Headcanon: The Specific Wording Here, “all The Tales Told By His Species”, Isn’t Just A Shorthand

Headcanon: The Specific Wording Here, “all The Tales Told By His Species”, Isn’t Just A Shorthand

Headcanon: The specific wording here, “all the tales told by his species”, isn’t just a shorthand for “all the tales told about Irnakk by his species”. Rather, it’s a convention in Skakdi storytelling that the end of every story features a gruesome murder of all the characters by Irnakk, even if it has nothing to do with him. Not writing this scene indicates the author needs the characters alive for a sequel.

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1 year ago

The way I see it, there are two kinds of shame:

Shame for doing something actually bad

Shame for doing something others/society has told you is bad

The first includes things that actually cause harm to someone, like a thoughtless comment or stepping on your dog's paw, etc. These are actions which require acknowledgement and amends.

The second is much broader, and includes everything from liking bad movies to being queer. These are things that may be unusual but are ultimately harmless. Someone or something in your life has just treated that oddity as a transgression, and one way or another you've internalized that perspective.

In my opinion it is crucially important for your well-being to be able to separate the two. If you don't, and you're treating the shame of having punched someone identically to liking a critically-panned movie, you're going to be a anxious wreck. You'll be constantly over-analyzing and policing yourself, feeling like a bad person who's just been really good at hiding it so far.

In the worst cases you might lash out at other people enjoying harmless things, redirecting your shame outward and becoming unable to distinguish truly harmful actions from those you’ve just been taught are bad.

Shame is a feeling that can really eat away at you if you let it. It's best to know when it's appropriate. If it is, you can act on it to resolve what's happened. If it's not, you can let that feeling go so it doesn't take any more from you.

2 years ago
THE MADNESS OF TURAGA

THE MADNESS OF TURAGA

“Where are your Matoran, Bahtu? I’ve seen no one on the hike up here.”

The Turaga fiddled idly with his stick. His eyes wandered around the empty village.

“They are…they are gone, old friend.”

“Gone?”

“Yes.”

“Gone where? And why? What happened?”

“They were…broken.”

“Explain! Who did this?”

“Now calm yourself, my friend. My nerves are not what they used to be.”

The Toa stepped forward, lowering his voice.

“Tell me what happened, Bahtu. Was it Zygl–”

The Turaga began to speak gravely:

“It started with small things, you see. Day by day. Small changes. Small…deviations. A lost minute here or there. A construction made slightly different from the Standard. A repair completed with…I don’t have the word…”  The Turaga gestured limply, “…a ‘flourish’, maybe, as the Great Beings might have said. Maybe that.”

“I don’t underst–”

“–All still workable, to be sure,” the Turaga continued unbothered. “Still workable, but…but deviant, you see. Not according to the Great Standard. The Saa Nui is very demanding if us, as you know. And to stray would be disastrous.”

“So you say. And what then?”

“Oh, what then…let me see. Well, then came other strange things. The Matoran would…would talk to each other. Have you ever heard of such a thing? Not simply transmitting information, I mean, but…but talking for its own sake. I would catch them sometimes, coming around a corner, speaking about something or other that was clearly beyond the scope of that moment’s Duty. And though I corrected them, still they persisted. Even worse: they whispered instead. So many whispers. The village was full of whispering, day and night. I could not stop them all.”

“Go on.”

“Oh yes, yes, and then there were questions.”

“Questions are not out of the ordinary.”

“Of course not, no…but these questions were different. They began to ask all manner of things, inane things, like ‘Why do the sky-stars burn out at night?’ or ‘Where does the Great Spirit live?’ Once, one even asked me ‘Why should we work to fulfill our Duty?’”

The Turaga shook his head, “I was aghast, as you may imagine. I did not know what to say! I sent that Matoran away to work on the mountainside, away from the others, for a time, lest they…lest they ‘talk’ about it.”

“I still do not see what–”

“–And that’s not even the worst of it! Oh, my friend, one day…One day, they asked me for names. New names. Can you imagine it? Each and every one of them I named when they were brought forth from the eles raliska–gave them the embodiment of their Duty, their place in our world, and they thought they knew better! I could not bear it then. So…I sent them…away.”

“Where? To work on the mountainside?” The Toa looked up, scanning the hills in the distance, “Where did you send them?”

“No…to be mended.”

A light breeze made the thorn-trees rattle on the edge of the village. The shadows of the crumbling huts crept longer. The Turaga stopped fidgeting.

“You sent them to–”

“–To Him, yes! It was the only thing to be done.”

The Turaga began to gesture agitatedly, his words pouring out faster: “I put forth the summons, you see, and the Great Crabs came up from the sea, and–”

The Toa stepped closer, cutting him off:

“You know that few have ever returned from His Land. You know this.”

“Oh…I know. But it was right. They were too far gone. It would have been a disaster if I hadn’t. And if they do not return, then…well, more can be called up, if Mata wills it, and I will give them their names, and…”

“How long ago.”

“I…oh…perhaps some days–”

“–all of them?–”

“–…or years?” the Turaga mused. “My timing is all off now, you see, without the rhythm of their work. But it will soon be put right. Soon. Do not worry.”

