts to get under the grump’s skin and into their heart. ✧ They're on a team. The world is ending. The sunshine one makes jokes to stay sane. The grump one acts like they don’t care, until the sunshine one gets hurt. Then suddenly they’re soft, scared, and furious about it.

 Extra Angst & Emotional Damage For the Writers Who Like to Hurt (and Heal)

✧ “You Remembered?” They thought the other didn’t care. They’re used to being forgotten. But then, in the quiet, the other person says something, something small, something specific, and it hits like a train. ✧ “I Would’ve Picked You Every Time” They lost each other once. Circumstances. Timing. Fear. Years later, they meet again. And this time? This time the truth comes out. And it’s raw, and ugly, and healing. ✧ “Don’t Look at Me Like That” They’re breaking. Mid-fight. Mid-confession. One of them cracks and says the thing they swore they wouldn’t say. The other just looks at them soft, wide-eyed and it’s too much. ✧ “I Never Stopped Loving You” Classic. Heart-shattering. Should only be used when you want your readers to cry at 2AM while whispering “why did you do this to me”.

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Note: everyone is entitled to their own opinion. No I am NOT telling people to abandon said and use these. Yes I understand that said is often good enough, but sometimes you WANT to draw attention to how the character is speaking. If you think adding an action/movement to your dialogue is 'good enough' hate to break it to you but that ruins immersion much more than a casual 'mumbled'. And for the last time: this is just a resource list, CALM DOWN. Hope that covers all the annoyingly redundant replies :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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How a Character’s Anger Can Show Up Quietly

Anger doesn’t always slam doors. Sometimes it simmers. Sometimes it cuts.

╰ They go still. Not calm... still. Like something is pulling tight inside them.

╰ They smile, but their eyes? Cold. Flat. Done.

╰ Their voice gets quieter, not louder. Controlled. Measured. Weaponized.

╰ They ask questions they already know the answers to, just to watch someone squirm.

╰ Their words are clipped. Polite. But razor-sharp.

╰ They laugh once. Without humor. You know the one.

╰ They leave the room without explanation, and when they come back? Different energy. Ice where fire was.

♡ google docs template: VERSION UP

pt-br: Eu fiz esse template pra usar no meu blog de muses e já quis aproveitar pra compartilhar ele aqui. É bem simplesinho, porque é literalmente o primeiro template de docs que eu já fiz, ele é de uma página (se você escrever o suficiente pra passar de uma página, vai ficar estranho) para um personagem só. Para usar é só ir em arquivo > fazer uma cópia. E para trocar a imagem, é só clicar com botão direito > substituir imagem. Não remova os créditos. E, por favor, deixe seu like e reblog, caso vá usar.

eng: I made this template for my muses blog, and now I'm sharing it. It's very simple, because it's the first template I've ever made. It's a single-page single-muse template (if you write more than one page, it'll look weird). To use it, just click on file > make a copy. And to change the picture right click > replace image. Don't remove the credits. And, please, like and reblog if you're using it.

DOWNLOAD HERE (or click the source link)

Overused Words in Writing & How to Avoid Them

We’ve all got our comfort words—those trusty adjectives, verbs, or phrases we lean on like a crutch. But when certain words show up too often, they lose their impact, leaving your writing feeling repetitive or uninspired.

1. “Very” and Its Cousins

Why It’s Overused: It’s easy to tack on “very” for emphasis, but it’s vague and doesn’t pull its weight.

Instead of: “She was very tired.” Try: “She was exhausted.” / “She dragged her feet like lead weights.”

💡 Tip: Use precise, vivid descriptions rather than vague intensifiers.

2. “Looked” and “Saw”

Why It’s Overused: It’s functional but flat, and it often tells instead of shows.

Instead of: “He looked at her in disbelief.” Try: “His eyebrows shot up, his lips parting as if words had failed him.”

💡 Tip: Focus on body language or sensory details instead of relying on generic verbs.

3. “Suddenly”

Why It’s Overused: It’s often used to create surprise, but it tells readers how to feel instead of letting the scene deliver the shock.

Instead of: “Suddenly, the door slammed shut.” Try: “The door slammed shut, the sound ricocheting through the empty room.”

💡 Tip: Let the action or pacing create urgency without needing to announce it.

4. “Said” (When Overdone or Misused)

Why It’s Overused: While “said” is often invisible and functional, using it in every dialogue tag can feel robotic.

Instead of: “I can’t believe it,” she said. “Me neither,” he said. Try: Replace with an action: “I can’t believe it.” She ran a hand through her hair, pacing. “Me neither.” He leaned against the counter, arms crossed.

💡 Tip: Don’t ditch “said” entirely; just mix it up with context clues or action beats.

5. “Felt”

Why It’s Overused: It’s a shortcut that tells instead of showing emotions.

Instead of: “She felt nervous.” Try: “Her palms slicked with sweat, and she couldn’t stop her leg from bouncing.”

💡 Tip: Let readers infer emotions through sensory details or behavior.

6. “Really” and “Actually”

Why It’s Overused: They add little to your sentences and can dilute the impact of stronger words.

Instead of: “I really don’t think that’s a good idea.” Try: “I don’t think that’s a good idea.”

💡 Tip: If a sentence works without these words, cut them.

7. “Walked” or “Ran”

Why It’s Overused: These are go-to movement words, but they can feel bland when used repeatedly.

Instead of: “He walked into the room.” Try: “He strolled in like he owned the place.” / “He shuffled in, avoiding everyone’s eyes.”

💡 Tip: Use verbs that convey mood, speed, or attitude.

8. “Just”

Why It’s Overused: It sneaks into sentences unnecessarily, weakening your prose.

Instead of: “I just wanted to say I’m sorry.” Try: “I wanted to say I’m sorry.”

💡 Tip: Delete “just” unless it adds essential nuance.

9. “Thought”

Why It’s Overused: It tells readers what a character is thinking instead of showing it through internal dialogue or action.

Instead of: “She thought he might be lying.” Try: “His story didn’t add up. The timelines didn’t match, and he wouldn’t meet her eyes.”

💡 Tip: Immerse readers in the character’s perspective without announcing their thoughts.

10. “Nice” and Other Vague Adjectives

Why It’s Overused: It’s generic and doesn’t give readers a clear picture.

Instead of: “He was a nice guy.” Try: “He always remembered her coffee order and held the door open, even when his arms were full.”

💡 Tip: Show qualities through actions instead of relying on vague descriptors.

Final Tips for Avoiding Overused Words:

1. Use a thesaurus wisely: Swap overused words for synonyms, but stay true to your character’s voice and the scene’s tone.

2. Read your work aloud: You’ll catch repetitive patterns and clunky phrases more easily.

3. Edit in layers: Focus on eliminating overused words during your second or third pass, not your first draft.

The fuck are you supposed to do with the semicolon ; ?

We’ve discussed the comma and the dash brothers—finally, the time has come for the less sexy relative: the semicolon. But how do we use it?

1. To link two related independent sentences

He didn’t believe in fate; she made him reconsider.

The forest was silent; even the wind held its breath.

Slap a semicolon between two complete sentences that are closely related but not joined by a coordinating conjunction (like and, but, or so). This creates a subtle pause—somewhere between a comma and a period—and it shows the relationship between the two sentences.

2. To separate items in a complex list

She packed her bags with care: a red silk dress, delicate and expensive; an old photograph, creased and faded; and a knife, sharp as her resolve.

As you can see, semicolons help with clarity. If the items in your list already contain commas, use semicolons to avoid confusion.

3.  To balance contrast or comparison

He spoke in riddles; she answered in truths.

The sun warmed their backs; the storm waited ahead.

Here we have a slightly sexier use of semicolons. They can elegantly balance two ideas that contrast or reflect one another.

Plot Twists & Foreshadowing

A list of resources to help you with plot twists and foreshadowing.

Writing Notes: Plot Twists A helpful guide with advice and suggestions for how to write a plot twist.

How to Hide Plot Twists from Your Readers and Your Characters A helpful guide with advice for how to hide plot twists from both your readers and your characters until the reveal.

Subtle Ways to Include Foreshadowing A list of ideas for how to incorporate foreshadowing into your writing.

How to Write a Plot Twist A short list of ways to write a plot twist.

The Point of Foreshadowing A tumblr thread that explains the point of foreshadowing.

For more resources on writing a story’s plot, check out some others I’ve shared: Writing Your Story’s Plot How to Write a Scene

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I’m a writer, poet, and editor. I share writing resources that I’ve collected over the years and found helpful for my own writing. If you like my blog, follow me for more resources! ♡

Write Characters Who Feel Dangerous (Even If They’re "Good")

╰ Make their unpredictability a feature, not a bug

A dangerous character isn’t just the guy with the gun. It’s the one you can’t quite predict. Maybe they’re chaotic-good. Maybe they’re lawful-evil. Maybe they’re smiling while they’re plotting the next five ways to ruin your day. If the reader can’t tell exactly what they’ll do next — congrats, you’ve made them dangerous.

╰ Give them a weapon that's personal

Anyone can have a sword. Yawn. Give your character a weapon that says something about them. A violin bow turned garrote. A candy tin full of arsenic. Their own charisma as a leash. The weapon isn’t just what they fight with, it’s how they are.

╰ Let them choose not to strike and make that scarier

Sometimes not acting is the biggest flex. A truly dangerous character doesn’t need to explode to be terrifying. They can sit back, cross their legs, sip their coffee, and say, “Not yet.” Instant chills.

╰ Layer their menace with something else, humor, kindness, sadness

One-note villains (or heroes!) are boring. A dangerous character should make you like them right up until you realize you shouldn’t have. Let them charm. Let them save the kitten. Let them do something that makes the eventual threat feel like betrayal.

╰ Show how other characters react to them

If every character treats them like a nuclear bomb in the room, your reader will, too. Even if your dangerous character is polite and quiet, the dog that won’t go near them or the boss who flinches when they smile will sell the danger harder than a blood-soaked axe.

╰ Make their danger internal as well as external

It’s not just what they can do to others. It’s what they’re fighting inside themselves. The anger. The boredom. The itch for chaos. Make them a little bit scary even to themselves, and suddenly they’re alive in ways pure external "baddies" never are.

╰ Don't make them immune to consequences

Even the most dangerous characters should get hit—physically, emotionally, socially. Otherwise, they turn into invincible cartoons. Let them lose sometimes. Let them bleed. It’ll make every moment they win feel twice as earned (and twice as scary).

╰ Tie their danger to what they love

Real threats aren't powered by anger; they're powered by love. Protectiveness can be feral. Loyalty can turn into violence. A character who's dangerous because they care about something? That's a nuclear reactor in a leather jacket.

╰ Remember: danger is a vibe, not a body count

Your character doesn’t have to kill anyone to be dangerous. Sometimes just a glance. A whispered rumor. A quiet, calculated decision to leave you alive — for now. Dangerous characters control the room without ever raising their voice.