“Years…” The Toa shook his head, “So you have been here alone, all this time. Doing nothing.”

“Waiting! Preparing! It will all be put right soon. Soon! You’ll see.”

“I cannot see that. The village is…”

The Toa looked around at the ruins of the village once more, lapsing into silence.

“They were broken, old friend. I could not let them suffer in that way. It was not right.”

“Did they fail in their work?”

“They deviated. It was necessary.”

A long silence followed.

“I see now,” the Toa said at last, in a quiet voice.

“Ah, that is good. You are a Toa, after all! Of all beings, you would understand. It had to be done, to keep the order of the world. It is what we are made for, you and I.”

Lesovikk’s hands closed slowly, slowly into fists, clenching until the armor of his gauntlets creaked. His gaze narrowed to a point, fixed upon the small, pathetic being before him. The wind died.

“I am not a Toa anymore.”

2 months ago

reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something

1 year ago

This is gonna sound rather conceited but I feel like it highlights an issue we have in Art.

I'm good at art. I've never had a hard time making art. I started using crayons before I could walk. Painting, Beadwork, sculpture, sketching, stippling, whatever- once I have a feel for the material, it doesn't take long to start doing what I want with it. It's been a common theme my whole life.

(Y contrast I'm awful at things like dancing, performance, sports, etc- in all things there is balance, right?)

Now, I've taught myself to use so many artistic mediums now that I KNOW how to most efficiently integrate them into the brain database. Once you really *understand* a material, it's much like memorizing the layout of your house, or flexing a muscle, or something in-between- it becomes PART of your brain in a way I cant quite articulate. But to get there involves just fucking around for a bit doing nothing in particular.

And I've found, especially in group settings, that nobody seems to be able to see you make something badly and leave you alone. Even if you say you're fine, you don't want help, you're happy, you're having fun, it's fine, they gotta ride your ass and hover.

I was at a class the other day for something I hadn't done before. The medium was one I've never used, so once the instructor told us the basics I started experimenting with weight, gravity, texture, viscosity, saturation, temperature, etc. The instructor had given enough info to know what was dangerous and what was safe, and beyond that I just wanted to absorb what I could about it.

And no insult to the instructor, but they kept checking in. Which was fine the first few times.

But then, without asking me what I was trying to do, started giving tips. That I told them I was grateful for but didn't really need just yet. If I had a question, I'd ask.

But they kept coming over. And touching my shit. And manipulating my project. And touching my hands. And using my tools. Without fucking asking.

And this happens every time. EVERY TIME. And by now I know the best way to get them to fuck off is to make something way beyond their expectations so they know I'm capable, then go back to doing what I want.

So I did. I wanted to keep having fun and learning, but instead I made something beautiful that I really didn't want to make, and wasted my time, and really didn't learn what I wanted to learn at all. I knew the formula to create a beautiful thing, so I followed that formula the same way I have a hundred times before, and didn't get to try anything spontaneous or ugly or exciting, just so I could be left alone.

And I know when I was a kid, I was aware aware people saw me puttering alone on something ugly assumed I had a special issue and treated me like I was stupid because of that. (I was neurodivergent.) And at at time I knew that I could do a neat trick for them like a trained pony and they'd go, "Oh, surely they aren't defective if they can do something like that!" And piss off.

But what if I hadn't known how to do that?

What if I hadn't been talented, or "special"?

What if I'd been just any other average kid trying to learn, and I couldn't pop something pretty out of my ass to get them off my back?

My problem my whole life has been that I haven't been allowed to make anything ugly in peace. I'm capable of beauty, so I have to make beauty, or get stepped on. And once people see what I can do, they get loud about it. "Look at this! Look what they did! We all know who the best is, don't we?". And that used to feel good, but it's tiring.

And how many people like me just wanted to play? Just wanted to have fun and experiment? Who were having fun with no goal in mind, or just took longer to learn, who gave up because of all the obnoxious helpers breathing down their neck with no way to shake them off?

How many of us are made to feel defective because we aren't doing things beautifully?

I have a lovely piece of art I didn't want to make.

I think I'm gonna frame it.*

(*I think I'm gonna burn it in my yard.)

3 months ago

sorry for being weird and evasive. i was raised to believe that having wants and needs was a moral failing

1 year ago

i’m evolved i think pda is actually a good and fine thing even when straight people do it but especially when gay people do. it’s nice to see love in public don’t be a hater grab a loved one and smooch them in line for your pretzel bites or something

3 months ago

What, this? Oh, it’s just my Krana. Yeah, I always wear it while I clean the house, it gets me in the zone.

1 year ago
Lightning

lightning

3 weeks ago

see the THING IS I don't feel like I ever worked hard enough to have "earned" the burnout, which is. probably how we got here.

1 year ago

unsung benefit i think a lot of ppl are sleeping on with using the public library is that i think its a great replacement for the dopamine hit some ppl get from online shopping. it kind of fills that niche of reserving something that you then get to anticipate the arrival of and enjoy when it arrives, but without like, the waste and the money.

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